Kimber Myers

It’s not unpleasant, thanks to the energetic dialogue and songs, but it lacks the fun and focus that made “Pitch Perfect” such a surprise hit worthy of repeat viewings.

There isn’t a lot of insight or depth regarding the bestselling author’s life and experience beyond his career achievements.

This family film feels episodic and entirely aimless. Set pieces that could have been fun feel rushed, and it’s unclear whether the problem originates with moments that weren’t animated or if connecting scenes and shots were cut in post-production.

The documentary is at its strongest when it leans into its variety of subjects, rather than when the director centers on his own history and training. However, he skims over both, and the lack of depth and focus hurts his argument.

Even a cast with this many award wins and nominations can't salvage a script that will have viewers audibly sighing, rather than laughing.

As awful as the events of 1944 were for her, there’s ultimately hope in her story in how it fueled a movement and continues to inspire and push people today.

This documentary won’t provide an exhaustive view of his filmography or life offscreen, but it paints an impressionistic picture that feels almost experimental at times. Simultaneously arty and artful, it refuses to take the standard approach and it will reward cinephiles who want something different than most film biographies can offer.

With its uninspired ending, Alien Invasion: S.U.M.1 squanders its cool concept and a compelling, nearly solo performance by Iwan Rheon.

The script blunts its own emotional impact with coincidences, odd choices and an ending that feels too neat, even for an inspirational film of this nature.

As a screenwriter and director, Goldbloom is green but well-intentioned, with later moments redeeming some early ugliness.

With her debut, Wells demonstrates that she's more than a comedic talent with a wonderfully weird sensibility. As a writer-director, she puts her own stamp on a standard premise, resulting in an unconventional but genuinely enjoyable film.

As unpleasant and inert as its protagonist, "Amanda & Jack Go Glamping" is a romantic comedy that lacks both love and laughs — and likable characters.

No Greater Love may leave viewers emotionally wrecked, but they’ll emerge with additional respect and gratitude for the soldiers’ sacrifice.

Survival stories aren't rare in cinema, but Garcia's journey will make even the most jaded viewers drop their jaws.

Atomic Homefront is a both a fiery indictment of systemic inaction and a tribute to the work of those battling for their families’ safety.

t times, Mully is difficult to watch as it explores the depth of poverty and abuse for some Kenyans. However, Mully’s story is ultimately heartwarming, with the postscript about his family and his efforts offering a balm to the pain.

On a single day, the protagonist of The Truth About Lies is fired from his job, his apartment burns down and his girlfriend dumps him. He has it easy compared to anyone who actually watches this thoroughly unpleasant, unfunny comedy.

While its predecessor at least pleased his fans, writer-director-star Perry’s latest offers few laughs and embarrassing post-production work.

At its heart, Jane is powerful feminist statement about a woman’s passion for and dedication to her career in the face of structural opposition.

The performances don’t always reach the rawness of the subject, but the film will resonate with many people who have experienced similar crises and help others empathize.

It’s a well-intentioned film that wants to help people live healthier lives, but it sometimes appears closer to a feature-length infomercial than a legitimate documentary.

Deftly balancing humor and grief, The Bachelors is fueled by wonderfully human performances and fully realized characters.

The romance lacks the depth that can make a love story feel real, but the performances charm, as does the film’s well-meaning take on culture clashes.

This is an imperfect, if entirely beautiful, film.

Directed by Michael Achilles Nickles, the movie can’t maintain a consistent tone, veering from earnestness to silliness like a bad slice.

There’s little fun to be had for the audience other than in some nicely executed special effects.

Beyond its style, Dementia 13 doesn’t innovate, but it’s a capably made indie that should please genre fans searching for a haunted diversion.

It’s a stunning feat of technology and artistry.