For 667 reviews, this critic has graded:
  • 61% higher than the average critic
  • 3% same as the average critic
  • 36% lower than the average critic
On average, this critic grades 0.7 points higher than other critics. (0-100 point scale)

Kim Newman's Scores

  • Movies
  • TV
Average review score: 66
Highest review score: 100 The Killing
Lowest review score: 20 Movie 43
Score distribution:
  1. Negative: 28 out of 667
667 movie reviews
    • 27 Metascore
    • 40 Kim Newman
    Big sci-fi ideas done on a budget doesn't quite translate into a compelling thriller.
    • 64 Metascore
    • 60 Kim Newman
    Spectacular and well-acted, this suffers from much the same problem as the situation it depicts — too many people on the mountain and too many threads to follow so that affecting individual stories get lost in the snow.
    • 44 Metascore
    • 60 Kim Newman
    Hardly groundbreaking but this high-school actioner ghosts by on its charm and sense of fun.
    • 49 Metascore
    • 80 Kim Newman
    Cub
    Impressively nightmarish.
    • 52 Metascore
    • 60 Kim Newman
    It feels a little like ‘a very special episode of The Walking Dead’ and might be a tad low-key for its field, but Schwarzenegger and Breslin are good and the payoff is affecting.
    • 64 Metascore
    • 80 Kim Newman
    A science-fiction, action-heist, superhero comedy soap opera, this straddles as many genres as the Avengers films have characters but manages to do most of them pretty well. Extremely likable, with a few moments of proper wonder.
    • 5 Metascore
    • 80 Kim Newman
    Like it or not, Six has contributed something fresh and demented to pop culture.
    • 70 Metascore
    • 80 Kim Newman
    A wholly captivating date movie for eternal romantics who also enjoy slime-and-tentacle transformations.
    • 81 Metascore
    • 80 Kim Newman
    By turns funny, vaguely creepy and too cool for school, A Girl Walks Home Alone At Night is certainly unusual — but also seductive and strange enough to stick in the memory like a fever dream.
    • 52 Metascore
    • 80 Kim Newman
    A spirited gothic tale, played with welcome black humour.
    • 42 Metascore
    • 80 Kim Newman
    An unconventional sequel to an unconventional film, this works as a standalone picture with its own distinctive take on alien invasion but also expands what now seem like a franchise with potential to deliver more and varied snapshots of human behaviour in extreme circumstances.
    • 47 Metascore
    • 60 Kim Newman
    Smart, fun, mid-list horror with Scream overtones
    • 54 Metascore
    • 80 Kim Newman
    William Eubank continues to work his particular mind-stretching mix of acute character interplay and cosmic conceptual breakthrough.
    • 56 Metascore
    • 80 Kim Newman
    Writer-director Gerard Johnson and chameleon-like star Ferdinando continue to impress with their strong collaboration here.
    • 83 Metascore
    • 80 Kim Newman
    A first-rate horror movie, It Follows adds a new monster to the pantheon expect pranksters to imitate the Follower for cheap shocks soon — and has a refreshing, unpretentious sense that a meaningful subtext doesn’t undercut spookiness.
    • 69 Metascore
    • 80 Kim Newman
    A funny, affecting, twisted tale, which demands you pay close attention to every throwaway detail.
    • 87 Metascore
    • 100 Kim Newman
    Of course, this is a film you have to meet half-way. If you’re willing to enter its world, it’s an immensely rewarding, amusing, wise, melancholy and involving experience.
    • 65 Metascore
    • 80 Kim Newman
    An ambitious physics and time-bending, relationship drama with solid performances from the two main characters.
    • 40 Metascore
    • 40 Kim Newman
    Like too much filmed space opera, this is wonderfully imaginative when it comes to costume, art direction, special effects, spaceships and incidental alien creatures but stuck with old-hat character types and a resolutely unspecial storyline. It’s frequently entertaining, but as much for its terrible moments as its inspired touches.
    • 49 Metascore
    • 60 Kim Newman
    Son Of A Gun has the gritty, rough feel of 1970s heist/hit picture
    • 24 Metascore
    • 20 Kim Newman
    Worse than being buried alive in an actual pyramid, if mercifully less time-consuming.
    • 73 Metascore
    • 80 Kim Newman
    It may not be much more than six of the most imaginatively staged and filmed fight scenes in the cinema, but that’s almost certainly enough to recommend it.
    • 38 Metascore
    • 60 Kim Newman
    Like Paranormal Activity at a wedding - Paranuptial Activity? - this low-budget horror has its moment. Much, much better than Legion, although not as scary as the actual Book of Revelation.
    • 86 Metascore
    • 100 Kim Newman
    One of the strongest, most effective horror films of recent years — with awards-quality lead work from Essie Davis, and a brilliantly designed new monster who could well become the break-out spook archetype of the decade.
    • 37 Metascore
    • 40 Kim Newman
    A couple of good jumps but this Conjuring spin-off is led down by poor writing, anodyne leads and and overwhelming sense of familiarity
    • 62 Metascore
    • 80 Kim Newman
    The unfamiliar young cast all show a lot of potential in a well-thought-through, sting- in-the-tail plot. It’s a well-assembled genre movie rather than a great statement, but none the worse for it.
    • 40 Metascore
    • 40 Kim Newman
    Armour-clanging, cloak-swishing tosh with okay battles, terrible dialogue and sadly little horror or heroism. Nowhere near as bad as I, Frankenstein – but what is?
    • 65 Metascore
    • 60 Kim Newman
    A tense, two-piece horror with serious kick.
    • 57 Metascore
    • 60 Kim Newman
    Though overstretched and a trifle ponderous, this is a solidly acceptable star vehicle with more than enough righteous vengeance for an evening of classy thrills.
    • 89 Metascore
    • 100 Kim Newman
    Even if you’ve skipped the Dardennes’ work until now, this is a talking-point movie — and an outstanding lead performance — you need to see. It’s a rare film of unforced simplicity that will stick with you for a long time. And it’s honest right to its perfectly judged ending.

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