Kim Morgan

It's classic movie manipulation gone amok.

It's Zahn who truly conveys what Marshall and Barrymore are going for -- laughing through your tears.

The Young Unknowns flails about, sometimes realistically, but the cumulative effect is "so what?" These characters may be young and unknown, but they feel old and in the way.

Maybe if you're younger than 10 you'll be scared or thrilled by this film. Otherwise, be prepared for one of the most unexciting pictures this summer.

Jinxed itself into being nothing but an inane popcorn flick pretending to be edgy.

Though there are some funny moments, little in "Red, White and Blonde" is enjoyable.

Ledes shows promise, but truly, this would have been better left to Todd Haynes.

Taking the film as a thriller, it's neither exciting nor scary, hampered by a middle that plays much too long.

You can't help but think how much better this film would be had Woody Allen directed it...How much more acerbic fun would it be to see Judy Davis playing stenographer to a neurotic, writer's-blocked Woody?

It all makes you realize the importance of the guy who should have played Malkovich's role -- Christopher Walken. He makes films like this bearable.

Has a few pleasing stylistic flourishes and a potentially Hitchcockian plot, but the writing and rhythm are so off that when the final "shocker" arrives, we have seen it coming or have abandoned caring.

A film with almost zero redeeming value.

So often out of control that it becomes absurd and exasperating.

One of the most wearisome "high adrenaline" movies to come along in a while.

For those who've seen the original, no surprises will be unearthed other than an altered story (not for the better) and more gore.

Has a curious train-wreck quality to it that keeps you watching and thinking. (Even if you are thinking things like, Why were these lines ever written? When you hear the "turkey" line, your jaw will drop.)

Working with a weak script and too lightweight for its freakier moments with Green, the picture never gels. Green's the star, but he really should be in a movie much weirder than this one, a film that can accommodate his humor.

A disappointing venture. If only it had been more clever, perhaps darker.

There are movies that are made for the big screen, and movies that are made for the small screen; Passionada is the latter type.

Groove seems to be less about what it is chronicling than what its attempting to decipher.

The script is inane, and though Ferri has some funny moments, the acting is annoying or hopelessly bland.

A tiresome, hammy and ultimately annoying portrait of the artist as a young drunk.

Scooby-Doo is bad. Let's just get that right out of the way. Filled with unclever quips, tired humor, a lazy silliness and bland execution, the picture is a tedious puff of nothing.

So tedious that the experience results in nearly two hours of squirming and cringing.

Just pass on K-PAX.