Kevin Thomas
Select another critic »For 1,782 reviews, this critic has graded:
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75% higher than the average critic
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1% same as the average critic
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24% lower than the average critic
On average, this critic grades 2 points higher than other critics.
(0-100 point scale)
Kevin Thomas' Scores
- Movies
- TV
| Average review score: | 68 | |
|---|---|---|
| Highest review score: | Grand Hotel | |
| Lowest review score: | The Tiger and the Snow | |
Score distribution:
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Positive: 1,177 out of 1782
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Mixed: 442 out of 1782
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Negative: 163 out of 1782
1782
movie
reviews
- By Date
- By Critic Score
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- Kevin Thomas
There's such a rawness, purity and even mystical force to everything Benjamin says or sings, that anything else would seem extraneous and detracting from the impact of a man who has lived his life with absolutely no holds barred.- Los Angeles Times
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- Kevin Thomas
Shyer and Meyers... are endlessly inventive. They're not afraid to be sophisticated and screwballish in the best '30s tradition, and they know just how far to exaggerate for laughs without leaving touch with reality entirely or destroying sentiment. The humor in Baby Boom is sharp without being heartless.- Los Angeles Times
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- Kevin Thomas
An exhilarating celebration of the possibilities of love and friendship, and Lucía, Félix and Adrián could not be more likable.- Los Angeles Times
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- Los Angeles Times
- Posted May 5, 2011
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- Kevin Thomas
Exceptionally well-made family entertainment, this 3 Ninjas is constantly inventive, action-filled and funny, with a flourish of good special effects.- Los Angeles Times
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- Kevin Thomas
An odyssey of self-discovery of much charm, humor and admirable subtlety.- Los Angeles Times
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- Kevin Thomas
A film of simplicity and power, beautifully shot and effortlessly acted by nonprofessionals.- Los Angeles Times
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- Kevin Thomas
Swain balances the personal and the political, allowing his film to be intimate while keeping a larger perspective. It is refreshing to see people on screen who are living in a real world.- Los Angeles Times
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- Los Angeles Times
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- Kevin Thomas
A summer treat for sophisticated moviegoers -- graceful and serious, yet not overly so. This easy-to-take movie gets everything just right and is a pleasure to watch.- Los Angeles Times
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- Kevin Thomas
As an exposé, there could hardly be a stronger case for ensuring and strengthening the separation of church and state -- or a stronger message to gay people as to the magnitude of the challenge to win equal rights.- Los Angeles Times
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- Kevin Thomas
Virtuosity is a sleek, brutal techno-thriller that generates nonstop action, but for at least some of us the fun is spoiled by its numbing body count and murky story line.- Los Angeles Times
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- Kevin Thomas
A splendid work that will be a revelation to the uninitiated and a joy to music lovers.- Los Angeles Times
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- Kevin Thomas
The plot is not absolutely airtight, but Craven's filmmaking is too fast-moving and too involving for this to matter. As a movie, Red-Eye is in every way as well crafted and sharply designed as the Boeing 767 Lisa fatefully boards.- Los Angeles Times
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- Kevin Thomas
Sparkling 1934 comedy-mystery derived from the Dashiell Hammett mystery and directed by W.S. Van Dyke. It dared to suggest that a sophisticated married couple, Nick and Nora Charles (William Powell and Myrna Loy) could have fun with each other. [14 Jul 1996, p.4]- Los Angeles Times
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- Kevin Thomas
An all-stops-out rabble-rouser that hurls a broadside at America's medical insurance crisis.- Los Angeles Times
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- Kevin Thomas
Director Dennis Hopper has the anarchic spirit to make “Chasers” pay off, and writers Joe Batteer, John Rice and Dan Gilroy have provided him with a smart script, a deft mix of slapstick, sharp repartee and sentiment.- Los Angeles Times
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- Kevin Thomas
Subtlety and nuance mark both the film's dialogue and performances. It's hard to see how Dancy and Byrne could be any better.- Los Angeles Times
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- Kevin Thomas
While this "Night" hasn't the chilling, almost cinema-verite credibility of the original, it is certainly a well-sustained entertainment, with one foolish or unlucky incident triggering another. Like the original, this R-rated production is definitely not for children. [19 Oct 1990, p.F1]- Los Angeles Times
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- Kevin Thomas
There's a beguiling throwaway quality to Flirt that has the effect of making it stick with you.- Los Angeles Times
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- Kevin Thomas
Richard Brooks’ Fever Pitch lives up to its title in capturing the frenzied existence of the compulsive gambler...It also resembles its subject in its hit-and-miss quality: Some scenes pay off, others don’t. But it never lets up, and the result is a film that’s always a pleasure to watch even when it’s defying credibility at every turn or moving so fast it’s hard to keep track of what’s going on.- Los Angeles Times
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- Kevin Thomas
It’s a sprawling, rowdy, vital film laced with both outrageous absurdist dark humor and unspeakable pain, suffering and injustice.- Los Angeles Times
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- Kevin Thomas
Ward directs his actors as adroitly as he has written for them, and the vulnerability that he allows his three stars to reveal is really what makes the movie work. No one, not even baseball fans, should go to Major League hoping for "Bull Durham's" sex, raunch and sophistication. But "Major League" has its own ingratiating charm.- Los Angeles Times
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- Kevin Thomas
That it is a fine example of modest-budget filmmaking, boasting first-rate acting, writing and directing, is not all that surprising.- Los Angeles Times
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- Kevin Thomas
Occasionally heavy-handed and overdone -- and scarcely free from a self-congratulatory tone -- this latest spoof is nonetheless lots of fun, clever and fearless, and loaded with wicked lines and touches.- Los Angeles Times
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- Kevin Thomas
Fast and raunchy, Friday After Next surely stands apart from other holiday-themed movies for its gleeful low-down humor and a raft of uninhibited characters involved in one outrageous predicament after another.- Los Angeles Times
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- Los Angeles Times
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- Los Angeles Times
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- Los Angeles Times
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- Kevin Thomas
Crackles with forceful portrayals. Funny, violent, impassioned and inescapably poignant, Stander in no way sanctions Stander's turning to a life of crime yet has the courage to see him as a victim of apartheid himself.- Los Angeles Times
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