Kevin Maynard

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For 312 reviews, this critic has graded:
  • 55% higher than the average critic
  • 4% same as the average critic
  • 41% lower than the average critic
On average, this critic grades 5.1 points lower than other critics. (0-100 point scale)

Kevin Maynard's Scores

  • Movies
  • TV
Average review score: 61
Highest review score: 100 Hedwig and the Angry Inch
Lowest review score: 5 Knockout
Score distribution:
  1. Negative: 48 out of 312
312 movie reviews
    • 88 Metascore
    • 89 Kevin Maynard
    A technologically marvelous animated movie that's just as funny and inventive as the first, but also more emotionally engaging than most live-action films. This is clearly a sequel in name only.
    • 64 Metascore
    • 68 Kevin Maynard
    A jauntily entertaining ride.
    • Mr. Showbiz
    • 43 Metascore
    • 80 Kevin Maynard
    It's Zahn's heartbreaking performance that drives Riding in Cars with Boys.
    • Mr. Showbiz
    • 66 Metascore
    • 60 Kevin Maynard
    It's the kind of flourish that makes you smile -- that makes you believe in the power of movies.
    • Mr. Showbiz
    • 64 Metascore
    • 60 Kevin Maynard
    Simply a pleasant diversion rather the paean to crazy-in-love classics it would so like to be.
    • 60 Metascore
    • 70 Kevin Maynard
    Offers up keys and cakes and plunges its characters down a deep rabbit hole.
    • Mr. Showbiz
    • 72 Metascore
    • 20 Kevin Maynard
    Has a blithe tone and a capable cast, but Veber's script is 100 percent laugh-free.
    • Mr. Showbiz
    • 33 Metascore
    • 45 Kevin Maynard
    Captures the embarrassment of foreplay, but it could use a few lessons in the art of seduction
    • 57 Metascore
    • 100 Kevin Maynard
    The film is never less than a satisfying mix of compelling entertainment and social critique. The performances are uniformly superb.
    • Mr. Showbiz
    • 70 Metascore
    • 60 Kevin Maynard
    Like "Pollock," Nora is a convincing portrait of the intersection between creative genius and crazy, all-consuming love.
    • Mr. Showbiz
    • 44 Metascore
    • 10 Kevin Maynard
    Strives for folksy charm but ends up just lying there like a plate of kippers.
    • 44 Metascore
    • 5 Kevin Maynard
    Love & Sex is nothing but pain and suffering.
    • 18 Metascore
    • 25 Kevin Maynard
    A vanity vehicle for the dubious acting talents of Pras.
    • 52 Metascore
    • 55 Kevin Maynard
    There's nothing remotely bizarre about this boy meets girl meets boy tale.
    • 71 Metascore
    • 49 Kevin Maynard
    Never the heart-wrenching emotional experience it seems intended to be.
    • 78 Metascore
    • 70 Kevin Maynard
    How well you respond to this handsomely mounted, cold-blooded tragedy will depend on your feelings toward Gillian Anderson's highly theatrical lead performance.
    • Mr. Showbiz
    • 69 Metascore
    • 100 Kevin Maynard
    A new version of the greatest psychological mystery of all: love.
    • Mr. Showbiz
    • 59 Metascore
    • 74 Kevin Maynard
    Strangely, what it most lacks is the genuine tension found in the first "Mission"'s signature set pieces.
    • 51 Metascore
    • 20 Kevin Maynard
    This is nothing more than a bare-assed fart in the face of Smith's fans.
    • Mr. Showbiz
    • 85 Metascore
    • 85 Kevin Maynard
    It's the sum of things not spoken, things too painful to express, that's the heart of this quietly moving drama.
    • 21 Metascore
    • 6 Kevin Maynard
    It's a sugar rush that'll leave you feeling like a rotten cavity.
    • 68 Metascore
    • 60 Kevin Maynard
    Come Undone is the quintessential gay date at the art house.
    • Mr. Showbiz
    • 91 Metascore
    • 80 Kevin Maynard
    The results are both savagely funny and poignant for anyone who's ever had a friendship that felt like their only connection to the outside world.
    • Mr. Showbiz
    • 22 Metascore
    • 35 Kevin Maynard
    Black, who is creatively marooned in the thankless Chris Farley fat-boy role, deserve better, and so do we.
    • 86 Metascore
    • 94 Kevin Maynard
    Traffic is a riveting, semi-documentary drama, and yet calling it that is a disservice to just how suspenseful and stylish an entertainment it is.
    • 45 Metascore
    • 52 Kevin Maynard
    At best a vaguely Semitic episode of "The Wonder Years."
    • 52 Metascore
    • 77 Kevin Maynard
    Reed's manic direction rarely lets up between show-stopping cheer numbers.
    • Mr. Showbiz
    • 41 Metascore
    • 75 Kevin Maynard
    Doesn't come close to the pulp beauty and complexity of classic noir.
    • Mr. Showbiz
    • 84 Metascore
    • 100 Kevin Maynard
    Together is unabashedly about people who need people. The film's satiric skewering of '70s liberalism works because it feels emotionally authentic.
    • Mr. Showbiz
    • 62 Metascore
    • 70 Kevin Maynard
    A satisfying, sentimental trip.

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