Kevin Maynard

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For 312 reviews, this critic has graded:
  • 55% higher than the average critic
  • 4% same as the average critic
  • 41% lower than the average critic
On average, this critic grades 5.1 points lower than other critics. (0-100 point scale)

Kevin Maynard's Scores

  • Movies
  • TV
Average review score: 61
Highest review score: 100 Hedwig and the Angry Inch
Lowest review score: 5 Knockout
Score distribution:
  1. Negative: 48 out of 312
312 movie reviews
    • 58 Metascore
    • 58 Kevin Maynard
    It's a wonderful reminder of the importance of music in the movies.
    • Mr. Showbiz
    • 71 Metascore
    • 90 Kevin Maynard
    Intelligently written, sharply directed, and beautifully played.
    • Mr. Showbiz
    • 60 Metascore
    • 65 Kevin Maynard
    Works so hard at being pleasant and ingratiating that it wears out its welcome.
    • 52 Metascore
    • 50 Kevin Maynard
    At their trenchant, tuneful best, the Barenaked Ladies take flip comic spins on serious subjects (alcoholism, heartbreak). But offstage, they have nothing of substance to reveal.
    • 57 Metascore
    • 60 Kevin Maynard
    The flat, gross-out live-action bits, directed by (surprise!) Peter and Bobby Farrelly, don't jive with the zippy, Tex Avery-style animated segments, directed by former storyboard artists Piet Kroon and Tom Sito.
    • Mr. Showbiz
    • 87 Metascore
    • 90 Kevin Maynard
    The most heartfelt tribute to women -- specifically, actresses -- he's (Almodovar) ever made.
    • Mr. Showbiz
    • 53 Metascore
    • 80 Kevin Maynard
    A gritty, well-acted urban drama with lots of humanity.
    • Mr. Showbiz
    • 40 Metascore
    • 49 Kevin Maynard
    Despite being full of Oscar-winning talent, this is still just a better-dressed, drawn-out episode of "Touched by an Angel."
    • Mr. Showbiz
    • 49 Metascore
    • 68 Kevin Maynard
    As a snapshot of Hungarian history, Glamour's watchability trumps that of "Sunshine" — the droll absurdity of the former leaves a much deeper impression than the latter's bruising moralism.
    • 34 Metascore
    • 65 Kevin Maynard
    Features a sexy, appealing cast, especially Guillermo Diaz.
    • 82 Metascore
    • 88 Kevin Maynard
    Especially timely in light of the current escalation in Palestinian-Israeli aggressions, but this is one sad story that would pack a staggering punch in any political climate.
    • 42 Metascore
    • 65 Kevin Maynard
    Thanks to the first-time filmmaker's attention to character, Gun Shy is worth at least a shot at a matinee.
    • Mr. Showbiz
    • 29 Metascore
    • 40 Kevin Maynard
    Like its accordion-filled score, it's nothing but a golden moldie.
    • Mr. Showbiz
    • 86 Metascore
    • 88 Kevin Maynard
    42 Up is filled with truth and poignancy as these people reflect on their first half of their lives, their goals, ambitions, and how they, for the most part, succeeded in reinventing them.
    • 46 Metascore
    • 29 Kevin Maynard
    Populated with whiny, unappealing characters that are impossible to care about and flatly staged sitcomish set-pieces...this lame Canadian import's a real woofer.
    • Mr. Showbiz
    • 69 Metascore
    • 75 Kevin Maynard
    All in all, she comes off as quite a complex creature.
    • Mr. Showbiz
    • 84 Metascore
    • 90 Kevin Maynard
    A must-see for avid fans and a welcome primer for nascent hip-shakers everywhere.
    • Mr. Showbiz
    • 52 Metascore
    • 49 Kevin Maynard
    Li's light touch and explosive fighting skills deserve a better vehicle than this overcooked pot of New Jack suey.
    • 34 Metascore
    • 20 Kevin Maynard
    Psychological thrillers depend on convincing audiences to suspend disbelief, but this one doesn't manage that for a moment.
    • Mr. Showbiz
    • 75 Metascore
    • 100 Kevin Maynard
    The film ends with a surprisingly upbeat coda. But Startup.com leaves us with a sense that our heroes' idealism will be forever lost.
    • 20 Metascore
    • 20 Kevin Maynard
    Frankly, there wouldn't have been enough shtick here to warrant an SNL skit. And if the material isn't even up to those standards, then who the hell green-lit it as a feature?
    • Mr. Showbiz
    • 42 Metascore
    • 65 Kevin Maynard
    The appealing cast makes the most of the derivative story.
    • Mr. Showbiz
    • 14 Metascore
    • 20 Kevin Maynard
    This is sub-par Aaron Spelling sludge all the way.
    • 66 Metascore
    • 60 Kevin Maynard
    What's right as rain with Diary is the casting.
    • Mr. Showbiz
    • 39 Metascore
    • 60 Kevin Maynard
    An enjoyable female buddy caper -- more "Outrageous Fortune" than "Thelma and Louise."
    • Mr. Showbiz
    • 53 Metascore
    • 60 Kevin Maynard
    O
    Too much of a locker-room melodrama to make for great tragedy.
    • Mr. Showbiz
    • 25 Metascore
    • 60 Kevin Maynard
    The film has an unabashed romantic tone that's matched by Wenders' usual flair for visual drama.
    • 71 Metascore
    • 74 Kevin Maynard
    It's another subtle, fantastic performance from McKee ("Notting Hill," "Croupier").
    • 75 Metascore
    • 85 Kevin Maynard
    A uniquely personal, vibrant mosaic of the American dream, and like a dream, it evaporates beautifully before our eyes.
    • 45 Metascore
    • 40 Kevin Maynard
    There's really nothing more to this by-the-numbers, ailment-of-the-week fodder dressed up with a classy cast.
    • Mr. Showbiz
    • 88 Metascore
    • 89 Kevin Maynard
    A technologically marvelous animated movie that's just as funny and inventive as the first, but also more emotionally engaging than most live-action films. This is clearly a sequel in name only.
    • 64 Metascore
    • 68 Kevin Maynard
    A jauntily entertaining ride.
    • Mr. Showbiz
    • 43 Metascore
    • 80 Kevin Maynard
    It's Zahn's heartbreaking performance that drives Riding in Cars with Boys.
    • Mr. Showbiz
    • 66 Metascore
    • 60 Kevin Maynard
    It's the kind of flourish that makes you smile -- that makes you believe in the power of movies.
    • Mr. Showbiz
    • 64 Metascore
    • 60 Kevin Maynard
    Simply a pleasant diversion rather the paean to crazy-in-love classics it would so like to be.
    • 60 Metascore
    • 70 Kevin Maynard
    Offers up keys and cakes and plunges its characters down a deep rabbit hole.
    • Mr. Showbiz
    • 72 Metascore
    • 20 Kevin Maynard
    Has a blithe tone and a capable cast, but Veber's script is 100 percent laugh-free.
    • Mr. Showbiz
    • 33 Metascore
    • 45 Kevin Maynard
    Captures the embarrassment of foreplay, but it could use a few lessons in the art of seduction
    • 57 Metascore
    • 100 Kevin Maynard
    The film is never less than a satisfying mix of compelling entertainment and social critique. The performances are uniformly superb.
    • Mr. Showbiz
    • 70 Metascore
    • 60 Kevin Maynard
    Like "Pollock," Nora is a convincing portrait of the intersection between creative genius and crazy, all-consuming love.
    • Mr. Showbiz
    • 44 Metascore
    • 10 Kevin Maynard
    Strives for folksy charm but ends up just lying there like a plate of kippers.
    • 44 Metascore
    • 5 Kevin Maynard
    Love & Sex is nothing but pain and suffering.
    • 18 Metascore
    • 25 Kevin Maynard
    A vanity vehicle for the dubious acting talents of Pras.
    • 52 Metascore
    • 55 Kevin Maynard
    There's nothing remotely bizarre about this boy meets girl meets boy tale.
    • 71 Metascore
    • 49 Kevin Maynard
    Never the heart-wrenching emotional experience it seems intended to be.
    • 78 Metascore
    • 70 Kevin Maynard
    How well you respond to this handsomely mounted, cold-blooded tragedy will depend on your feelings toward Gillian Anderson's highly theatrical lead performance.
    • Mr. Showbiz
    • 69 Metascore
    • 100 Kevin Maynard
    A new version of the greatest psychological mystery of all: love.
    • Mr. Showbiz
    • 59 Metascore
    • 74 Kevin Maynard
    Strangely, what it most lacks is the genuine tension found in the first "Mission"'s signature set pieces.
    • 51 Metascore
    • 20 Kevin Maynard
    This is nothing more than a bare-assed fart in the face of Smith's fans.
    • Mr. Showbiz
    • 85 Metascore
    • 85 Kevin Maynard
    It's the sum of things not spoken, things too painful to express, that's the heart of this quietly moving drama.
    • 21 Metascore
    • 6 Kevin Maynard
    It's a sugar rush that'll leave you feeling like a rotten cavity.
    • 68 Metascore
    • 60 Kevin Maynard
    Come Undone is the quintessential gay date at the art house.
    • Mr. Showbiz
    • 91 Metascore
    • 80 Kevin Maynard
    The results are both savagely funny and poignant for anyone who's ever had a friendship that felt like their only connection to the outside world.
    • Mr. Showbiz
    • 22 Metascore
    • 35 Kevin Maynard
    Black, who is creatively marooned in the thankless Chris Farley fat-boy role, deserve better, and so do we.
    • 86 Metascore
    • 94 Kevin Maynard
    Traffic is a riveting, semi-documentary drama, and yet calling it that is a disservice to just how suspenseful and stylish an entertainment it is.
    • 45 Metascore
    • 52 Kevin Maynard
    At best a vaguely Semitic episode of "The Wonder Years."
    • 52 Metascore
    • 77 Kevin Maynard
    Reed's manic direction rarely lets up between show-stopping cheer numbers.
    • Mr. Showbiz
    • 41 Metascore
    • 75 Kevin Maynard
    Doesn't come close to the pulp beauty and complexity of classic noir.
    • Mr. Showbiz
    • 84 Metascore
    • 100 Kevin Maynard
    Together is unabashedly about people who need people. The film's satiric skewering of '70s liberalism works because it feels emotionally authentic.
    • Mr. Showbiz
    • 62 Metascore
    • 70 Kevin Maynard
    A satisfying, sentimental trip.
    • 39 Metascore
    • 30 Kevin Maynard
    Limp satire isn't worthy of its good intentions.
    • Mr. Showbiz
    • 75 Metascore
    • 78 Kevin Maynard
    Croupier should please people who take their noir straight up -- with plenty of twists.
    • 56 Metascore
    • 78 Kevin Maynard
    Yields beguiling nectar.
    • 71 Metascore
    • 80 Kevin Maynard
    Mesmerizing entertainment, but it's also a cop-out.
    • Mr. Showbiz
    • 57 Metascore
    • 65 Kevin Maynard
    It's filled with far too much talk and it never justifies its length, but if you succumb to its old-fashioned Renoir style of storytelling, The Grandfather has its pleasures.
    • Mr. Showbiz
    • 34 Metascore
    • 40 Kevin Maynard
    A watery cocktail of second-rate, Ab Fab-style bitchery and shameless schmaltz.
    • 45 Metascore
    • 43 Kevin Maynard
    "Footloose" meets "The Full Monty" in Bootmen, a cliché-ridden tap dance drama.
    • Mr. Showbiz
    • 53 Metascore
    • 35 Kevin Maynard
    So desperate to be rebellious and cool, that it's impossible to see it as anything more than one big case of "been there, done that" -- even if your drugs have already kicked in.
    • Mr. Showbiz
    • 59 Metascore
    • 73 Kevin Maynard
    You could do a lot worse than spend two hours in the company of two such talented actresses.
    • Mr. Showbiz
    • 49 Metascore
    • 66 Kevin Maynard
    Visually, Pitch Black is sleek and stylish in a post-apocalyptic way, and a scantily clad Radha Mitchell does a nice, more femme variation of Sigourney Weaver's Ripley.
    • 68 Metascore
    • 60 Kevin Maynard
    Just try not to smile while watching Jump Tomorrow.
    • 23 Metascore
    • 50 Kevin Maynard
    A sleek rip-off of "The Birds" that is fast, furious, and watchable, but lacking in the two elements most essential to a silly screamfest like this: scares and laughs.
    • Mr. Showbiz
    • 48 Metascore
    • 80 Kevin Maynard
    Oy, it's such a pleasure that you'll be begging for Rush Hour 3.
    • Mr. Showbiz
    • 52 Metascore
    • 80 Kevin Maynard
    The casting is sublime.
    • Mr. Showbiz
    • 56 Metascore
    • 70 Kevin Maynard
    All this artful violence won't change your life, but Non-Stop is a satisfying quickie.
    • 77 Metascore
    • 57 Kevin Maynard
    A detective story without a solution and a coming-of-ager without discernable characters.
    • 52 Metascore
    • 59 Kevin Maynard
    Affectionately skewers the age of polyester pants.
    • 14 Metascore
    • 20 Kevin Maynard
    Take the G out of Glitter and it's litter.
    • Mr. Showbiz
    • 64 Metascore
    • 30 Kevin Maynard
    The biggest piece of supernatural hooey since estranged wife Demi Moore's "The Seventh Sign."
    • 68 Metascore
    • 80 Kevin Maynard
    The results are far more real than MTV's The Real World.
    • 83 Metascore
    • 90 Kevin Maynard
    Election is a bracingly intelligent adult comedy that shrewdly captures adolescence.
    • Mr. Showbiz
    • 36 Metascore
    • 45 Kevin Maynard
    Never better than middling, despite its best intentions.
    • 75 Metascore
    • 90 Kevin Maynard
    Will take you by surprise as a romantic, fast-paced, entertaining spectacle that deserves to earn back every penny spent to produce it.
    • 78 Metascore
    • 78 Kevin Maynard
    It's got enough hilarious moments that, all in all, the film's bite is as toothsome as its bark.
    • Mr. Showbiz
    • 80 Metascore
    • 79 Kevin Maynard
    Most tenderly, the film deciphers the true meaning of its corporate-speak title in Franck and his father's impassioned struggle to ensure each other's welfare.
    • 77 Metascore
    • 100 Kevin Maynard
    Unfolds like quietly engrossing short fiction, reminding us that there are few things more pleasurable than being in the hands of a good storyteller.
    • Mr. Showbiz
    • 49 Metascore
    • 60 Kevin Maynard
    Makes for compulsive viewing.
    • Mr. Showbiz
    • 44 Metascore
    • 59 Kevin Maynard
    An amiable but contrived bit of blarney.
    • 51 Metascore
    • 50 Kevin Maynard
    Startlingly shallow even for a summer movie.
    • 48 Metascore
    • 58 Kevin Maynard
    Fans starving for some song and dance celluloid may be satiated, but this movie version really shows the material's age.
    • Mr. Showbiz
    • 60 Metascore
    • 20 Kevin Maynard
    This self-consciously kooky road movie about an unusual trio of bank robbers aims for Hal Ashby misanthropy, but hasn't a single emotionally grounded or plausible moment to justify its purely cinematic eccentricities.
    • Mr. Showbiz
    • 79 Metascore
    • 70 Kevin Maynard
    Praise will get under your skin.
    • 73 Metascore
    • 75 Kevin Maynard
    It's a tad too generic to be a slam dunk.
    • 74 Metascore
    • 90 Kevin Maynard
    Go
    John August's script is exciting, witty, original material, and this film's got the talent to match.
    • Mr. Showbiz
    • 58 Metascore
    • 63 Kevin Maynard
    Unsuccessfully attempts to fathom Kaufman's lunatic sensibilities, supplying scant psychological insight into what made the outrageous comic tick.
    • 64 Metascore
    • 40 Kevin Maynard
    A punishing tragedy that could best be described as the anti-"Shine."
    • 73 Metascore
    • 60 Kevin Maynard
    The real reason to see it is Brian Cox, best known for being filmdom's other Hannibal Lecter (he played the role in Michael Mann's "Manhunter").
    • Mr. Showbiz
    • 44 Metascore
    • 79 Kevin Maynard
    A cross between a Hogarth painting and an MTV video, Plunkett & Macleane cuts quite a swath.
    • 31 Metascore
    • 40 Kevin Maynard
    For all its pretense of critiquing our tabloid culture, it amounts to much ado about nothing.
    • Mr. Showbiz
    • 38 Metascore
    • 20 Kevin Maynard
    Houston, we have a problem. It's called The Astronaut's Wife and it's an utterly predictable rip-off of classic '60s and '70s exercises in paranoia, from "Rosemary's Baby" to "The Parallax View."
    • Mr. Showbiz

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