Kevin Maher

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The Times
For 191 reviews, this critic has graded:
  • 39% higher than the average critic
  • 1% same as the average critic
  • 60% lower than the average critic
On average, this critic grades 5.2 points lower than other critics. (0-100 point scale)

Kevin Maher's Scores

  • Movies
  • TV
Average review score: 60
Highest review score: 100 Pride & Prejudice
Lowest review score: 0 The Super Mario Galaxy Movie
Score distribution:
  1. Positive: 86 out of 191
  2. Mixed: 85 out of 191
  3. Negative: 20 out of 191
191 movie reviews
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    • 91 Metascore
    • 100 Kevin Maher
    Anora
    A wonderful movie from one of the world’s best independent directors.
    • 91 Metascore
    • 100 Kevin Maher
    The Brutalist
    The performances are savagely good, with Pearce and Brody both on awards season form. And it’s shot on rarely seen 70mm film stock, which means that it looks like something beautiful, haunting and strange, but always from the long-forgotten past.
    • 60 Metascore
    • 40 Kevin Maher
    Wolfs
    A painfully derivative buddy movie.
    • 79 Metascore
    • 80 Kevin Maher
    Babygirl
    The ending, like the best BDSM experiences (they say), is slightly contrived but very satisfying.
    • 63 Metascore
    • 40 Kevin Maher
    Maria
    This is a film fed by, and consistently cutting to, the operas that defined its subject. Yet there is not a single moment that is emotionally operatic. It is wilfully, wearily flat.
    • 62 Metascore
    • 40 Kevin Maher
    Beetlejuice Beetlejuice
    Keaton commits fully to the puerility demanded by the title role. And yet the mania feels consistently forced. The fun is diluted.
    • 82 Metascore
    • 100 Kevin Maher
    The Lodger: A Story of the London Fog
    Gorgeous. Gorgeous. Gorgeous.
    • 82 Metascore
    • 100 Kevin Maher
    Pride & Prejudice
    The director Joe Wright’s roaming camera gives every exchange an unexpected urgency.
    • The Times
    • 62 Metascore
    • 100 Kevin Maher
    Darling
    Up there with Blow-Up and Alfie as the definitive Swinging London movie, this Julie Christie breakout has somehow acquired more gravitas over time than those two.
    • 80 Metascore
    • 100 Kevin Maher
    The Roaring Twenties
    One of the many classic movies from “the greatest of all years”, 1939 (see also The Wizard of Oz, Gone with the Wind and Stagecoach), this epic gangster flick dares to provide psychological back stories for the characters.
    • 73 Metascore
    • 80 Kevin Maher
    Clueless
    It’s difficult to overstate the reach of this Amy Heckerling teen standard.
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