Kevin Crust

The scenario isn't entirely plausible, but the actors are engaging and you can't beat the running time.

It is the type of stirring entertainment that delivers both the thrill of the moment and the kind of sophisticated ideas that can lead to discussion and even debate long after viewing.

A first-rate contribution to the Holocaust canon.

A thoughtful and provocative look at a previously little-seen world.

As in his previous films, the Oscar-nominated "How to Survive a Plague” and “The Death and Life of Marsha P. Johnson,” France, an investigative reporter, presents ordinary citizens doing remarkable things. If only our governments could learn to follow suit.

The writer-director brilliantly juxtaposes the personal and the political, bookending a stirring coming-of-age drama with the provocative opening and an equally affecting end sequence.

The twists and reversals that pile up, stirred by greed, friendship and betrayal, fail to register any meaning, simply accumulating -- so that ultimately Autumn is as dry and lifeless as the leaves that fall to the ground in its opening images.

The story that first-time feature filmmaker Curry tells is extremely compelling, but where he really scores is in addressing politics and race in a way that allows events to speak for themselves.

"Inspired by" is an interesting phrase because the movie is more inspiring than inspired. The man's struggles are emotionally engaging, but dramatically it lacks the layering of a "Kramer vs. Kramer," which it superficially resembles.

With a subversive streak as wide as the Han and a title open to interpretation, The Host confounds our expectations while providing top-notch entertainment. For Bong, the monster movie is an ample vessel, one that he can fill with social criticism while discovering exuberant amusement in the process.

We are likely to be watching films on this subject for years to come, but for it’s sheer in-the-moment rawness, 76 Days is one that will stick in your consciousness for some time.

Archetypal characters and somewhat formulaic plot notwithstanding, Diggers has the conviction to avoid tying things up with a bow and allows us the privilege to imagine where its denizens will go afterward.

Hurting the film is the fact that the central character, Anthony, is so self-absorbed.

A sophisticated, sometimes intentionally silly spy thriller of international intrigue, Fay Grim charts the history of American foreign policy while commenting on current global complications with wink and a nudge.

It’s a profound, immersive lesson in empathy that should resonate with anyone interested in neurodiversity or simply seeking a more inclusive society.

Though as leisurely as a summer’s day, this kaleidoscopic memory film has an intensity of purpose that wants to knock you on your heels — or maybe harder — in its take on gentrification.

Lamm effectively uses interviews with family members and the soap's users to draw a well-rounded portrait of the otherwise inscrutable senior Bronner. In doing so, she observes a bittersweet story of a family and the surprising effects a crusading eccentric can have on them.

Only 22 when he began shooting the film, Greenebaum displays a prodigious understanding of the treatment of the elderly in contemporary America.

While director Daniel Traub has little time to dive too deeply, the documentary serves as a fascinating glimpse into an artist’s work, inspirations and process.

Oliver Sacks: His Own Life is a moving portrait of a man taking deep stock of his life with great satisfaction and verve. It

The strongest scenes are those between Elliot and Richard, which give Second Best a verisimilitude lacking in the rest of the film. The truest thing here is that these two guys have been friends forever and always will be.

If Dick Wolf is interested in doing a "Law & Order: Cyber Crimes," he could do worse than to follow the lead of Untraceable, a diverting police procedural about an FBI unit tasked with sleuthing the Internet for mouse-wielding bad guys.

Wright and Pegg are storytellers who weave their naughty bits into genuine characters and a plot. It's a ridiculous plot, but one that's absolutely in the spirit of the films they're satirizing.

Reflected in its native language title (“My Lens”), Chinese Portrait is a personal reflection on the country’s past and present. Brimming with humanity, Wang’s contemplative, minimalist approach forces us to consider the day-to-day lives of these people, and perhaps our own.

There are a number of sharp political and philosophical points made, but they are undercut by “The 11th Green’s” overload of history, speculation and fantasy that strands it in a narrative Bermuda Triangle.

Stone doesn’t explicitly ask the straightforward, big-picture questions you’ll find in a film like “Arrival.” But his attention to detail and character, and his ability to render those people in recognizable settings, is engrossing.

The result is a wonderfully humorous take on a seldom-broached subject.

As extraordinary as all of this imagery is, it is the film's sound design that takes it to another level. A quirky, electric mix of ambient sound, effects and music by composer Bruno Coulais and sound designer Laurent Quaglio gives the film its heart and its sense of humor.