Kevin Carr

If you’re not a fan of Will Ferrell, you ain't gonna like this film. But if you think he's funny and you don't mind a sappy ending, this is a decent holiday flick.

The plot, characters, story and dialogue were all secondary -– or lower. With this in mind, Torque really wasn't that bad. In fact, with this in mind, Torque was actually pretty good.

It wasn't as good as the films it cites, but at least it didn't bore me.

Broken Lizard manages to poke fun at the genre without falling into the trap of recycling old Scooby-Doo jokes.

If you go in thinking it’s just a stupid teenage sex comedy, it can be pretty funny.

This cinematic train wreck reminds me of when Hollywood decided to cash in on the success of “Chinatown” by making a sequel...

Bottom line, the white chicks scare me. Seriously. They’re freaky looking. They are the stuff of nightmares.

As corny as it is, there’s a lot of heart to 50 First Dates. But this happens more in spite of Adam Sandler than because of him. The heart comes from Drew Barrymore, really, and some of the supporting cast.

To be fair to this film, the only real thing holding it together is the cast, which is one of the best ensembles in a while.

Really doesn't take itself seriously. In fact, it so doesn't take itself seriously that it has a negative impact on the film.

Has a wacky charm and a feeling like no other Disney film in recent years.

Little kids should like this film. But the smarter humor and in-jokes from the first are gone, which is going to lose a lot of the older audience.

The worst sin of omission in Secret Window is the removal of the fact that Rainey had actually plagiarized in the past. In the story, this is critical because it is the source of Rainey’s guilt -– and arguably the reason for his success.

It ain’t high art, but it is a fun flick.

The story and themes behind The Stepford Wives are way past their time. They’re products of the 1960s.