Kevin C. Johnson

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For 59 reviews, this critic has graded:
  • 62% higher than the average critic
  • 1% same as the average critic
  • 37% lower than the average critic
On average, this critic grades 2.7 points lower than other critics. (0-100 point scale)

Kevin C. Johnson's Scores

  • Movies
  • TV
Average review score: 63
Highest review score: 88 Carrie
Lowest review score: 25 Get Hard
Score distribution:
  1. Positive: 38 out of 59
  2. Negative: 9 out of 59
59 movie reviews
    • 53 Metascore
    • 75 Kevin C. Johnson
    It comes together with a gruesome though excellent ending that some will find difficult to shake.
    • 54 Metascore
    • 88 Kevin C. Johnson
    Energetic, colorful and packed with strong performances and musical numbers good enough to get by, Sparkle beams brightly.
    • 57 Metascore
    • 75 Kevin C. Johnson
    Perry manages to pull it off here, coming off completely likable and real, never insufferable and fake.
    • 66 Metascore
    • 75 Kevin C. Johnson
    Ice-T delivers a love letter to hip-hop with Something from Nothing: The Art of Rap.
    • 62 Metascore
    • 63 Kevin C. Johnson
    There are enough F-bombs, a couple of chopped-off appendages and a flash of gratuitous male nudity to earn an R rating. But fans of producer Judd Apatow would expect nothing less.
    • 51 Metascore
    • 75 Kevin C. Johnson
    Despite the crass book promotion, the overlong film is harmless romantic fun that's well played.
    • 72 Metascore
    • 75 Kevin C. Johnson
    Moviegoers looking for a thrill should go into The Cabin in the Woods knowing as little as possible about the film.
    • 46 Metascore
    • 75 Kevin C. Johnson
    Overreaching fits of melodrama, occasionally stilted dialogue, and performances by Gooding Jr. and Howard that are mostly a series of serious faces can't keep the shiny Red Tails from taking flight.
    • 44 Metascore
    • 38 Kevin C. Johnson
    Nothing more than uninspired mushiness.
    • 53 Metascore
    • 50 Kevin C. Johnson
    After a nifty setup, In Time mostly fails to deliver as it gets lamer by the minute.
    • 64 Metascore
    • 75 Kevin C. Johnson
    It honors the original throughout, including a memorable nightclub scene and a surprise cameo that's a huge crowd-pleaser, while at the same time giving updates to make it fresher and better than ever.
    • 76 Metascore
    • 75 Kevin C. Johnson
    Despite accusations of nearly succumbing to spotlighting beefs over beats, the film comes off as an honest representation of a great group that's not to be forgotten.
    • 56 Metascore
    • 50 Kevin C. Johnson
    Amid other wedding movies crowding screens these days, not to mention Perry's "Madea's Big Happy Family," Jumping the Broom feels instantly familiar. And tired.
    • 52 Metascore
    • 75 Kevin C. Johnson
    Don't be late to this homecoming of director Wes Craven and writer Kevin Williamson's horror series, which begins with a twisty opening sequence that's bloody fun.
    • 37 Metascore
    • 50 Kevin C. Johnson
    The so-so film isn't nearly as good as any of the movies that may have inspired it, or even its own knockout trailer.
    • 38 Metascore
    • 63 Kevin C. Johnson
    That's right - this is an exorcism movie that those who actually saw "The Exorcist" in theaters can get into.
    • 50 Metascore
    • 50 Kevin C. Johnson
    In the end, the movie is still a poetic injustice.
    • 58 Metascore
    • 63 Kevin C. Johnson
    Why the bloodsucker and the wolf boy treat Bella as if she's the cat's meow is still a mystery.
    • 40 Metascore
    • 38 Kevin C. Johnson
    If The Virginity Hit had been filmed as a straightforward sex comedy, it could've been a riot.
    • 50 Metascore
    • 50 Kevin C. Johnson
    It's hard to love and hard to hate.
    • 44 Metascore
    • 75 Kevin C. Johnson
    May be one of the most fun-free, angst-ridden teens we've seen on the big screen in a long time.
    • 42 Metascore
    • 75 Kevin C. Johnson
    During a summer with the usual transforming robots and young wizards, this chilly flick is a bit of a break, and there are worse options than letting this Orphan in the door.
    • 34 Metascore
    • 38 Kevin C. Johnson
    With movies like this, Lopez might want to start leaving low-end romantic comedies alone and look at her movie career's backup plan.
    • 70 Metascore
    • 88 Kevin C. Johnson
    Davis Guggenheim, the St. Louis director who won an Oscar for "An Inconvenient Truth," mines less controversial material this time around.
    • 66 Metascore
    • 63 Kevin C. Johnson
    Moves along well until the characters and situations become too ridiculous to be believed.
    • 38 Metascore
    • 38 Kevin C. Johnson
    Director Rick Famuyiwa did much better when focusing just on African-American culture in films such as "Brown Sugar" and "The Wood." Here, in bringing together two cultures, he does neither any favors.
    • 63 Metascore
    • 50 Kevin C. Johnson
    More scenic than scary.
    • 72 Metascore
    • 75 Kevin C. Johnson
    Rock misses the boat in deciding not to relate Good Hair to non African-Americans more.
    • 60 Metascore
    • 75 Kevin C. Johnson
    Moviegoers will know in the first five minutes whether the new B-movie Machete is their cup of tea - or bucket of blood.

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