Kenji Fujishima
Select another critic »For 194 reviews, this critic has graded:
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25% higher than the average critic
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3% same as the average critic
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72% lower than the average critic
On average, this critic grades 7.5 points lower than other critics.
(0-100 point scale)
Kenji Fujishima's Scores
- Movies
- TV
Score distribution:
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Positive: 106 out of 194
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Mixed: 51 out of 194
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Negative: 37 out of 194
194
movie
reviews
- By Date
- By Critic Score
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- Kenji Fujishima
It weaves through past and present, memories and reality, analysis and history, like a mercurial mind reminiscing seemingly at random.- Slant Magazine
- Posted May 11, 2015
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- Kenji Fujishima
Ira Sachs, for all the tenderness of feeling he brought to Love Is Strange, wouldn't have countenanced the stacked-deck sentimentality that lies at this film's heart.- Slant Magazine
- Posted May 4, 2015
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- Kenji Fujishima
The Gerard Johnson film's blanket cynicism is its most shopworn quality of all.- Slant Magazine
- Posted Apr 27, 2015
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- Kenji Fujishima
If nothing else, Heaven Knows What is one of the most harrowing cinematic depictions of drug addiction in recent memory, reliant less on formal gimmickry than on close observation of behavior.- Slant Magazine
- Posted Apr 22, 2015
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- Kenji Fujishima
Maxime Giroux's sharp filmmaking instincts aren't always supported by similarly acute dramatic instincts.- Slant Magazine
- Posted Apr 13, 2015
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- Kenji Fujishima
Chaitanya Tamhane's grand canvas is Indian society as represented by its legal system, and what it reveals is none too flattering.- Slant Magazine
- Posted Mar 14, 2015
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- Kenji Fujishima
Anja Marquardt feels the need to puff up her film with relatively artificial conflict that generally comes off as sops to screenwriting conventions.- Slant Magazine
- Posted Mar 13, 2015
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- Kenji Fujishima
The film recalls its stylistic forbears at their best: flowing with whimsy, but never at the expense of the beating heart of its human (and animal) characters.- Slant Magazine
- Posted Jan 12, 2015
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- Kenji Fujishima
Director Ian Cheney doesn't delve too deeply into the possibly unsettling questions the documentary raises about society at large.- Slant Magazine
- Posted Dec 29, 2014
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- Kenji Fujishima
Instead of finding one consistent tone and sticking to it, Serge Bozon allows the wildly hilarious and the grimly serious to uneasily coexist, exulting in the resultant clash.- Slant Magazine
- Posted Dec 11, 2014
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- Kenji Fujishima
Here is a film that isn't afraid to risk didacticism in order to put across its vision of the debilitating physical and psychological effects of colonialism.- Slant Magazine
- Posted Dec 1, 2014
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- Kenji Fujishima
One need go no further than the film's first segment to grasp how little interest the latest entry in the anthology series has in generating chills from the lo-fi.- Slant Magazine
- Posted Nov 17, 2014
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- Kenji Fujishima
Gabe Polsky's quiet yet welcome achievement is to allow us to see the individual amid the politics, clearly and sympathetically.- Slant Magazine
- Posted Nov 10, 2014
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- Kenji Fujishima
This is muckraking journalism that moves confidently with the brio of an action thriller.- Slant Magazine
- Posted Nov 3, 2014
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- Kenji Fujishima
There's only so much that Fanning's vividly expressive face and Hawkes's charismatic sensitivity can mask before we realize how little we truly understand what goes on in anybody's head.- Slant Magazine
- Posted Oct 22, 2014
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- Kenji Fujishima
Jorge R. Gutierrez subsumes the film's darker themes in a relentlessly busy farrago of predictable kids'-movie tropes and annoying attempts at hipness.- Slant Magazine
- Posted Oct 14, 2014
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- Kenji Fujishima
Onur Tukel is able to offer a reasonably fresh spin on familiar vampire-movie tropes, giving pitiless misanthropy pedal-to-the-metal comic wit.- Slant Magazine
- Posted Oct 12, 2014
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- Kenji Fujishima
It distinguishes itself from Pual Greengrass's films by virtue of its close attention to political and moral ambiguities.- Slant Magazine
- Posted Sep 19, 2014
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- Kenji Fujishima
Sean Ellis doesn't so much understand Filipino society as merely sees it as grist for standard genre fare, perhaps hoping that the foreign setting will somehow automatically make the clichés feel fresh.- Slant Magazine
- Posted Aug 18, 2014
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- Kenji Fujishima
An immensely gifted physical performer, Donnie Yen isn't strong enough an actor to suggest an authentic inner life to his character beyond a vague sense of stone-faced dissatisfaction.- Slant Magazine
- Posted Aug 18, 2014
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- Kenji Fujishima
To some extent, the use of a wide aspect ratio and the doc's emphatic score takes its cues from paleontologist Pete Larson's passion.- Slant Magazine
- Posted Aug 11, 2014
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- Kenji Fujishima
Less explored in all the ensuing back-patting is the question of whether Cameron is, in fact, sincerely interested in learning more about the world around him or whether this mission is merely intended to stroke his own ego.- Slant Magazine
- Posted Aug 6, 2014
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- Kenji Fujishima
Not even Bernardo Bertolucci's choice of a lead actor with visible facial acne scars, in a welcome gesture toward authenticity, is enough to overcome the gaping hole of psychological nuance at the center of the film.- Slant Magazine
- Posted Jul 1, 2014
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- Kenji Fujishima
The familiar premise is done with enough intelligence and heartfelt conviction that it rises above its potentially cliché trappings.- Slant Magazine
- Posted Jun 10, 2014
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- Kenji Fujishima
A glorified act of hero worship that leaves one hard-pressed to form any conclusion other than an infinitely positive one about Shep Gordon.- Slant Magazine
- Posted Apr 28, 2014
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- Kenji Fujishima
As informative, revealing, and occasionally poignant as some of the unearthed revelations are, the doc is ultimately hampered by a level of self-congratulation that nearly undoes its effectiveness as an activist polemic.- Slant Magazine
- Posted Apr 21, 2014
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- Kenji Fujishima
The question of why one should actually work up any emotional investment in what happens to these people is never really answered, much less asked in the first place.- Slant Magazine
- Posted Apr 13, 2014
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- Kenji Fujishima
By keeping explanatory talking-heads interviews to a minimum, the filmmakers put their trust in the audience to draw their own conclusions based on what they present to us.- Slant Magazine
- Posted Mar 31, 2014
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- Kenji Fujishima
Putting aside the generic human interest, the film turns out to be shockingly deficient in its on-screen depiction of flexing.- Slant Magazine
- Posted Mar 28, 2014
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- Kenji Fujishima
Adds up little more than an anguished man using the hook of following his famous brother in order to gaze, however critically, at his reflection for 75 minutes.- Slant Magazine
- Posted Mar 24, 2014
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