Ken Jaworowski
Select another critic »For 170 reviews, this critic has graded:
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47% higher than the average critic
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14% same as the average critic
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39% lower than the average critic
On average, this critic grades 1.1 points higher than other critics.
(0-100 point scale)
Ken Jaworowski's Scores
- Movies
- TV
| Average review score: | 67 | |
|---|---|---|
| Highest review score: | On Her Shoulders | |
| Lowest review score: | Antibirth | |
Score distribution:
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Positive: 112 out of 170
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Mixed: 53 out of 170
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Negative: 5 out of 170
170
movie
reviews
- By Date
- By Critic Score
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- Ken Jaworowski
A big heart and a blunt plot run through Shine, a movie whose story is there mostly just to usher in a dance sequence or an earnest speech.- The New York Times
- Posted Oct 4, 2018
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- Ken Jaworowski
Over-narrated and self-serious, this documentary allows its good intentions to pave the way to a tepid tale.- The New York Times
- Posted Mar 15, 2018
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- Ken Jaworowski
The trouble with the movie — and it’s significant — is that Mr. Saleh is so keen to survey Egypt’s dysfunction that his pacing wanes. It’s possible to admire each scene and still see this film, in its entirety, as in need of some serious sharpening.- The New York Times
- Posted Aug 10, 2017
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- Ken Jaworowski
Lynskey and Schloss are well matched as mother and daughter, and Griffiths builds a relationship between them as this far-from-innocent teenager navigates her world. That rough journey is worth watching even when this film falls short.- The New York Times
- Posted Oct 11, 2018
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- Ken Jaworowski
A head-scratcher that ends with a shoulder-shrug, An Ordinary Man feels like a scene-study exercise in which two actors invest full measures in a script that’s only half finished.- The New York Times
- Posted Apr 12, 2018
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- Ken Jaworowski
Theories that are worth voicing are apparently worth repeating, and beats that sound catchy are sure to be replayed many times.- The New York Times
- Posted Aug 13, 2015
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- Ken Jaworowski
Though speechifying and mawkishness are thankfully scarce, the bland script gives her few chances to go beyond the expected formula.- The New York Times
- Posted Dec 3, 2015
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- Ken Jaworowski
To seek proof is distinctly human, and, in this case, a dose of skepticism is surely healthy.- The New York Times
- Posted May 31, 2018
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- Ken Jaworowski
A good story gets stuck in a puddle of mood in Dark Crimes, a film that strays from its fascinating source — a real-life murder case — into a less successful attempt at noir.- The New York Times
- Posted May 17, 2018
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- Ken Jaworowski
A jumbled third act and an indifferent ending ultimately make Hellions disappointing. But there’s a bit of fun to be had in its opening frights, and in trying to figure out what these costumed little monsters really want.- The New York Times
- Posted Sep 17, 2015
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- Ken Jaworowski
Catherine Lutes’s camera catches magnificent views of Revelstoke, British Columbia, that are worth watching as you wait 18 minutes for the next semi-interesting scene.- The New York Times
- Posted Jan 28, 2016
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- Ken Jaworowski
The survivors offer several potent recollections. Yet most other scenes linger and provide few insights.- The New York Times
- Posted Jun 14, 2019
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- Ken Jaworowski
No commercials are shown during Julian Schnabel: A Private Portrait. They would only be redundant. Instead this documentary serves as a feature-length advertisement for the artist, and is about as daring as a billboard for skim milk.- The New York Times
- Posted May 4, 2017
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- Ken Jaworowski
For a movie that promises an “epic journey” to explore a family’s “long-buried suffering,” it’s strangely unsatisfying, and eventually wearisome, to find that this clan is deeply troubled perhaps only in the eyes of its filmmaker.- The New York Times
- Posted Apr 7, 2016
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- Ken Jaworowski
Juicy dilemmas are dangled in front of the audience, then disappointingly yanked away.- The New York Times
- Posted Aug 13, 2015
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- Ken Jaworowski
One longs to praise Mr. Manrique for attempting a serious-minded story in this, his first feature. But there needs to be a real reason to embrace it, rather than what’s on this screen.- The New York Times
- Posted Aug 3, 2017
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- The New York Times
- Posted Jun 23, 2016
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- Ken Jaworowski
Certainly, the senselessness of bloodshed may be Mr. Power’s point. But with this setup, such a message is all but muted.- The New York Times
- Posted Jul 20, 2017
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- Ken Jaworowski
Even with the tongue-in-cheek tone, it’s impossible to overlook the exhausting series of contrivances, coincidences and sloppy filmmaking.- The New York Times
- Posted Jul 21, 2016
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- Ken Jaworowski
In his director’s statement, Mr. Perez, who also wrote the script, says he sought to fashion a story “that would confuse and bludgeon the audience.” My comrade and I will sip, silently nod and, with a strange kind of awe, agree: This filmmaker succeeded.- The New York Times
- Posted Sep 1, 2016
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