For 235 reviews, this critic has graded:
  • 19% higher than the average critic
  • 4% same as the average critic
  • 77% lower than the average critic
On average, this critic grades 11.2 points lower than other critics. (0-100 point scale)

Keith Watson's Scores

  • Movies
  • TV
Average review score: 54
Highest review score: 100 The Harder They Come
Lowest review score: 12 Ithaca
Score distribution:
  1. Negative: 69 out of 235
235 movie reviews
    • 37 Metascore
    • 50 Keith Watson
    In terms of body objectification, Baywatch is an equal-opportunity exploiter, but when it comes to comedy, it's a total boys' club.
    • 37 Metascore
    • 38 Keith Watson
    Over-stuffed and under-conceived, Fist Fight is a clumsy mélange of clashing comedic perspectives.
    • 37 Metascore
    • 38 Keith Watson
    A constant sense of motion can’t obscure how stale, secondhand, and spiritless this entire endeavor feels.
    • 36 Metascore
    • 38 Keith Watson
    Though it may clear the low bar set by the first film, The Nut Job 2 still suffers from many of the same problems.
    • 36 Metascore
    • 12 Keith Watson
    The film is confused in conception, dreary in execution, and completely lacking in forward momentum.
    • 34 Metascore
    • 25 Keith Watson
    The new Texas Chainsaw Massacre is a deeply miscalculated mix of incoherent social commentary and over-the-top gore.
    • 34 Metascore
    • 25 Keith Watson
    This grimly self-serious tale of violent destiny is consistently drowned out by Vicente Amorim’s overreaching visual style.
    • 33 Metascore
    • 63 Keith Watson
    It's difficult to begrudge a film that has the good sense to put so much stock in Ben Kingsley's hammy theatrics.
    • 32 Metascore
    • 63 Keith Watson
    Robin Hood’s shameless silliness only takes it so far, as the film is frequently undermined by Otto Bathurst’s wobbly direction.
    • 31 Metascore
    • 25 Keith Watson
    Schmaltzy, manipulative, and tonally schizophrenic, The Book of Henry is such a monumentally misguided venture that it ends up being oddly, if unintentionally, compelling.
    • 30 Metascore
    • 38 Keith Watson
    The film portrays parenting as the death of manhood, a final surrender to the castrating effects of domesticity.
    • 28 Metascore
    • 50 Keith Watson
    The film may be too preposterous to take seriously, but at least writer-director Aram Rappaport trains his sights on the right enemies.
    • 28 Metascore
    • 12 Keith Watson
    It feels like Sheldon Wilson tossed a bunch of third-hand scares in a blender and set it to puree, resulting in a gray, flavorless sludge.
    • 28 Metascore
    • 12 Keith Watson
    The words of Henry James have never sounded as leaden and preposterous as they do in Julien Landais’s The Aspern Papers.
    • 25 Metascore
    • 50 Keith Watson
    Slacker that it is, the film never seems willing to put in the necessary work to live up to its potential.
    • 24 Metascore
    • 25 Keith Watson
    The grim Australian biker drama Outlaws is little more than an endless stream of brooding, yelling, and “badass” posturing broken up by grisly violence and gratuitous sex scenes.
    • 24 Metascore
    • 25 Keith Watson
    For a film about such a singular profession, Life on the Line offers surprisingly little insight into linemen's day-to-day labor.
    • 21 Metascore
    • 25 Keith Watson
    Though it pretends to stick up for all the schmucks in the world, the film is really just laughing along with the assholes.
    • tbd Metascore
    • 50 Keith Watson
    Writer-director Daniela Amavia fails to link the lives of her characters to any deeper sense of meaning.
    • tbd Metascore
    • 63 Keith Watson
    The film flattens Maryla's personal story into hazy generalities about tolerance and the value of remembrance.
    • tbd Metascore
    • 63 Keith Watson
    Despite all its confoundments, 9 Fingers works as a unified whole thanks to F.J. Ossang's playful sense of humor.
    • tbd Metascore
    • 75 Keith Watson
    Luke Fowler allows us to access some of the intimate details of Bartlett’s life in intriguingly indirect ways.
    • tbd Metascore
    • 63 Keith Watson
    A collage-like tale of vengeance told with an often impressionistic elusiveness, the film can also be bewildering in its juxtapositions.

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