Katarina Docalovich

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For 30 reviews, this critic has graded:
  • 50% higher than the average critic
  • 0% same as the average critic
  • 50% lower than the average critic
On average, this critic grades 3.7 points higher than other critics. (0-100 point scale)

Katarina Docalovich's Scores

  • Movies
  • TV
Average review score: 69
Highest review score: 90 Hold Me Tight
Lowest review score: 30 The Substance
Score distribution:
  1. Positive: 21 out of 30
  2. Negative: 2 out of 30
30 movie reviews
    • 79 Metascore
    • 60 Katarina Docalovich
    Look into My Eyes is a unique window into the minds of those who, like Wilson, experience a lot of feelings about the state of the world, but aren’t quite sure what to say or do about them.
    • 84 Metascore
    • 50 Katarina Docalovich
    Rasoulof knows a much more challenging and incomprehensible reality than many of us ever will, but it’s missing from the straightforward obviousness of The Seed of the Sacred Fig.
    • 69 Metascore
    • 55 Katarina Docalovich
    Thomas Cailley blends traditional French social realism with one major element of science fiction (humans turning into animals) to create a dystopian drama that focuses on a small, character-driven story in order to evoke a vaguely environmentally conscious message.
    • 70 Metascore
    • 50 Katarina Docalovich
    The Dead Don’t Hurt is stuffed to the gills with western tropes, with not a whole lot to add to the genre, especially in terms of furthering feminism onscreen. It may not be the worst western in the world in terms of women’s rights, but that is hardly a reason to commend a film that’s only missing the whore with the heart of gold.
    • 74 Metascore
    • 60 Katarina Docalovich
    The Dating Game plot is strong, and while it is a rather freaky piece of trivia, it is more of a footnote in Alcala’s murder spree than the entire story.
    • 92 Metascore
    • 40 Katarina Docalovich
    More hollow than hollowing, director Jonathan Glazer’s Edenic nightmare is better when taken metaphorically. There are no people to grasp onto here, only concepts.
    • 73 Metascore
    • 45 Katarina Docalovich
    Poehler’s film hits the same notes that we’ve heard before without presenting new information, exploring new territory or asking any new questions.

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