Juan Carlos Coto

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For 38 reviews, this critic has graded:
  • 47% higher than the average critic
  • 5% same as the average critic
  • 48% lower than the average critic
On average, this critic grades 21.4 points lower than other critics. (0-100 point scale)

Juan Carlos Coto's Scores

  • Movies
  • TV
Average review score: 44
Highest review score: 75 How to Get Ahead in Advertising
Lowest review score: 0 Kinjite: Forbidden Subjects
Score distribution:
  1. Positive: 13 out of 38
  2. Negative: 15 out of 38
38 movie reviews
    • 24 Metascore
    • 50 Juan Carlos Coto
    Director Albert Pyun also knows his B-movie tricks -- catchy camera work, slow motion, minimal dialogue and even some dime-store Christ imagery. It's a shame he didn't have a better script. [07 Apr 1989, p.5]
    • Miami Herald
    • 36 Metascore
    • 50 Juan Carlos Coto
    Harley Davidson and the Marlboro Man is lightweight, small-screen stuff. It has some genuinely funny moments, especially in the comic repartee between Johnson and Rourke. These guys have a likable chemistry, and they might be worth teaming up again. Next time, let's hope they have a script. [26 Aug 1991, p.C3]
    • Miami Herald
    • 57 Metascore
    • 50 Juan Carlos Coto
    For all its pretension, Powaqqatsi is a confused work -- both a compeling analysis of underdeveloped nations and a self-indulgent exercise in cinematic drudgery. [24 Jun 1988, p.C5]
    • Miami Herald
    • 34 Metascore
    • 50 Juan Carlos Coto
    Mr. Destiny wouldn't be all bad if it made some variation on the recipe, but it's too generic and predictable -- and too blandly acted -- to be engaging. The magic's gone. It's like sucking on a Tootsie Pop for two hours and never tasting the fudgy center. [12 Oct 1990, p.G5]
    • Miami Herald
    • 50 Metascore
    • 50 Juan Carlos Coto
    Benjamin's creative visual style isn't enough to lift a weak story. [18 Mar 1988, p.D7]
    • Miami Herald
    • 32 Metascore
    • 50 Juan Carlos Coto
    18 Again is one for the VCR. On the big screen, there's not enough Burns for your money. [08 Apr 1988, p.C1]
    • Miami Herald
    • 40 Metascore
    • 50 Juan Carlos Coto
    Though the fight sequences deliver the necessary kicks, Double Impact's script is a study in missed opportunities. [09 Aug 1991, p.G5]
    • Miami Herald
    • 45 Metascore
    • 50 Juan Carlos Coto
    Necessary Roughness, a football comedy of unnecessary blandness, has the same problem as the Miami Dolphins: It dies in the second half. [3 Oct 1991, p.F4]
    • Miami Herald
    • 26 Metascore
    • 50 Juan Carlos Coto
    Mac and his gangly parents are crude special-effects jobs, with dorky ears and dippy walks. But the kids love them anyway, thanks to director Stewart Raffill (The Philadelphia Experiment), who knows how to get young moviegoers cheering. His pace is quick, and the numerous chase scenes make for good fun. For sheer thrills, Mac beats Pippi and Pee-wee, claws down. [12 Aug 1988, p.C8]
    • Miami Herald
    • 47 Metascore
    • 50 Juan Carlos Coto
    Jordan's jokes are sometimes stereotypical barbs tossed at Americans, but the Irish director definitely can inject hackneyed Hollywood devices with high-spirited fun. Be warned, though, you'll have to stomach some dismal scenes between Hannah and Guttenberg -- the biggest stiffs in this movie. [18 Nov 1988, p.D8]
    • Miami Herald

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