Josh Lasser

In its best moments, Suburbicon is the dark, truly funny examination of 1950s suburbia it wants to be. These moments, however, are all too rare and more often than not the story is just a flat Film Noir tale purporting to expose the evil that lurks all around us.

As heartwarming as the story in Leap! can sometimes be, and as strong as the relationship is between Félicie and Odette, her actions can make it difficult to cheer for her as wholeheartedly as the film intends.

Rough Night is a movie that, perhaps, is a lot like one of these parties – it manages to be remembered not as the best time ever, but fondly.

The most frustrating thing about Ritchie's take on King Arthur is that it has all the necessary elements to be a great version of the story, but rather than giving them to the audience as such, they are put into a blender and thoroughly mixed.