Jordan Raup

Throughout his films, Waititi has always been skilled at melding comedy with trauma and crafting screenplays with crowdpleasing callbacks. Hunt for the Wilderpeople is another such example of amiable, kind-hearted storytelling.

Goat is a compelling watch, but in the end, its themes are a bit muddled, and certainly not unique.

Despite a compelling performance, we rarely get an authentic sense of the psychology behind her eyes.

There are no grand revelations or heightened emotions to be found in this film. Rather, Reichardt is keenly aware of small interactions, whether it be a few words or a glance, that make the most memorable moments in one’s life

What’s lacking in aesthetic cohesion, pacing, and subtlety is made up for in a powerful lead performance and an essential story with compelling religious undercurrents.

With a docudrama approach capturing moments of reflective tranquility next to the beach or on a rooftop, Viva feels deeply rooted in its location.

There are no clichés here, and Lonergan flawlessly carves out the most sincere moments to reveal a sprawling, deeply affecting odyssey of emotional recovery.

It’s such a step-up in vibrancy, scope, and emotion that it feels like the introduction of an entirely different, more accomplished filmmaker.

Assassination Nation may hit buttons in the moment, but looking back, it fades away as an experience as ugly as it is unpleasant.

A conspiracy thriller as euphorically entertaining as it is devastatingly bleak.

One of Eighth Grade‘s greatest strengths is its specificity related to the current generation.

An earnest, clear-cut drama about the struggle for one woman’s liberation from the shackles of domesticity, Puzzle does what it sets out to do remarkably well.

There are few films that make one rethink the entire genre that came before it, but with their continually surprising, feminist bent approach, the Zellners have succeeded in doing so.

The Tale is a soul-excavating reckoning with the suppression of trauma and a testament to the courage required for a victim to confront the most damaging moments of their lives.

In capturing the crumbling of a family and the scars left behind, Paul Dano has made a fascinatingly complex portrait of the fracturing of American ideals.

Aster displays proficient skill in eerie tone-setting, elaborate production design, and the type of scares that will leave a pervasive imprint on the mind, even if the underlying mythology gets over-complicated by the finale.

Riley doesn’t offer a great deal of insight, but he clearly has a lot on his mind. Here’s hoping he retains this creative edge on a more focused follow-up.

There will never be easy answers when dealing with the soul-baring act of producing truly great art, but Josephine Decker’s film is as mesmerizing a plunge into the process as one is likely to find in modern cinema.

Most surprising of all, Mandy isn’t solely about the carnage-heavy path for revenge. Cosmatos knows that the impact will be much greater felt if there’s an emotional backbone. Thus, one can feel the soul-churning passion behind every popping eye and crushed skull.

While it doesn’t land with as much impact as it should, the contradictory, heart-numbing effects of such a dehabiliting program are conveyed with a keen sense of nuance by Akhavan.