Jonathan Christian

You might not feel the need to attend church this Sunday after the credits roll, but don’t be surprised if you find yourself praying for your time back.

The film is not meaningless, or even trifling, but, Stockholm never rises above mediocre, and that is what hurts the most.

Phantom Cowboys is a stylish treat for viewers who enjoy meditative cinema. As an enrapturing stroll down the dusty backroad pathways and flame-covered grassland that comprise a country, the documentary manages to offer an invigorating perspective on the United States by exploring the day-to-day lives of the unseen.

As a simultaneous introduction and farewell, An Elephant Sitting Still might be one of the best movies that you will only watch once, but won’t ever completely leave your mind.

"Well Groomed" is not revolutionary cinema by any means, but it certainly is enjoyable; and sometimes, an adorable documentary about competitive creative dog grooming is exactly what you need.

In short, Babylon is bland and sadly, should be much better.

The primary factor permitting Styx to warrant any sort of recognition is inarguably Susanne Wolff’s dynamically subtle performance.

The Plagiarists is a fantastic idea that is irredeemably marred by poor execution. There is a genuine sensation of effort on screen and a select few of the ideas the film touches upon are outright brilliant, but the product still falls remarkably flat.

All These Small Moments succeeds in simplicity.

In a Relationship lays out the director’s talents (working with actors and crafting tone) while also showcasing the areas where improvements can be made.