Jon Frosch

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The Hollywood Reporter, Village Voice
For 98 reviews, this critic has graded:
  • 39% higher than the average critic
  • 3% same as the average critic
  • 58% lower than the average critic
On average, this critic grades 4.5 points lower than other critics. (0-100 point scale)

Jon Frosch's Scores

  • Movies
  • TV
Average review score: 61
Highest review score: 100 Marriage Story
Lowest review score: 20 The Only Living Boy in New York
Score distribution:
  1. Positive: 47 out of 98
  2. Mixed: 38 out of 98
  3. Negative: 13 out of 98
98 movie reviews
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    • 40 Metascore
    • 50 Jon Frosch
    Table 19
    Mixing touchy-feely, sub-Sundance quirk, a studio comedy’s penchant for pratfalls and dick jokes, and unabashed John Hughes nostalgia, the film crowds its leading lady with a busy ensemble and too much plot.
    • 39 Metascore
    • 50 Jon Frosch
    Why Him?
    Almost nothing anyone does registers as recognizably human; it’s all just a pretext for yet another round of envelope-pushing outrageousness.
    • 37 Metascore
    • 40 Jon Frosch
    Let My People Go!
    Mikael Buch's debut feature is silly and sweet, but also paper thin and mostly unimaginative: a series of cartoonish vignettes during which a generically eccentric Jewish clan confronts movie-family problems (adultery, divorce, health scares, tense sibling relationships).
    • 33 Metascore
    • 20 Jon Frosch
    The Only Living Boy in New York
    While The Only Living Boy in New York looks nice (it was shot on film by veteran DP Stuart Dryburgh), it's an unabashed fake — glib and movie-ish in a grating way, with lots of prefab "soulfulness" and none of the texture or rough edges of life.
    • 31 Metascore
    • 30 Jon Frosch
    Love the Coopers
    A Christmas comedy of numbing tedium and tackiness.
    • 18 Metascore
    • 30 Jon Frosch
    Mother's Day
    Mother’s Day is bad from the start, and it doesn't get better.
    • tbd Metascore
    • 50 Jon Frosch
    Cronies
    Despite the film's flaws and missteps, there’s a low-key charm and sincerity at play in Cronies, as well as a sly recognition of fragile male egos and the way bravado can mask sexual anxiety.
    • tbd Metascore
    • 70 Jon Frosch
    The Revival
    With an attention-grabbing hook and two riveting central performances, Jennifer Gerber's feature directorial debut The Revival holds you in its grip even when it stumbles
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