John Hazelton

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For 45 reviews, this critic has graded:
  • 57% higher than the average critic
  • 4% same as the average critic
  • 39% lower than the average critic
On average, this critic grades 11.1 points lower than other critics. (0-100 point scale)

John Hazelton's Scores

  • Movies
  • TV
Average review score: 54
Highest review score: 100 Tangerine
Lowest review score: 20 Pirates of the Caribbean: Dead Men Tell No Tales
Score distribution:
  1. Positive: 15 out of 45
  2. Negative: 6 out of 45
45 movie reviews
    • 80 Metascore
    • 70 John Hazelton
    Visually spectacular and consistently entertaining, Ridley Scott’s space rescue procedural The Martian suffers only from a failure to hit its emotional beats with the amount of force and feeling usually required to make this kind of life-and-death adventure really take off.
    • 43 Metascore
    • 50 John Hazelton
    With more action and less mystery, a returning director and main cast and a handful of sketchy new characters, The Scorch Trials makes for an efficient yet uninspiring sequel.
    • 54 Metascore
    • 70 John Hazelton
    A breezy but touching dysfunctional family dramedy, with real heart and some genuine musical soul.
    • 77 Metascore
    • 70 John Hazelton
    Initially, it plays like an atmospheric but predictable stalker thriller with not much more than style – and maybe the casting of the always watchable Jason Bateman – to recommend it. Later, though, it turns into a considerably more intriguing and twisty psychological drama.
    • 27 Metascore
    • 50 John Hazelton
    Sporting a flowing mullet and aviator shades, Dinklage perks things up considerably as the story’s comically arrogant bad-boy-turned-good-guy.
    • 30 Metascore
    • 30 John Hazelton
    The Gallows offers up few new ideas and very few genuine scares.
    • 86 Metascore
    • 100 John Hazelton
    Tangerine paints a portrait of transgender sex workers and their clients that pulses with raunchy energy and compassionate humour. It’s a bracing slice of American indie film-making.
    • 34 Metascore
    • 70 John Hazelton
    There are enough twists and turns in Self/less to keep things interesting
    • 47 Metascore
    • 50 John Hazelton
    Max
    Max is a genial if somewhat old-fashioned tale that’s too clunky to transcend its genre(s) but effective enough within its own limited emotional range.
    • 40 Metascore
    • 40 John Hazelton
    A forced and often cloying romantic comedy-drama with a strong, Bradley Cooper-led cast and an enticing Hawaiian setting but a bewildering mishmash of plot threads and themes.
    • 43 Metascore
    • 40 John Hazelton
    The very earnest human drama fits awkwardly into the action and isn’t helped by some unconvincing performances and weak dialogue.
    • 34 Metascore
    • 40 John Hazelton
    A raunchy yet slack-feeling comedy that seems to put as much effort into playing on racial stereotypes as playing for laughs.
    • 42 Metascore
    • 70 John Hazelton
    The second installment of the Divergent series shows some symptoms of middle chapter-itis but in the end makes the most of a strong returning cast led by Shailene Woodley, slick direction from Robert Schwentke, impressive effects and a closely guarded plot twist.
    • 59 Metascore
    • 40 John Hazelton
    While the dramatic themes echo the great crime movies of the seventies, it’s the modern flash and muscle that ultimately win out in this pacey yet less than satisfying action thriller.
    • 32 Metascore
    • 40 John Hazelton
    The supporting cast takes some of the comic weight off the always likeable Vaughn’s shoulders. But Wilkinson’s character is too sad-sack to be really funny and Franco’s verges on the mawkish.

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