For 1,483 reviews, this critic has graded:
  • 45% higher than the average critic
  • 5% same as the average critic
  • 50% lower than the average critic
On average, this critic grades 5.8 points lower than other critics. (0-100 point scale)

John DeFore's Scores

  • Movies
  • TV
Average review score: 60
Highest review score: 100 Mandy
Lowest review score: 0 The Trouble with Terkel
Score distribution:
1483 movie reviews
    • 52 Metascore
    • 70 John DeFore
    Successful to a point (though seemingly unaware of the chuckles it produces in between shrieks), the movie has strong prospects with genre audiences but won't spawn a phenomenon resembling the filmmakers' previous franchise.
    • 68 Metascore
    • 70 John DeFore
    Sienna Miller offers a beautiful, agile performance that would by itself justify the film's existence.
    • 70 Metascore
    • 70 John DeFore
    Relying on interviews with Schrager and other insiders instead of cramming in every celeb who graced the dancefloor, Tyrnauer delivers a meaty and transporting portrait.
    • 65 Metascore
    • 70 John DeFore
    An empathetic drama ready to put straight-laced audiences in the shoes of a maligned subculture.
    • 80 Metascore
    • 70 John DeFore
    Quiet and carefully made but cryptic, it relies on the viewer to complete its metaphors.
    • 72 Metascore
    • 70 John DeFore
    Horror and cold humor commingle in Dogtooth, a Greek import whose screenwriters approach scenario construction like misanthropic social scientists planning an experiment -- one whose result suggests that governments might want to rethink policies allowing parents to home-school their children.
    • 68 Metascore
    • 70 John DeFore
    It successfully imagines a place for its heroine in Holmes' world, then convinces young viewers that Enola needn't be constrained by that world's borders.
    • 60 Metascore
    • 70 John DeFore
    Enjoyable despite its familiarity.
    • 65 Metascore
    • 70 John DeFore
    The film prefers to share its protagonists' struggle, not lionizing the risks they take but also never questioning them.
    • 50 Metascore
    • 70 John DeFore
    Its high-octane but low-stakes action might be just the thing for moviegoers weary of summer's operatic superheroes.
    • 72 Metascore
    • 70 John DeFore
    The writer-director's first feature has much going for it, above all a striking performance by Emilie Piponnier in the title role. Neither a fallen-woman melodrama nor an encomium to guilt-free sex work, the complicated moral tale has strong art house potential.
    • 64 Metascore
    • 70 John DeFore
    One of the things making Goon so enjoyable is its fairy-tale suggestion that all humanity's violent impulses can be exorcized in a Zamboni-groomed ice rink.
    • 61 Metascore
    • 70 John DeFore
    Setting out to show the range of expression found in a field of craft it feels is too often dismissed as a trivial women's pastime, Una Lorenzen's Yarn showcases four artists doing things with crochet your spinster great-aunt probably never imagined.
    • 61 Metascore
    • 70 John DeFore
    Revealing tour doc showcases a quick wit and a bruised soul.
    • 65 Metascore
    • 70 John DeFore
    Never intending to rationalize away the seedier aspects of Newton's work, the film hopes instead to make us recognize the humor and inventiveness lurking there as well — and to persuade us that an artist's unruly erotic imagination doesn't necessarily tell us much about what he thinks of women.
    • 41 Metascore
    • 70 John DeFore
    The film delivers almost exactly what fans of the first installment are hoping for.
    • 75 Metascore
    • 70 John DeFore
    More than anything, the doc lives up to its name as a portrait of the photographer in his old age.
    • 68 Metascore
    • 70 John DeFore
    Though it mostly summarizes available arguments instead of uncovering new facts, it's an accessible primer.
    • 75 Metascore
    • 70 John DeFore
    A class-conscious Scandinavian crime film whose impact is dulled by some extraneous subplots, Daniél Espinosa's Easy Money nevertheless makes a solid vehicle for Joel Kinnaman.
    • tbd Metascore
    • 70 John DeFore
    Though undistinguished as a piece of moviemaking (its aesthetic is best suited to educational settings), the doc benefits from the spectrum of talent on display.
    • 66 Metascore
    • 70 John DeFore
    The film is aware of the weight of its subject but loath to behave like an "important" film — focusing instead on the specificity of one sick young man and the family that loves and fears him in almost equal measure.
    • 57 Metascore
    • 70 John DeFore
    A gore-for-broke affair that strips the flesh off Sam Raimi's cult-beloved comic-horror franchise and exposes the demons at its core.
    • 49 Metascore
    • 70 John DeFore
    Less twisted than Natali's last film, Splice, it's sufficiently novel to uphold his reputation as a filmmaker not content telling conventional fanboy stories.
    • 68 Metascore
    • 70 John DeFore
    Made with the intelligence and good taste one expects from Ejiofor, the involving film cares about much more than the sweeping images of triumph with which it inevitably closes.
    • 71 Metascore
    • 70 John DeFore
    There's nothing moribund about the action in King Georges, the lively first film directed by doc producer Erika Frankel, which observes the perfectionist workhorse in his kitchen.
    • 74 Metascore
    • 70 John DeFore
    The ironies of Plimpton's life are handled delicately, made just obvious enough for viewers to mull themselves.
    • 63 Metascore
    • 70 John DeFore
    The Food Network crowd will go nuts for the doc, but beyond the shots of luscious dishes, there's a pretty interesting character study here as well.
    • 77 Metascore
    • 70 John DeFore
    Though never hard to follow, the discussion can sometimes challenge an unwonky viewer's attention span. But it contains big insights for those who wade in.
    • 64 Metascore
    • 70 John DeFore
    If it leaves us more hopeful about those kids' mental health than about the gun debate, that's hardly surprising.

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