For 820 reviews, this critic has graded:
  • 60% higher than the average critic
  • 4% same as the average critic
  • 36% lower than the average critic
On average, this critic grades 1.1 points higher than other critics. (0-100 point scale)

Joe Williams' Scores

  • Movies
  • TV
Average review score: 67
Highest review score: 100 Samsara
Lowest review score: 0 The Divergent Series: Insurgent
Score distribution:
  1. Negative: 67 out of 820
820 movie reviews
    • 27 Metascore
    • 38 Joe Williams
    Long before you’ve gotten a nickel’s worth of entertainment out of this dumb, unfunny flick, you’ll be wishing for the flashing sign that says “Game over.”
    • 75 Metascore
    • 38 Joe Williams
    Spy
    With the overlong, limp and lazy Spy, Feig has lost his mojo.
    • 60 Metascore
    • 38 Joe Williams
    Disney’s gimmick of naming movies for its theme-park attractions crashes and burns in Tomorrowland, a here-and-now caper that will confuse children, bore adults and offend anyone who’s ever taken a science class.
    • 42 Metascore
    • 0 Joe Williams
    There is such a thing as an infinitely bad movie, and this is it.
    • 67 Metascore
    • 38 Joe Williams
    Cinderella is so scrubbed of personality, it’s not even worth calling a mess.
    • 59 Metascore
    • 25 Joe Williams
    If you’re a fan of the “Taken” movies and tend to give action-hero Neeson the benefit of the doubt, our advice here is simple: Run away!
    • 60 Metascore
    • 38 Joe Williams
    Kingsman is like a high-speed collision between a Jaguar and a jaywalking soccer hooligan. It’s ridiculously out of balance, and when you’re stuck in the middle, it doesn’t seem so funny.
    • 40 Metascore
    • 38 Joe Williams
    Channing Tatum is a lot of things, but he’s not a stoic Superman like the role he plays here, which is made more laughable by prosthetic pointy ears.
    • 68 Metascore
    • 38 Joe Williams
    Sorry, Keanu, but you stole my time and you murdered my brain cells. By the sacred oath of WHOA, there will be blood, and this time it’s personal.
    • 29 Metascore
    • 25 Joe Williams
    Sparks would be delighted if this movie were compared to his other story about reunited lovers, but compared to “The Notebook,” The Best of Me is the coffee-stained outline of a sales pitch for sleeping pills.
    • 37 Metascore
    • 38 Joe Williams
    Annabelle is so lazily coat-tailing on Roman Polanski, they should have called it “Rosemary’s Barbie.”
    • 57 Metascore
    • 38 Joe Williams
    So stupid and hateful, it needs to have a stake driven through its heart before it can spawn a franchise.
    • 38 Metascore
    • 38 Joe Williams
    If cranking out this kind of mediocre, head-scratching blarney is the only option available to Hollywood veterans like Reiner, we have some friendly advice: Open a haberdashery.
    • 39 Metascore
    • 38 Joe Williams
    McCarthy and first-time director Falcone must have assumed that tossing a drunk and a dunce into a Cadillac would negate the need for a motive or even a script.
    • 54 Metascore
    • 25 Joe Williams
    The worst thing about this multifaceted failure is the two-time Oscar winner behind the camera. Where there ought to be a director, there’s nothing but an empty chair.
    • 69 Metascore
    • 38 Joe Williams
    This movie is so tone-deaf it would only make sense in Vincent van Gogh’s missing ear.
    • 47 Metascore
    • 38 Joe Williams
    In Secret is so stifled, it makes “Les Misérables” look like “Amélie.”
    • 30 Metascore
    • 25 Joe Williams
    This stinker is only good for endless laughs.
    • 37 Metascore
    • 38 Joe Williams
    This dead-on-arrival ’toon is some of the worst p.r. for rodents since bubonic plague hit medieval Europe.
    • 48 Metascore
    • 38 Joe Williams
    In trying to lift this lame schtick, De Niro, Douglas, Freeman and Kline are stand-up guys, but Last Vegas is a case of erectile dysfunction.
    • 41 Metascore
    • 25 Joe Williams
    When a celebrity chef like Rodriguez is just going through the motions, we can smell that the grindhouse fad is way past its expiration date. It's time to put a fork in it.
    • 70 Metascore
    • 38 Joe Williams
    It’s preposterous schlock masquerading as art.
    • 55 Metascore
    • 38 Joe Williams
    A soulless, overblown bore.
    • 33 Metascore
    • 25 Joe Williams
    Surprise — this bad dream is for real.
    • 30 Metascore
    • 38 Joe Williams
    The good news is that Ed Helms doesn’t wake up in a Tijuana brothel with an amputated leg and a donkey in the room. The bad news is that you’ll wish he had.
    • 52 Metascore
    • 38 Joe Williams
    Comedies about privileged princesses and unsuitable suitors come in all colors, but Peeples is only palatable on a double bill with pink antacid.
    • 28 Metascore
    • 38 Joe Williams
    It’s nearly tragic to see America’s Greatest Living Actor on the guest list for The Big Wedding, the latest limp comedy about seniors behaving badly.
    • 35 Metascore
    • 38 Joe Williams
    Suffering through this felonious farce could only inspire a prison riot.
    • 41 Metascore
    • 38 Joe Williams
    Dare we say it? Even the acting is atrocious, with pop-eyed Pacino chewing the scenery like a geezer gumming his oatmeal.
    • 54 Metascore
    • 38 Joe Williams
    While the cast includes Luis Guzman (as a buffoonish deputy) and Johnny Knoxville (as a local gun nut), there's no sense that these are real people in a real town, and Schwarzenegger's Sheriff Owens has the weakest backstory of all.

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