Joe Dziemianowicz

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For 50 reviews, this critic has graded:
  • 50% higher than the average critic
  • 0% same as the average critic
  • 50% lower than the average critic
On average, this critic grades 6.6 points lower than other critics. (0-100 point scale)

Joe Dziemianowicz's Scores

  • Movies
  • TV
Average review score: 59
Highest review score: 100 La La Land
Lowest review score: 20 The Boss
Score distribution:
  1. Positive: 22 out of 50
  2. Negative: 3 out of 50
50 movie reviews
    • 54 Metascore
    • 70 Joe Dziemianowicz
    Ana de Armas makes a lasting impression as Felicidad, the angelic girl (her hair is braided, like a halo) who’s the love of Duran’s life. Too bad their relationship is underexplored and left to a quickie montage of baby-making and deliveries. That’s one of the reasons the film’s not a knockout.
    • 53 Metascore
    • 40 Joe Dziemianowicz
    The cast, led by John Krasinski, who doubles as director, has its own fight against the lame and contrived script by Jim Strouse.
    • 63 Metascore
    • 70 Joe Dziemianowicz
    Tallulah is a sensitive and stirring look at motherhood.
    • 59 Metascore
    • 60 Joe Dziemianowicz
    As a full-length film this fashion industry over-the-top farce about two hot messes behaving badly — and boozily — is both too much and too little.
    • 83 Metascore
    • 70 Joe Dziemianowicz
    Jack and Sam share a wonderful scene when performance and real life blur, which is the whole point of the movie.
    • 64 Metascore
    • 70 Joe Dziemianowicz
    The rom-dram is wistful and wisecracking, boasts a polished ensemble and is such a period looker you wish you could time-travel to the Jazz Era.
    • 66 Metascore
    • 70 Joe Dziemianowicz
    The movie rises thanks to an ace in the hole: Bryan Cranston, whose stirring star turn hooks us completely.
    • 66 Metascore
    • 60 Joe Dziemianowicz
    Fun and likable, occasionally even delightful.
    • 53 Metascore
    • 70 Joe Dziemianowicz
    The film gets predictable and loses its firm grip a third of the way in. Too bad, since the film directed and co-written by Gary Ross (“The Hunger Games,” “Seabiscuit”) gets off to a bang-up beginning.
    • 52 Metascore
    • 40 Joe Dziemianowicz
    Even the obligatory blooper reel after the film isn’t as funny as it should be.
    • 51 Metascore
    • 70 Joe Dziemianowicz
    The film belongs to Clarke. Her warm and winning star turn lifts this checklist chick flick.
    • 44 Metascore
    • 60 Joe Dziemianowicz
    Writer and director Brian DeCubellis bathes the screen in dark shadows and provides fluid pacing. If you like your entertainment pulpy — and don’t mind swallowing cliches along the way — this “Night” is worth a look.
    • 70 Metascore
    • 80 Joe Dziemianowicz
    As summer popcorn-style entertainment, The Nice Guys gets the job done.
    • 67 Metascore
    • 40 Joe Dziemianowicz
    Moviegoers don’t get much to chew on either, besides a decent performance by Ewan McGregor as both Jesus and a demon, plus some OMG-worthy landscapes.
    • 40 Metascore
    • 20 Joe Dziemianowicz
    If they gave out badges for smutty language, this movie would have lots. There’s nothing wrong with that. But filthy doesn’t automatically equal funny.
    • 37 Metascore
    • 60 Joe Dziemianowicz
    Among the lessons learned: marriages need tending and distance can make people closer. Not earth-shaking, but harmless. Like this sequel.
    • 44 Metascore
    • 70 Joe Dziemianowicz
    The Bronze isn’t a brilliant game-changer, just a funny and filthy diversion.
    • 63 Metascore
    • 40 Joe Dziemianowicz
    Luckily for Hello, My Name Is Doris, Sally Field is still so likable, really likable.
    • 53 Metascore
    • 40 Joe Dziemianowicz
    It’s visually sumptuous but laborious. Worse, it’s pretty humorless. Knight of Cups takes itself very seriously.
    • 58 Metascore
    • 80 Joe Dziemianowicz
    A gross-out comedy motored by girl power that’s funnier than hell. Raunchier, too.

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