Jeremy Mathai

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For 40 reviews, this critic has graded:
  • 72% higher than the average critic
  • 0% same as the average critic
  • 28% lower than the average critic
On average, this critic grades 1.4 points lower than other critics. (0-100 point scale)

Jeremy Mathai's Scores

  • Movies
  • TV
Average review score: 64
Highest review score: 90 Sinners
Lowest review score: 30 Mercy
Score distribution:
  1. Positive: 22 out of 40
  2. Negative: 1 out of 40
40 movie reviews
    • 42 Metascore
    • 50 Jeremy Mathai
    Rather than adding something fresh and new to give us a reason to reinvest in this universe, the end result is as by-the-numbers as it gets.
    • 54 Metascore
    • 50 Jeremy Mathai
    For all the storylines it juggles — part love story, part franchise extension, and part treatise on how mind-numbingly awful group projects in class can be (seriously, this early section might actually be the highlight of the movie) — The Ballad of Songbirds and Snakes feels caught between its humbler, more character-driven aims and the blockbuster expectations of reinvigorating a brand.
    • 49 Metascore
    • 50 Jeremy Mathai
    As a self-contained and satisfying yarn, this initial attempt at original franchise-building leaves a whole lot to be desired. As the most expensive feature-length trailer ever made, "Horizon" sets the stage for a much more interesting sequel where, hopefully, something of import actually happens.
    • 50 Metascore
    • 50 Jeremy Mathai
    Taken on its own merits, The Marvels is little more than another mediocre, easily-forgotten effort in a never-ending stream of products.
    • 55 Metascore
    • 50 Jeremy Mathai
    But when the smoke of its bombastic climax clears, what we're left with is an oddly sanitized, toned-down, and somewhat misshapen addition to Ritchie's oeuvre.
    • 70 Metascore
    • 50 Jeremy Mathai
    In the end, Emilia Pérez can't help but feel like a half-completed thought experiment, anchored by the performances of a trio of women all but willing this past the finish line.
    • 35 Metascore
    • 45 Jeremy Mathai
    All of this is emblematic of a film that suffers from self-inflicted wounds at practically every turn. Lacking the cleverness of the original, the undeniable flair of the best of Wes Craven's sequels, and the crowd-pleasing thrills of the recent revivals, "Scream 7" is more or less dead on arrival. Maybe it should stay that way.
    • 35 Metascore
    • 40 Jeremy Mathai
    Snyder once again displays his usual knack for crafting the occasional breathtaking visual and colorful splash page — a kiss silhouetted by the Veldt equivalent of magic hour, a spaceship foregrounded by an eclipsing star, and a stunning tableau of lasers crisscrossing in the heat of battle are memorable highlights — but his insistence on serving as his own director of photography continues to hold him back at every turn.
    • 31 Metascore
    • 40 Jeremy Mathai
    Ultimately, "Rebel Moon" resembles little more than a grab-bag collection of world-building influences, mythology, and epic storytelling that we've seen done better many times before.
    • 34 Metascore
    • 30 Jeremy Mathai
    Mercy is a sight that may induce sore eyes, a punishing experience for those with even the lowest of expectations, and appears destined to land among the dregs of the year. But, worst of all, this feels like an alarming glimpse into a world I want no part of — one where our entertainment isn't so much as created by AI, but explicitly tailored for those who no longer care enough to see the difference. On the bright side, 2026 can't get any worse than this ... right?

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