Jeremiah Kipp
Select another critic »For 40 reviews, this critic has graded:
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57% higher than the average critic
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0% same as the average critic
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43% lower than the average critic
On average, this critic grades 5.8 points higher than other critics.
(0-100 point scale)
Jeremiah Kipp's Scores
- Movies
- TV
| Average review score: | 71 | |
|---|---|---|
| Highest review score: | A Clockwork Orange | |
| Lowest review score: | Children Shouldn't Play with Dead Things | |
Score distribution:
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Positive: 32 out of 40
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Mixed: 4 out of 40
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Negative: 4 out of 40
40
movie
reviews
- By Date
- By Critic Score
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- Jeremiah Kipp
Only musical theater people will plug into this love-fest, breaking their arms patting themselves on the back. That’s entertainment?- Slant Magazine
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- Jeremiah Kipp
Though it has the requisite murder every 10 minutes or so (including victims snapped in half and punched through the heart, and a triple decapitation), Friday the 13th Part VI: Jason Lives feels more like a harbinger for the Scream series with its self-aware jokiness.- Slant Magazine
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- Jeremiah Kipp
At least the dancing is good, and Vincente Minnelli’s restless camera gooses a plodding story into liveliness.- Slant Magazine
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- Jeremiah Kipp
The non-musical performances are shallow: Douglas is forceful but one-note, Day is as square and wholesome as a glass of milk, and Bacall purrs along in the same faux-bad girl performance she’s given for the past 60 years. But I suppose that’s fitting for a morality play this black and white, where wild jazz, liquor, and loose women cause the downfall of man.- Slant Magazine
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- Jeremiah Kipp
The freewheeling atmosphere of dread more than make up for the incoherence, but Phantasm IV: Oblivion at times feels like an expensive, 35mm home movie made by some kids in their backyard.- Slant Magazine
- Posted Oct 5, 2016
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- Jeremiah Kipp
When The Beast Must Die is ripping off The Most Dangerous Game, it’s an amusing, if minor, genre offering.- Slant Magazine
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- Jeremiah Kipp
The horny teenagers all seem like banal, plastic, eager-to-please refugees from a sitcom, desperately hoping with their every line of dialogue for a canned laugh.- Slant Magazine
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- Jeremiah Kipp
The tone is crude, raunchy, and leering, with kill scenes combined with more nudity than usual; we’re even invited to check out a hot chick’s body after her face has been sliced in half by garden shears.- Slant Magazine
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- Jeremiah Kipp
It has the unfortunate effect of being a movie that seems stuck on a Broadway stage.- Slant Magazine
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- Jeremiah Kipp
Made on the cheap and inspired by early Romero, this zombie flick doesn’t even have the dead rise until the final half-hour. Until then, we’re stuck with an amateur theater troupe chattering away as they venture out to an abandoned island for a goofy séance.- Slant Magazine
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