Jean Oppenheimer
Select another critic »For 144 reviews, this critic has graded:
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51% higher than the average critic
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4% same as the average critic
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45% lower than the average critic
On average, this critic grades 1.8 points lower than other critics.
(0-100 point scale)
Jean Oppenheimer's Scores
- Movies
- TV
| Average review score: | 64 | |
|---|---|---|
| Highest review score: | Donnie Darko | |
| Lowest review score: | Superbabies: Baby Geniuses 2 | |
Score distribution:
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Positive: 81 out of 144
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Mixed: 49 out of 144
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Negative: 14 out of 144
144
movie
reviews
- By Date
- By Critic Score
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- Jean Oppenheimer
Tanovic describes it as "a very serious film with a sense of humor." It is an apt description for a very remarkable film, one of the best of the year.- New Times (L.A.)
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- Jean Oppenheimer
A riveting movie that's as entertaining as it is socially and politically important.- Dallas Observer
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- Jean Oppenheimer
Turns out to be more than simply a near-miracle of filmmaking, however; it is also an astonishing work of art, a historical epic that drifts through one's consciousness like a reverie.- Dallas Observer
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- Dallas Observer
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- Jean Oppenheimer
Like gathering storm clouds, Donnie Darko creates an atmosphere of eerie calm and mounting menace -- stands as one of the most exceptional movies of 2001.- New Times (L.A.)
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- Jean Oppenheimer
Despite its two-and-a-half hour running time, the movie flies by, so absorbing are its story, songs and stars.- New Times (L.A.)
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- Dallas Observer
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- Jean Oppenheimer
Does a masterful job of combining digital imagery and voice performance to create totally believable animal characters.- New Times (L.A.)
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- Jean Oppenheimer
The acting is remarkable across the board, undoubtedly a combination of a strong script, gifted actors and exceptional direction.- Dallas Observer
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- Jean Oppenheimer
A gentle, beautifully realized tale of love and intimacy...It moved me to tears.- Dallas Observer
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- Jean Oppenheimer
A genuinely affecting movie that approaches its adult themes with intelligence, maturity, and rare authenticity.- New Times (L.A.)
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- Jean Oppenheimer
Pure joy to watch -- and an invaluable documentary record of a bygone era.- Dallas Observer
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- Jean Oppenheimer
It is that rare find: a film that is as emotionally truthful as it is satisfying.- Dallas Observer
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- Jean Oppenheimer
A delicious little thriller about an uptight, ill-humored English mystery writer who becomes enmeshed in murder, Swimming Pool is at once comical, contrary, resourceful and ambiguous.- Dallas Observer
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- Jean Oppenheimer
Emotionally gripping from start to finish, the movie presents an electrifying and unforgettable look at life in a place that God has all but forgotten.- Dallas Observer
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- Jean Oppenheimer
While Sollett provided cast members with a detailed breakdown of the story--a kind of narrative guide--he wanted them to improvise their own dialogue based on how they would react to a similar situation in their own lives....The result is quite extraordinary.- Dallas Observer
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- Jean Oppenheimer
A film of tremendous complexity and depth, a galvanic force that sends the mind reeling.- New Times (L.A.)
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- Jean Oppenheimer
But in a calculated move that pays off handsomely, the picture's remarkable power is reserved for the end, when the intertwining themes coalesce in an extraordinarily satisfying and stirring way.- New Times (L.A.)
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- Jean Oppenheimer
This engaging film proves a total pleasure, suitable for moviegoers who like their films a bit old-fashioned but still mainstream.- Dallas Observer
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- Jean Oppenheimer
So inventive, confident, and accomplished is the production that it's a shock to learn Sliding Doors is the work of a first-time director-screenwriter.- Dallas Observer
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- Jean Oppenheimer
This terrific movie manages to invest kitchen-sink realism with the soul of a fairy tale.- New Times (L.A.)
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- Dallas Observer
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- Jean Oppenheimer
No matter how restrained the direction or unsentimental the performances -- and White Oleander scores points for both -- there is no escaping the semi-trashy but oh-so-life-affirming ring of the plot.- Dallas Observer
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- Jean Oppenheimer
This intriguing jigsaw puzzle is visually arresting, narratively inventive, and psychologically enigmatic.- Dallas Observer
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- Jean Oppenheimer
This brutal film borders on the brilliant. Beautifully structured and edited, with a chilling central performance by Ian McKellen and an exceptional score by John Ottman, who also edited the picture, it churns up emotions and leaves the viewer feeling stunned and depleted.- Dallas Observer
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- Dallas Observer
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- Jean Oppenheimer
A charming little film, filled with eccentric characters and ingratiating performances.- New Times (L.A.)
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- Jean Oppenheimer
Farmanara, the actor, brings a real poignancy to the role and, thus, to the story that seems, more than anything, the tale of a man coming to terms with his life.- New Times (L.A.)
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- Jean Oppenheimer
Viewers with a low tolerance for sentiment may balk, but the emotions are so true and the characters so appealing that the film should completely win you over.- Dallas Observer
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- Jean Oppenheimer
On one level it is highly intimate, yet it is also universal, a modern metaphor for the human condition and the precariousness of life itself.- Dallas Observer
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