Jean Oppenheimer
Select another critic »For 144 reviews, this critic has graded:
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51% higher than the average critic
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4% same as the average critic
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45% lower than the average critic
On average, this critic grades 1.8 points lower than other critics.
(0-100 point scale)
Jean Oppenheimer's Scores
- Movies
- TV
| Average review score: | 64 | |
|---|---|---|
| Highest review score: | Donnie Darko | |
| Lowest review score: | Superbabies: Baby Geniuses 2 | |
Score distribution:
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Positive: 81 out of 144
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Mixed: 49 out of 144
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Negative: 14 out of 144
144
movie
reviews
- By Date
- By Critic Score
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- Jean Oppenheimer
Offers both a gentle humor and a sly but unmistakable optimism about what life in Iran might one day be.- New Times (L.A.)
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- Jean Oppenheimer
Despite its two-and-a-half hour running time, the movie flies by, so absorbing are its story, songs and stars.- New Times (L.A.)
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- Dallas Observer
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- Jean Oppenheimer
Although frustratingly confusing -- often the viewer can't be sure who is on which side or why -- the film brims with physical grandeur, exquisite costumes, and a captivating performance by Blanchett.- New Times (L.A.)
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- Dallas Observer
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- Jean Oppenheimer
Does a masterful job of combining digital imagery and voice performance to create totally believable animal characters.- New Times (L.A.)
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- Jean Oppenheimer
The acting is remarkable across the board, undoubtedly a combination of a strong script, gifted actors and exceptional direction.- Dallas Observer
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- Jean Oppenheimer
No matter how restrained the direction or unsentimental the performances -- and White Oleander scores points for both -- there is no escaping the semi-trashy but oh-so-life-affirming ring of the plot.- Dallas Observer
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- Jean Oppenheimer
This intriguing jigsaw puzzle is visually arresting, narratively inventive, and psychologically enigmatic.- Dallas Observer
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- Jean Oppenheimer
This brutal film borders on the brilliant. Beautifully structured and edited, with a chilling central performance by Ian McKellen and an exceptional score by John Ottman, who also edited the picture, it churns up emotions and leaves the viewer feeling stunned and depleted.- Dallas Observer
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- Jean Oppenheimer
Tanovic describes it as "a very serious film with a sense of humor." It is an apt description for a very remarkable film, one of the best of the year.- New Times (L.A.)
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- Dallas Observer
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- Jean Oppenheimer
A charming little film, filled with eccentric characters and ingratiating performances.- New Times (L.A.)
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- Jean Oppenheimer
Farmanara, the actor, brings a real poignancy to the role and, thus, to the story that seems, more than anything, the tale of a man coming to terms with his life.- New Times (L.A.)
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- Jean Oppenheimer
Viewers with a low tolerance for sentiment may balk, but the emotions are so true and the characters so appealing that the film should completely win you over.- Dallas Observer
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- Jean Oppenheimer
On one level it is highly intimate, yet it is also universal, a modern metaphor for the human condition and the precariousness of life itself.- Dallas Observer
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- Jean Oppenheimer
Be forewarned: Scenes of the protagonist learning to swallow the drug pellets will make many viewers queasy. Rarely has the power of suggestion been so unsettling.- Dallas Observer
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- Jean Oppenheimer
Nothing, however, can diminish the sense of horror we feel at what happened that day in September, while Macdonald's revelations and the candid comments he elicits more than make up for the film's less successful elements.- Dallas Observer
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- Dallas Observer
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- Jean Oppenheimer
A gentle, beautifully realized tale of love and intimacy...It moved me to tears.- Dallas Observer
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- Jean Oppenheimer
A genuinely affecting movie that approaches its adult themes with intelligence, maturity, and rare authenticity.- New Times (L.A.)
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- Jean Oppenheimer
Worth the price of admission if only to see the slinky Thurman decked out in a form-fitting, sequined pre-flapper era outfit. The word stunning hardly does her justice.- New Times (L.A.)
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- New Times (L.A.)
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- Jean Oppenheimer
The two lead performances are so good it contains more emotional depth than it probably has a right to.- New Times (L.A.)
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- Jean Oppenheimer
Yes, the movie is obvious at time, banging you over the head with its message, and the use of shadows on a wall can seem overly broad. But these are small complaints when compared to the film's many strengths.- New Times (L.A.)
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- Jean Oppenheimer
A modest, uneventful film, buoyed by fine, albeit low-key, performances and the ring of truth.- New Times (L.A.)
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- Dallas Observer
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- Jean Oppenheimer
Pure joy to watch -- and an invaluable documentary record of a bygone era.- Dallas Observer
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- Jean Oppenheimer
Though we know the story's final outcome, the trial scene and its aftermath are no less shocking and affecting.- Dallas Observer
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- Jean Oppenheimer
Both actors are marvelous, and the film, low-key but heartfelt, is a gem.- Dallas Observer
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