Jean Oppenheimer

Select another critic »
For 144 reviews, this critic has graded:
  • 51% higher than the average critic
  • 4% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 1.8 points lower than other critics. (0-100 point scale)

Jean Oppenheimer's Scores

  • Movies
  • TV
Average review score: 64
Highest review score: 100 Donnie Darko
Lowest review score: 0 Superbabies: Baby Geniuses 2
Score distribution:
  1. Positive: 81 out of 144
  2. Negative: 14 out of 144
144 movie reviews
    • 75 Metascore
    • 70 Jean Oppenheimer
    Offers both a gentle humor and a sly but unmistakable optimism about what life in Iran might one day be.
    • New Times (L.A.)
    • 88 Metascore
    • 90 Jean Oppenheimer
    Despite its two-and-a-half hour running time, the movie flies by, so absorbing are its story, songs and stars.
    • 78 Metascore
    • 90 Jean Oppenheimer
    It's the best thing Wong has done in years--perhaps ever.
    • 75 Metascore
    • 70 Jean Oppenheimer
    Although frustratingly confusing -- often the viewer can't be sure who is on which side or why -- the film brims with physical grandeur, exquisite costumes, and a captivating performance by Blanchett.
    • 61 Metascore
    • 80 Jean Oppenheimer
    Far more than a mere visual feast.
    • 66 Metascore
    • 90 Jean Oppenheimer
    Does a masterful job of combining digital imagery and voice performance to create totally believable animal characters.
    • New Times (L.A.)
    • 74 Metascore
    • 90 Jean Oppenheimer
    The acting is remarkable across the board, undoubtedly a combination of a strong script, gifted actors and exceptional direction.
    • 61 Metascore
    • 80 Jean Oppenheimer
    No matter how restrained the direction or unsentimental the performances -- and White Oleander scores points for both -- there is no escaping the semi-trashy but oh-so-life-affirming ring of the plot.
    • 60 Metascore
    • 80 Jean Oppenheimer
    This intriguing jigsaw puzzle is visually arresting, narratively inventive, and psychologically enigmatic.
    • 53 Metascore
    • 80 Jean Oppenheimer
    This brutal film borders on the brilliant. Beautifully structured and edited, with a chilling central performance by Ian McKellen and an exceptional score by John Ottman, who also edited the picture, it churns up emotions and leaves the viewer feeling stunned and depleted.
    • 84 Metascore
    • 100 Jean Oppenheimer
    Tanovic describes it as "a very serious film with a sense of humor." It is an apt description for a very remarkable film, one of the best of the year.
    • 75 Metascore
    • 80 Jean Oppenheimer
    A disarmingly funny, clear-eyed, and affectionate memory piece.
    • 68 Metascore
    • 80 Jean Oppenheimer
    A charming little film, filled with eccentric characters and ingratiating performances.
    • 63 Metascore
    • 80 Jean Oppenheimer
    Farmanara, the actor, brings a real poignancy to the role and, thus, to the story that seems, more than anything, the tale of a man coming to terms with his life.
    • 60 Metascore
    • 80 Jean Oppenheimer
    Viewers with a low tolerance for sentiment may balk, but the emotions are so true and the characters so appealing that the film should completely win you over.
    • 58 Metascore
    • 80 Jean Oppenheimer
    On one level it is highly intimate, yet it is also universal, a modern metaphor for the human condition and the precariousness of life itself.
    • 87 Metascore
    • 70 Jean Oppenheimer
    Be forewarned: Scenes of the protagonist learning to swallow the drug pellets will make many viewers queasy. Rarely has the power of suggestion been so unsettling.
    • 82 Metascore
    • 70 Jean Oppenheimer
    Nothing, however, can diminish the sense of horror we feel at what happened that day in September, while Macdonald's revelations and the candid comments he elicits more than make up for the film's less successful elements.
    • 74 Metascore
    • 80 Jean Oppenheimer
    Sly and corrosively funny political black comedy.
    • 71 Metascore
    • 90 Jean Oppenheimer
    A gentle, beautifully realized tale of love and intimacy...It moved me to tears.
    • 58 Metascore
    • 90 Jean Oppenheimer
    A genuinely affecting movie that approaches its adult themes with intelligence, maturity, and rare authenticity.
    • 62 Metascore
    • 70 Jean Oppenheimer
    Worth the price of admission if only to see the slinky Thurman decked out in a form-fitting, sequined pre-flapper era outfit. The word stunning hardly does her justice.
    • 84 Metascore
    • 70 Jean Oppenheimer
    A spare film, with little dialogue but a lot to say.
    • 74 Metascore
    • 70 Jean Oppenheimer
    The two lead performances are so good it contains more emotional depth than it probably has a right to.
    • 53 Metascore
    • 70 Jean Oppenheimer
    Yes, the movie is obvious at time, banging you over the head with its message, and the use of shadows on a wall can seem overly broad. But these are small complaints when compared to the film's many strengths.
    • 75 Metascore
    • 70 Jean Oppenheimer
    A modest, uneventful film, buoyed by fine, albeit low-key, performances and the ring of truth.
    • New Times (L.A.)
    • 67 Metascore
    • 70 Jean Oppenheimer
    Last Days shouldn't be half as engrossing as it turns out to be.
    • 72 Metascore
    • 90 Jean Oppenheimer
    Pure joy to watch -- and an invaluable documentary record of a bygone era.
    • 76 Metascore
    • 80 Jean Oppenheimer
    Though we know the story's final outcome, the trial scene and its aftermath are no less shocking and affecting.
    • 75 Metascore
    • 80 Jean Oppenheimer
    Both actors are marvelous, and the film, low-key but heartfelt, is a gem.

Top Trailers