For 482 reviews, this critic has graded:
  • 48% higher than the average critic
  • 2% same as the average critic
  • 50% lower than the average critic
On average, this critic grades 5 points lower than other critics. (0-100 point scale)

Jay Scott's Scores

  • Movies
  • TV
Average review score: 61
Highest review score: 100 The Black Stallion
Lowest review score: 0 Another 48 Hrs.
Score distribution:
482 movie reviews
    • 44 Metascore
    • 0 Jay Scott
    Major surgery has been known to take less time and give more pleasure than this forgettable flick. [13 Oct 1990]
    • The Globe and Mail (Toronto)
    • 71 Metascore
    • 100 Jay Scott
    What advance publicity has been powerless to suggest is that Personal Best is an exceptionally well-crafted, thoroughly accurate, emotionally galvanizing piece of filmmaking, easily one of the most intelligent explorations of competition on cinematic record. What's best about Personal Best is a lot more than just personal .[5 Feb 1982]
    • The Globe and Mail (Toronto)
    • 53 Metascore
    • 25 Jay Scott
    One more Dr. Jekyll and Mr. Hyde story, done badly, even if the novel was written by Stephen-can-do-no-commercial-wrong-King, is not what the world needs. [23 Apr 1993]
    • The Globe and Mail (Toronto)
    • 61 Metascore
    • 63 Jay Scott
    A patchwork quilt of clashing colors, but it's cozy and warm. [10 Oct 1981]
    • The Globe and Mail (Toronto)
    • 46 Metascore
    • 75 Jay Scott
    The first 20 minutes owe too much - much too much - to Animal House & Co., and the last 20 to The Graduate, but in between there is an uproariously crude and vigorously funny effort to squish the teen genre into the confines of classic French sex farce.[14 June 1985]
    • The Globe and Mail (Toronto)
    • 57 Metascore
    • 25 Jay Scott
    The daring ceases to be exploratory and turns, spitting and screaming, on itself. When Bakshi shows us an animated replay of the infamous 1968 pistol execution of a suspected Viet Cong sympathizer, he imparts to the event the grinning slapstick of a Roadrunner and Wile E. Coyote confrontation. It's as good a place to walk out of American Pop as any. [6 March 1981]
    • The Globe and Mail (Toronto)
    • 60 Metascore
    • 50 Jay Scott
    The larger budget has given Scanners a high-gloss Hollywood look, the editing is occasionally elegant and the special effects, which consist mostly of imaginative ways of turning actors into meat, provoke from the audience the desired response ("Oh, yuk]"), but he is careful to keep the violence within currently accepted boundaries. [19 Jan 1981]
    • The Globe and Mail (Toronto)
    • 56 Metascore
    • 75 Jay Scott
    That it all works is a tribute to Stu Silver's gaggy but never vulgar script and to DeVito's imaginative direction, but the movie would be unthinkable without its trio of funny folk. [11 Dec 1987]
    • The Globe and Mail (Toronto)
    • 62 Metascore
    • 100 Jay Scott
    Kurt Russell has never seemed more clever, Mel Gibson more vulnerable nor Michelle Pfeiffer more goddess-like. Once upon a time, before the pictures got small and the hills were obscured by smog, the Hollywood sign read: "Hollywoodland." That was back when Tequila Sunrise, an intelligent, escapist epic for adults, wouldn't have seemed the anomaly it seems today. [2 Dec 1988, p.C1]
    • The Globe and Mail (Toronto)
    • 64 Metascore
    • 63 Jay Scott
    The movie is entertaining on a rudimentary, never-to-be-taken-seriously level. On the rare occasions when it does rise above the material, it's because Pierce Brosnan is chillingly effective as an assassin with the body temperature of a snake. [26 Aug 1987]
    • The Globe and Mail (Toronto)
    • 51 Metascore
    • 88 Jay Scott
    The intelligence and wit of this glass-slipper heart-of-gold fantasy are shocking.
    • 67 Metascore
    • 38 Jay Scott
    A rip-off of The Birds, but not as scary. [21 July 1990]
    • The Globe and Mail (Toronto)
    • 67 Metascore
    • 100 Jay Scott
    The Witches of Eastwick is an uproarious and entirely successful attempt to examine the differences between the sexes by couching the examination in mythological terms. [12 June 1987]
    • The Globe and Mail (Toronto)

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