Isabelia Herrera

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The New York Times
For 4 reviews, this critic has graded:
  • 75% higher than the average critic
  • 0% same as the average critic
  • 25% lower than the average critic
On average, this critic grades 9.4 points higher than other critics. (0-100 point scale)

Isabelia Herrera's Scores

  • Movies
  • TV
Average review score: 75
Highest review score: 90 7 Prisoners
Lowest review score: 60 All the Streets Are Silent: The Convergence of Hip Hop and Skateboarding (1987-1997)
Score distribution:
  1. Positive: 3 out of 4
  2. Mixed: 1 out of 4
  3. Negative: 0 out of 4
4 movie reviews
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    • 66 Metascore
    • 70 Isabelia Herrera
    Luzifer
    Its intellectual aspiration produces an ideologically crowded film, where each philosophical meditation struggles to receive the attention and depth it deserves. Perhaps that is the point: Brunner seems to want to leave us with more questions than answers — or at least, compel us to search for the devil in everything.
    • 80 Metascore
    • 90 Isabelia Herrera
    7 Prisoners
    Rather than being a simple examination of a social problem, the film excels at excavating the deep-rooted, sprawling violence that affects everyone living under hierarchies of power.
    • 60 Metascore
    • 60 Isabelia Herrera
    All the Streets Are Silent: The Convergence of Hip Hop and Skateboarding (1987-1997)
    The film excels when it harnesses the wistful thrill of a bygone era, reminding us of a rich, creative past that deserves ample recognition.
    • 72 Metascore
    • 80 Isabelia Herrera
    No. 7 Cherry Lane
    Consider this film a master class in world-building, a bewildering but poignant dream — one that will leave you with plenty of burning questions.

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