Isaac Feldberg

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Boston Globe, Entertainment Weekly, Little White Lies, Polygon, RogerEbert.com, We Got This Covered
For 31 reviews, this critic has graded:
  • 58% higher than the average critic
  • 0% same as the average critic
  • 42% lower than the average critic
On average, this critic grades 6.8 points higher than other critics. (0-100 point scale)

Isaac Feldberg 's Scores

  • Movies
  • TV
Average review score: 72
Highest review score: 100 Star Wars: Episode VII - The Force Awakens
Lowest review score: 25 Blumhouse's Truth or Dare
Score distribution:
  1. Positive: 23 out of 31
  2. Mixed: 6 out of 31
  3. Negative: 2 out of 31
31 movie reviews
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    • 87 Metascore
    • 50 Isaac Feldberg
    Resurrection
    Resurrection is ravishing in its command of shadow and light, but it studiously hollows out any sense of soul beneath the surface.
    • 67 Metascore
    • 60 Isaac Feldberg
    The Legend of Ochi
    The film is a triumph of special effects, certainly, but its narrative ambitions are more modest and predictable.
    • 49 Metascore
    • 60 Isaac Feldberg
    Horizon: An American Saga - Chapter 1
    It’s too early to declare Horizon a success, a disaster, or even a noble failure, though this first instalment makes it clear audiences traveling west with Costner should prepare for a lengthy trek.
    • 82 Metascore
    • 40 Isaac Feldberg
    The Teachers' Lounge
    Less productively, more trendily, Çatak’s film becomes a chain-reaction melodrama: acted by self-serious types, scored by tightly wound strings, dependent on characters saying the wrong things and leaving the right ones unsaid with jaws firmly, sardonically clenched.
    • 58 Metascore
    • 50 Isaac Feldberg
    Elemental
    Perhaps fittingly for a film that would have more accurately been titled “When Fire Met Water…,” Elemental is combustible enough from minute to minute, but it evaporates from memory the second you leave the theater.
    • 63 Metascore
    • 50 Isaac Feldberg
    This Land
    Despite its lyrical presentation, the film’s lingering ideas are straightforward and sentimental, arguably even self-serving. Our political divide can be bridged only by those who take the time to see each other, and who approach such patient acts of observation from a place of genuine compassion, concludes the filmmaker who set out to prove as much in the first place.

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