Hoai-Tran Bui

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For 111 reviews, this critic has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this critic grades 1.9 points higher than other critics. (0-100 point scale)

Hoai-Tran Bui's Scores

  • Movies
  • TV
Average review score: 68
Highest review score: 100 The Green Knight
Lowest review score: 10 Artemis Fowl
Score distribution:
  1. Positive: 74 out of 111
  2. Negative: 3 out of 111
111 movie reviews
    • 61 Metascore
    • 75 Hoai-Tran Bui
    With director Tanya Wexler lending the crime dramedy a zippy, irreverent flair, Buffaloed becomes the vehicle for which Deutch can finally show off her chops.
    • 60 Metascore
    • 75 Hoai-Tran Bui
    It’s not saying anything deep or groundbreaking about the female experience or the nature of revenge. Birds of Prey is reveling in being as gonzo and stylish as it can be. But when the fights are this thrilling and the humor this absurd, whatever’s underneath the surface doesn’t matter all that much.
    • 65 Metascore
    • 80 Hoai-Tran Bui
    Plus One isn’t a knock-off of one of the greatest rom-coms ever, it’s a deserving successor.
    • 51 Metascore
    • 65 Hoai-Tran Bui
    Ritchie doesn’t handle the messages he wishes to impart as skillfully as he could — instead, he’s preoccupied with revisiting the beats that made his acclaimed gangster films work best: the sleek style, the staccato rhythm, the casual hyperviolence that begets more violence and an occasional laugh.
    • 71 Metascore
    • 80 Hoai-Tran Bui
    The Hidden World isn’t “big.” It doesn’t offer a shattering emotional moment, it doesn’t tear your heart in pieces. Instead, it tugs at your heartstrings and gently guides you to the finish line of a wondrous, lovely franchise that was more than we deserved.
    • 72 Metascore
    • 80 Hoai-Tran Bui
    Weathering With You is far and away one of the loveliest and most beautiful animated films in years.
    • 26 Metascore
    • 40 Hoai-Tran Bui
    Everything about Dolittle seems hastily put together — from the whiplash-inducing tonal shifts, to the potty humor, to the poor use of a star-studded cast.
    • 33 Metascore
    • 55 Hoai-Tran Bui
    The problem with Like a Boss is that it spends so much time being a pale imitation of other female-led comedies that it overlooks what makes the film work: Haddish and Byrne. If you just let them riff, let them live together and let the cameras roll, you would get an infinitely better movie than the middling workplace comedy that Like a Boss turns out to be.
    • 91 Metascore
    • 90 Hoai-Tran Bui
    It can at times feel sentimental and mawkish — an inevitability of adapting the classic story — but no other film in 2019 has conveyed as much ineffable joy, or been such a testament to the human spirit.
    • 32 Metascore
    • 50 Hoai-Tran Bui
    Its premise is ridiculous, its entire appeal based on the novelty of having a bunch of Lycra-clad strangers thrust their hips at you in the dark. Hooper creates something just as bizarre with his Cats, though not as successfully electrifying. Its flashes of brilliance feel like happy accidents and its uncanny technical choices are never overcome.
    • 77 Metascore
    • 85 Hoai-Tran Bui
    The Man Who Knew Too Much remains an underrated gem from Hitchcock — one that may not stand alongside his most venerated classics, but one that shows the power of a really good villain, and a great opera setpiece.

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