Hannah Strong

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Little White Lies
For 188 reviews, this critic has graded:
  • 42% higher than the average critic
  • 1% same as the average critic
  • 57% lower than the average critic
On average, this critic grades 0.2 points higher than other critics. (0-100 point scale)

Hannah Strong's Scores

  • Movies
  • TV
Average review score: 66
Highest review score: 100 The Worst Person in the World
Lowest review score: 20 Morbius
Score distribution:
  1. Positive: 104 out of 188
  2. Mixed: 75 out of 188
  3. Negative: 9 out of 188
188 movie reviews
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    • 58 Metascore
    • 40 Hannah Strong
    Blue Bayou
    [Chon's] execution is heavy-handed, with the ending steering into a mawkish spectacle which undercuts the seriousness of the topic at hand.
    • 57 Metascore
    • 40 Hannah Strong
    Encounter
    It’s a deeply unpleasant and reactionary film that even compelling central performances can’t save.
    • 60 Metascore
    • 70 Hannah Strong
    House of Gucci
    A luxe, rather ridiculous look at the uber-rich.
    • 45 Metascore
    • 30 Hannah Strong
    Ghostbusters: Afterlife
    It might sell tickets, but only because people recognise the name. Any interest in artistry is all but dead and gone in the age of the IP blockbuster.
    • 75 Metascore
    • 90 Hannah Strong
    The French Dispatch
    The French Dispatch is Anderson’s most impressionistic and unusual film, not to mention his most ambitious.
    • 60 Metascore
    • 50 Hannah Strong
    The Many Saints of Newark
    With a forgettable, borderline generic, plot and direction lacking flair and artistry, it’s not a disaster, it’s just a disappointment.
    • 85 Metascore
    • 80 Hannah Strong
    The Green Knight
    Wild at heart, this quiet epic casts a lingering mystical spell, perfect to usher in the forthcoming autumn nights.
    • 85 Metascore
    • 80 Hannah Strong
    Pillion
    The boldness, nuance and humour with which Lighton navigates BDSM dynamics as well as Colin and Ray’s personal and joint complexities results in a film that’s frequently touching and surprising, less of an adaptation and more of a reimagining that compliments the source material rather than replicates it.
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