For 55 reviews, this critic has graded:
  • 41% higher than the average critic
  • 3% same as the average critic
  • 56% lower than the average critic
On average, this critic grades 11.6 points lower than other critics. (0-100 point scale)

Hank Sartin's Scores

  • Movies
  • TV
Average review score: 54
Highest review score: 100 Hero
Lowest review score: 0 National Lampoon's Gold Diggers
Score distribution:
  1. Positive: 18 out of 55
  2. Negative: 10 out of 55
55 movie reviews
    • 68 Metascore
    • 70 Hank Sartin
    Though the story drags for the first hour, this becomes a solid character study once the principals arrive at their hiding place.
    • 74 Metascore
    • 70 Hank Sartin
    Everyone in the cast conveys that messy mix of teen self-consciousness and bravado, but Josh Peck is particularly nuanced as the bully.
    • 64 Metascore
    • 70 Hank Sartin
    The intense focus on this trio makes for good portraiture, but it left me hungry for more about the social context that shaped them.
    • 50 Metascore
    • 70 Hank Sartin
    Kids used to watching him on TV might find it all perfectly normal, but for adults it's almost an acid trip.
    • 65 Metascore
    • 80 Hank Sartin
    This film by Julio Medem has dreamlike visuals, lush sensuality, a gorgeous cast, and a plot built on elaborate, self-conscious coincidences.
    • 64 Metascore
    • 70 Hank Sartin
    Director Frank Nissen strikes a nice balance between slapstick and sentiment, and I'll admit to getting a bit choked up at the appropriate moments.
    • 85 Metascore
    • 100 Hank Sartin
    The result is both thrilling and thoughtful.
    • 59 Metascore
    • 80 Hank Sartin
    Fascinating group portrait of soul and R & B legends who are still touring 40 years after their original fame, enduring even after they've been relegated to the nostalgia circuit.
    • 62 Metascore
    • 70 Hank Sartin
    The women, many in their 70s and 80s, are still tough and proud--and nursing grudges that go back decades, something Leitman plays up by crosscutting between rivals' accounts.
    • 63 Metascore
    • 80 Hank Sartin
    The result is that virtual oxymoron, an intelligent family film.
    • 75 Metascore
    • 80 Hank Sartin
    Kidd has a great ear for dialogue, and he throws in a few unexpected twists. But the real fun is watching an established pro and a newcomer run with the script.
    • 59 Metascore
    • 80 Hank Sartin
    Borrowing heavily from "Close Encounters of the Third Kind," Shyamalan tries to lighten his trademark gloomy tone -- and almost kills the suspense he's working so hard to achieve.
    • 68 Metascore
    • 80 Hank Sartin
    The full-throttle approach of director Doug Liman (Swingers, Go) is impressive.
    • 63 Metascore
    • 70 Hank Sartin
    This is both melodramatic and overly tidy in its plotting, but its odd personal relationships are utterly believable.
    • 78 Metascore
    • 70 Hank Sartin
    At times Hirsch seems afraid to trust the material's inherent drama and becomes unnecessarily manipulative, staging performances in striking landscapes and playing the footage in slow motion.
    • 85 Metascore
    • 70 Hank Sartin
    The concert footage is generally quite good, and Joplin is astonishing, but with so many hours of footage you'd think there would be more unexpected moments.
    • 64 Metascore
    • 70 Hank Sartin
    It's a bad sign when you can't name or differentiate any of the Lost Boys.
    • 66 Metascore
    • 70 Hank Sartin
    Uekrongtham handles the material with reasonable restraint, and you can't help but cheer on the hero.

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