Grant Hermanns

For those with even a general interest in gaming and looking for a charming twist on the theater industry, Grand Theft Hamlet is still worth a watch.

Thankfully, despite the movie feeling imbalanced in parts, One Another still proves to be a generally charming enough diversion.

With The Ruse , writer-director Stevan Mena aims to go for a more grounded and slow-burning thriller, but unfortunately, it lacks any kind of burn or tension.

In addition to providing a great script, Russell proves to have an excellent eye in the director's chair. He and cinematographer Pat Scola nicely mix a range of visual styles for their scenes, making particular use of handheld close-ups, putting us right into the emotion of each scene.

The movie shows both the best and worst parts of Trachtenberg making two separate Predator movies simultaneously.

Croke's script seems content with delivering reality-questioning thrills rather than offering anything meaningful to keep audiences thinking beyond the movie's 90-minute runtime, or even within it.

It's not only a modern classic of the zombie genre, but one that is sure to stand the test of time for the next 20 years and beyond.

Despite some of the movie's flaws, Santosh's cast truly shines, particularly Shahana Goswami in the titular role. Serving as an audience surrogate, Goswami nicely balances the feeling of curiosity and uncertainty as she becomes more embroiled in the case and her job.

The action itself is where 11 Rebels' mix of modern and classic filmmaking really shines and had me gripped.

Thanks to the movie's skillfully executed and relentless action and a couple of major twists, Kill largely overcomes its few hurdles to be an absolute thrill ride.

While it does succeed in creating a bizarre atmosphere that captures plenty of simmering tension, it's trapped between being a proof-of-concept short film and a feature-length effort.

Co-writer/director Ryan Prows has assembled a star-studded cast, some of whom wonderfully elevate their potentially one-note characters into intriguing figures, and its base structure of corrupt cops being vampires is one rife for tackling the very real issues of police corruption in the world, yet the mix never quite comes together.

Ultimately, Watchmen: Chapter 1 is a relatively promising start to this two-part adaptation of Moore's graphic novels, though it's brought down by familiarity, failure to surpass its prior adaptations, and a somewhat rushed pace.

With its molasses pacing and bland direction, this film is an absolutely forgettable dud.

Melding gut-wrenching body horror with unique parallels between puberty and transformation, writer-director Amanda Nell Eu's feature debut is thoughtful and intriguing, even if it doesn't fully soar.

Day's commanding performance as Jimmy is Kill Me's other greatest asset. For a good portion of the film, he taps into the comedic skills he's famous for, at times playing Jimmy like a more grounded take on It's Always Sunny in Philadelphia's iconic Pepe Silvia scene. But when the film turns to Jimmy confronting his demons, Day really shines."

Even if I didn't quite love the film, I can't deny I hope it inspires more to take the same bold risks Hernandez and Stephens did.

The Wrecking Crew has finally put Momoa and Bautista on screen together and, thankfully, it largely lives up to the potential of the acting duo.

While I wish the movie's tone and story were a little more even, there's definitely enough here for many to enjoy.

While the movie starts off on a pretty straightforward note, one of the things that took me by surprise was just how often I was left guessing how the story was going to play out.

The Convert is by far one of Tamahori's best films in years.

Pizza Movie is a refreshing delight. The simply titled Hulu comedy knows who its audience is, and it delivers plenty of gross-out gags for them to laugh at. But it also takes its genre's formula and infuses it with a real shot of originality that gives even non-stoner-comedy fans plenty to sink their teeth into.

It's something of a disappointment that the film, as a whole, fails to live up to Byrne's great work in it. But it's certainly not a bad film.

Its sometimes rushed pacing and overstuffed arcs often work against the meaningful messages at the core of the story, particularly the ending, but with enough charming moments and soulful performances from its cast, particularly Bacon and Sedgwick, it really toes the line between being a must-watch and an acceptable skip.

Despite the movie's obvious problems, it's hard to deny that Emma Roberts and Tom Hopper do their best to make Space Cadet a generally charming ride to watch.

Despite some of the struggles with the moral depictions of the figures, the actors behind Scoop's characters are all mesmerizing in their different roles.

Hell Hole is a really rewarding experience for horror genre fans who have longed to see a crazy body horror outing in the vein of The Thing.

Though the movie goes by way of Shaun of the Dead and refuses to ever use the z-word, there's no denying that We Bury the Dead is a zombie movie, even if a more scaled-down one than some might come to expect.