Glenn Kenny
Select another critic »For 1,916 reviews, this critic has graded:
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51% higher than the average critic
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5% same as the average critic
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44% lower than the average critic
On average, this critic grades 0.5 points lower than other critics.
(0-100 point scale)
Glenn Kenny's Scores
- Movies
- TV
| Average review score: | 65 | |
|---|---|---|
| Highest review score: | Shadow | |
| Lowest review score: | Hillary's America: The Secret History of the Democratic Party | |
Score distribution:
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Positive: 1,187 out of 1916
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Mixed: 470 out of 1916
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Negative: 259 out of 1916
1916
movie
reviews
- By Date
- By Critic Score
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- Glenn Kenny
Never as giddily awful as Gotti, this movie suffers more from a case of what film critic Andrew Sarris called “Strained Seriousness.” Except the ostensible seriousness here never runs particularly deep. Lansky is for Keitel completists only.- RogerEbert.com
- Posted Jun 25, 2021
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- Glenn Kenny
Scharf’s stories of meeting up with Haring (they were roommates for some time) are evocative and moving.- The New York Times
- Posted Jun 24, 2021
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- Glenn Kenny
The movie also shows the volunteers and health care workers who look after the pilgrims during the devotional season. The movie allows these figures moments of frankness — there’s much about their jobs that’s tiring and unappetizing — but the viewer will be mostly impressed by their compassion.- The New York Times
- Posted Jun 24, 2021
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- Glenn Kenny
The Sparks Brothers, an energetic documentary directed by Edgar Wright, explains their appeal in part by emphasizing how it cannot be explained.- The New York Times
- Posted Jun 17, 2021
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- Glenn Kenny
Klein weaves all these moments into a story one could call spectacularly earthbound.- The New York Times
- Posted Jun 17, 2021
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- Glenn Kenny
This is one of those movies that never quite sinks to the risible depths you kind of wish it would.- The New York Times
- Posted Jun 15, 2021
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- Glenn Kenny
Each of these stalwarts bring more than charisma to their roles, and when the writing itself displays some snap (which admittedly isn’t that often) the performers bite right into it.- The New York Times
- Posted Jun 11, 2021
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- Glenn Kenny
And it mostly doesn’t quite work, because Fred, as written by MacBride and played by Dylan O’Brien, just isn’t a compelling character.- RogerEbert.com
- Posted Jun 4, 2021
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- Glenn Kenny
In spite of its tidy running time, Chasing Wonders is diffuse and often limp.- The New York Times
- Posted Jun 3, 2021
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- Glenn Kenny
Undine is ultimately more enigmatic than most of Petzold’s work. It is also, like its title character, eerily beautiful. While it could well serve as a high-end date movie, it’s also something more.- The New York Times
- Posted Jun 3, 2021
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- Glenn Kenny
If you’re not too conversant with the regions or works under consideration, the viewer has a choice of laboring to connect the dots unassisted, or just kicking back and letting the people and their recollections and philosophical reflections wash over you, like the sea of the movie’s title.- RogerEbert.com
- Posted May 28, 2021
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- Glenn Kenny
This is a plodding and ultimately infuriatingly noncommittal movie.- The New York Times
- Posted May 27, 2021
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- Glenn Kenny
What Moby leaves out of his account is as revealing as the tales of homelessness and addiction he puts in.- The New York Times
- Posted May 27, 2021
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- Glenn Kenny
The spirit of Claude Lanzmann, whose monumental Shoah remains a nonpareil cinematic text on the Holocaust, lingers over and around Final Account, a film assembled by Luke Holland around interviews he conducted beginning in 2008.- RogerEbert.com
- Posted May 21, 2021
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- Glenn Kenny
This sports underdog story, which is based on true events, has several features endemic to the genre. But Dream Horse, an unabashed crowd-pleaser directed by Euros Lyn, earns its smiles and cheers.- The New York Times
- Posted May 20, 2021
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- Glenn Kenny
Franco practically dares the viewer to call his conclusion far-fetched. And for better or worse, the director’s dynamic filmmaking makes some of his projections stick.- The New York Times
- Posted May 20, 2021
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- Glenn Kenny
In Profile, the images mix real documentary footage with fictional social media and news organization posts. And meaning is elemental—a simplistic rush meant to induce viewer panic. While also being incredibly on-the-nose.- RogerEbert.com
- Posted May 14, 2021
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- Glenn Kenny
This stuff is best appreciated by rock mavens. Many of the other bands telling their stories (including the Boo Radleys and the Charlatans) didn’t have much of an impact in the States, so Anglophilia helps, too.- The New York Times
- Posted May 13, 2021
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- Glenn Kenny
The movie’s lived-in acting and unhurried pace make it a better-than-palatable viewing experience.- The New York Times
- Posted May 13, 2021
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- RogerEbert.com
- Posted May 7, 2021
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- Glenn Kenny
Ritchie reveals crucial story points with clever time-juggling editing, and keeps up the tension well into the movie’s climax, which delivers exactly what the viewer will have come to hope for.- The New York Times
- Posted May 6, 2021
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- Glenn Kenny
The keen affinity the actor David Oyelowo has for his fellow performers is the best thing about The Water Man.- The New York Times
- Posted May 6, 2021
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- Glenn Kenny
Sean Penn’s work in Haiti after its devastating 2011 earthquake continues to this day. And this new documentary Citizen Penn is a revealing, engaging chronicle of the actor’s activism.- The New York Times
- Posted May 6, 2021
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- Glenn Kenny
The “endlessness” of the film encompasses a lot of absurdity and disappointment, but its notes of grace sound the loudest.- RogerEbert.com
- Posted Apr 30, 2021
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- Glenn Kenny
It’s not just the title character who fails to thrive. The filmmaking is on occasion, to put it kindly, fractured.- The New York Times
- Posted Apr 29, 2021
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- Glenn Kenny
The numerous action set pieces would be memorable even if the plot points didn’t eventually fall into place, which they do.- The New York Times
- Posted Apr 29, 2021
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- Glenn Kenny
Limbo, written and directed by a ferociously talented filmmaker, Ben Sharrock, takes an insinuating, poetic and often wryly funny approach. And it’s both heartbreaking and heartlifting.- The New York Times
- Posted Apr 29, 2021
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- Glenn Kenny
The filmmaker has what seems like a torrent of anecdotes and attendant ideas to impart, but the movie never feels rushed.- The New York Times
- Posted Apr 22, 2021
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- The New York Times
- Posted Apr 22, 2021
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- Glenn Kenny
As is customary for many hack films, the writer or producer or whoever it was that nailed down the title Trigger Point for this cinematic bag of pain didn’t/doesn’t care what the phrase actually means, or whether it applies to anything that actually happens in the movie; they just thought it sounded cool.- RogerEbert.com
- Posted Apr 16, 2021
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