Glenn Kenny

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Premiere, RogerEbert.com, The New York Times
For 1,927 reviews, this critic has graded:
  • 51% higher than the average critic
  • 5% same as the average critic
  • 44% lower than the average critic
On average, this critic grades 0.6 points lower than other critics. (0-100 point scale)

Glenn Kenny's Scores

  • Movies
  • TV
Average review score: 65
Highest review score: 100 Flight of the Red Balloon
Lowest review score: 0 I Know Who Killed Me
Score distribution:
  1. Positive: 1,196 out of 1927
  2. Mixed: 472 out of 1927
  3. Negative: 259 out of 1927
1927 movie reviews
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    • 42 Metascore
    • 30 Glenn Kenny
    Maybe I Do
    A romantic comedy starring Diane Keaton, Richard Gere, Susan Sarandon and William H. Macy would kill as a Nancy Meyers movie. Unfortunately, the rom-com Maybe I Do was written and directed by the television veteran Michael Jacobs.
    • 62 Metascore
    • 60 Glenn Kenny
    Only in Theaters
    Ultimately the movie is as scattershot as it is enthusiastic. . . . But the narrative about the theaters’ present-day fight for survival is undeniably compelling.
    • 62 Metascore
    • 70 Glenn Kenny
    Plane
    Plane” sinks (or rises, depending on your perspective) to “hell yeah” ridiculousness only at the end, delivering a punchline that lands at the right time.
    • tbd Metascore
    • 10 Glenn Kenny
    Last Resort
    This endeavor might have tried the alternative title “Die Hard on a Budget,” except even that would have been hopelessly optimistic.
    • 56 Metascore
    • 75 Glenn Kenny
    The Pale Blue Eye
    It’s only after the supposedly central mystery is solved that The Pale Blue Eye fully commits to its actual business, serving up in full a tale of loss and wrong-headed resolution. Bale’s characterization, subtle and slightly enigmatic throughout, here blooms. And eventually sears.
    • 93 Metascore
    • 100 Glenn Kenny
    No Bears
    No Bears is a picture that’s in keeping with his recent work—circumstances deemed that it just had to be—but one that breaks away from it in ways that yield a work of, yes, astonishment.
    • 51 Metascore
    • 40 Glenn Kenny
    A Man Called Otto
    A Man Called Otto is not only more bloated than the Swedish film, it’s more outré, in a way that’s hard to pin down.
    • 73 Metascore
    • 70 Glenn Kenny
    Puss in Boots: The Last Wish
    It contains amusing jokes and has an old-fashioned impulse to tug at heart strings.
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