For 1,918 reviews, this critic has graded:
  • 51% higher than the average critic
  • 5% same as the average critic
  • 44% lower than the average critic
On average, this critic grades 0.6 points lower than other critics. (0-100 point scale)

Glenn Kenny's Scores

  • Movies
  • TV
Average review score: 65
Highest review score: 100 Shadow
Lowest review score: 0 Hillary's America: The Secret History of the Democratic Party
Score distribution:
1918 movie reviews
    • 64 Metascore
    • 75 Glenn Kenny
    Malkovich is more interested in hitting notes of elegiac lyricism than delivering socko action; this is a thriller that means to get under your skin rather than make you leap from your seat.
    • tbd Metascore
    • 75 Glenn Kenny
    This strikingly eye-filling movie, directed by Matty Brown and shot by Jeremy Snell, is deliberately low on exposition.
    • 76 Metascore
    • 75 Glenn Kenny
    The movie is grisly and its sense of humor is mordant, but it winds up communicating a heartbreak that’s pretty straightforward, all things considered.
    • 67 Metascore
    • 75 Glenn Kenny
    The consequences of seemingly innocuous careless moments, the inexorability of fate, and the possibility of grace or just mere reconciliation in the face of disheartening catastrophe: these are the themes of Bluebird.
    • 61 Metascore
    • 75 Glenn Kenny
    The shoot-'em-ups are consistently “whoa!”-eliciting, and while you couldn’t call any of the plot twists genuinely unpredictable, they do not lack for intrigue.
    • 74 Metascore
    • 75 Glenn Kenny
    One is hard-pressed to understand why grown-up thrillers like this one don’t get bigger pushes, but if you’re a “they don’t make ‘em like they used to” type when it comes to genre, do have a look at this. It’ll very likely hit an old-school sweet (or sour) spot or two.
    • 64 Metascore
    • 75 Glenn Kenny
    It’s tempting to summarize this Irish picture as a working-class version of "Love Actually," and indeed, the hardscrabble lives of most of its amorously unfulfilled characters go a long way in making it a whole lot less emetic than Richard Curtis’s hugfest.
    • 69 Metascore
    • 75 Glenn Kenny
    Eventually—about the time it demonstrates Henry’s expertise as a killer of men, in several well-done action mini-sequences—we learn the details of Henry’s past, and your overall enjoyment of the movie may hinge on whether or not you’re willing to, as they say, go with it.
    • 67 Metascore
    • 75 Glenn Kenny
    It’s rich enough in atmosphere to make you almost buy the quasi-allegorical absurdities.
    • 76 Metascore
    • 75 Glenn Kenny
    There are laughs and uncomfortable observations throughout, but Tsangari never lays on too heavy a hand. One is free to contemplate the allegorical and satirical implications, but also free to enjoy the spectacle of self-imposed insecurity that plays out among these characters.

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