Glenn Kenny
Select another critic »For 1,916 reviews, this critic has graded:
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51% higher than the average critic
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5% same as the average critic
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44% lower than the average critic
On average, this critic grades 0.5 points lower than other critics.
(0-100 point scale)
Glenn Kenny's Scores
- Movies
- TV
| Average review score: | 65 | |
|---|---|---|
| Highest review score: | Shadow | |
| Lowest review score: | Hillary's America: The Secret History of the Democratic Party | |
Score distribution:
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Positive: 1,187 out of 1916
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Mixed: 470 out of 1916
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Negative: 259 out of 1916
1916
movie
reviews
- By Date
- By Critic Score
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- Glenn Kenny
Eventually the movie paints itself into a corner then sinks into grisly sludge. Stevenson’s technical skill can’t save him from a trite worldview.- The New York Times
- Posted Sep 10, 2020
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- Glenn Kenny
“Rock & Roll President” is a potent and poignant reminder of how some things used to be and may never be again.- The New York Times
- Posted Sep 10, 2020
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- Glenn Kenny
Because Sánchez followed his subjects for so long, he was able to pack some surprises up the movie’s sleeve. As a couple of its figures undergo drastic life changes, a narrative both tragic and inspiring emerges.- The New York Times
- Posted Sep 2, 2020
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- Glenn Kenny
Isadora’s Children is made with such unusual delicacy that it may elude the grasp of audiences who demand things such as, well, plot. But its sensitivity is rare and valuable.- The New York Times
- Posted Sep 2, 2020
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- Glenn Kenny
The movie’s straddling of the dramatic and the documentary forms is unsettling. Unless you unquestioningly accept its method, this chronicle can look like a glaring invasion of privacy. But the film’s people are moving, and the payoff is compassionate, humane and worth heeding.- The New York Times
- Posted Sep 2, 2020
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- Glenn Kenny
“Copperfield” is a grand, long novel, and in reducing it to 120 minute scale, Iannucci has hewn it to something almost anecdotal.- RogerEbert.com
- Posted Aug 28, 2020
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- Glenn Kenny
“A complete and utter love affair with your blackness.” That’s how one of the interviewees in this incredibly enjoyable documentary describes the tenor of Soul! a U.S. public television arts and chat show that ran from 1968 to 1973. Mr. Soul!, as the title indicates, is not just about the show, but about the visionary that created it and, a little reluctantly, hosted it, Ellis Haizlip.- RogerEbert.com
- Posted Aug 28, 2020
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- The New York Times
- Posted Aug 27, 2020
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- Glenn Kenny
To elaborate as Chatwin did, Herzog implies, is a legitimate response to places that can’t help but exert a strong pull on the imagination. And of course, the truth-and-a-half principle figures heavily in Herzog’s own art — of which this film is a particularly outstanding example.- The New York Times
- Posted Aug 25, 2020
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