Glenn Kenny

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Premiere, RogerEbert.com, The New York Times
For 1,927 reviews, this critic has graded:
  • 51% higher than the average critic
  • 5% same as the average critic
  • 44% lower than the average critic
On average, this critic grades 0.6 points lower than other critics. (0-100 point scale)

Glenn Kenny's Scores

  • Movies
  • TV
Average review score: 65
Highest review score: 100 Flight of the Red Balloon
Lowest review score: 0 I Know Who Killed Me
Score distribution:
  1. Positive: 1,196 out of 1927
  2. Mixed: 472 out of 1927
  3. Negative: 259 out of 1927
1927 movie reviews
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    • 53 Metascore
    • 50 Glenn Kenny
    The Artist's Wife
    The dénouement of The Artist’s Wife, wasting compassion on a character who has earned only the minimum, winds up fully validating an ideology and morality that is complicit in women’s oppression.
    • 58 Metascore
    • 50 Glenn Kenny
    The Last Shift
    So far, so good, in the mismatched maybe-eventual-buddy-comedy department. But the movie, written and directed by Andrew Cohn, wants a deeper dimension, and in pursuing that, goes wrong.
    • 59 Metascore
    • 70 Glenn Kenny
    Ottolenghi and the Cakes of Versailles
    Ultimately the results are eye-popping, sometimes almost confoundingly so.
    • 82 Metascore
    • 90 Glenn Kenny
    Oliver Sacks: His Own Life
    While the movie steers around the details of how post-fame Sacks became something of a brand, it beautifully presents a portrait of his compassion and bravery.
    • tbd Metascore
    • 100 Glenn Kenny
    God of the Piano
    Rarely does a debut feature showcase a talent so fully formed. This is a remarkably potent film.
    • 82 Metascore
    • 90 Glenn Kenny
    Residue
    Gerima’s challenging, engrossing filmmaking style is measured, simultaneously realistic and impressionistic. What’s out of the frame is often as important, if not more important, than what’s in the frame.
    • 67 Metascore
    • 70 Glenn Kenny
    The Way I See It
    The movie is impeccably crafted and consistently engaging.
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