Glenn Heath Jr.
Select another critic »For 88 reviews, this critic has graded:
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52% higher than the average critic
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3% same as the average critic
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45% lower than the average critic
On average, this critic grades 1 point higher than other critics.
(0-100 point scale)
Glenn Heath Jr.'s Scores
- Movies
- TV
| Average review score: | 67 | |
|---|---|---|
| Highest review score: | 12 Angry Men | |
| Lowest review score: | Glitch in the Grid | |
Score distribution:
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Positive: 61 out of 88
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Mixed: 17 out of 88
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Negative: 10 out of 88
88
movie
reviews
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- Glenn Heath Jr.
The film gives seasoned actors like Foster and Cumberbatch just enough room to flex some scene-chomping muscle, while relegating poor Shailene Woodley to the background in nearly every scene as Hollander’s dopey inexperienced associate. Rahim, on the other hand, knows this is his film even when Macdonald doesn’t. As with his star-making turn in A Prophet, there’s something burning inside that always threatens to boil over.- The Film Stage
- Posted Feb 17, 2021
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- Glenn Heath Jr.
Coming 2 America takes too long a road to get to a simplistic lesson: be kind to the person who threatens you the most and everything will work out. Only in Hollywoodland (and their version of Zamunda) does this feel remotely possible.- The Film Stage
- Posted Mar 4, 2021
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- Glenn Heath Jr.
Do we really need another cautionary tale about an ambitious drug dealer dramatically falling from grace?- Slant Magazine
- Posted Oct 23, 2012
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- Glenn Heath Jr.
The film's first act is wholly concerned with the juxtaposition of physical similarities and ideological opposites, and Tamahori spends entire sequences upending the balance between the two.- Slant Magazine
- Posted Jul 25, 2011
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- Glenn Heath Jr.
A heartfelt retro flashback littered with pop-culture iconography and much slang, it focuses on the importance of friendship and loyalty rather than social standing.- Slant Magazine
- Posted Jun 2, 2014
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- Glenn Heath Jr.
The women of the film certainly deserve better, as they're often relegated to the role of victim, harmed or murdered simply to propel the plot along.- Slant Magazine
- Posted Jun 15, 2014
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- Glenn Heath Jr.
It'd be unwise to dismiss Safe House as merely a clone of Tony Scott's manically inclined vision.- Slant Magazine
- Posted Feb 9, 2012
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- Glenn Heath Jr.
Unfortunately, like so many women have prophesized regarding the weaker gender's lack of commitment, there's just not enough follow through.- Slant Magazine
- Posted Apr 16, 2012
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- Glenn Heath Jr.
Shit Year is a thematic twin to Billy Wilder's "Sunset Boulevard," both heightened fables about the slow disintegration of a retired actress mourning her now-dead career by retreating inward.- Slant Magazine
- Posted Sep 27, 2011
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- Glenn Heath Jr.
Director Leon Ford displays a wonderful empathy in his examination of Griff and Melody's lonely environments, allowing their fringe perspectives to flower organically from the mise-en-scène.- Slant Magazine
- Posted Aug 15, 2011
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- Glenn Heath Jr.
Walter Hill thoughtfully regards the pummeling power of weaponry at work.- Slant Magazine
- Posted Jan 29, 2013
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- Glenn Heath Jr.
When Papushado’s film finds the right tonal balance, meshing noir bleakness with pops of art deco color, there are fireworks to behold.- The Film Stage
- Posted Jul 13, 2021
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- Glenn Heath Jr.
Can’t decide if it wants to be a countryside farce, magical realist parable, or eccentric romantic comedy. So it tries to be all three at once.- The Film Stage
- Posted Dec 10, 2020
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- Glenn Heath Jr.
The film would almost certainly benefit from more brawling and less speechifying since Jordan in particular is very good at the former. The actor’s bottled up intensity, convincingly unleashed in Black Panther and Creed, is this film’s greatest asset.- The Film Stage
- Posted Apr 28, 2021
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- Glenn Heath Jr.
There's absolutely no fresh perspective here; just more juiceless samplings of what's already been cooked to death.- Slant Magazine
- Posted Aug 22, 2011
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- Glenn Heath Jr.
Despite being a nasty and skillful action film, The Day goes off the rails in the final stretch.- Slant Magazine
- Posted Aug 29, 2012
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- Glenn Heath Jr.
Ruben Fleischer's film is a perfect example of Hollywood hypocrisy, something to be ignored diligently.- Slant Magazine
- Posted Jan 8, 2013
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- Glenn Heath Jr.
Angels Crest opens with the laughter of children at play, but that's the only hint of happiness you'll find in this unflinchingly manipulative and pointless morality play.- Slant Magazine
- Posted Dec 27, 2011
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- Glenn Heath Jr.
Isaac Florentine's film is maligned with gaping plot holes, terrible expository dialogue, and obvious moments of foreshadowing.- Slant Magazine
- Posted Jul 30, 2012
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- Glenn Heath Jr.
One can’t mistake I Spit in Your Grave for anything other than a raging political text, a rigorous reminder to the power of a disturbed imagination, be it victimizer or victim.- Slant Magazine
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- Glenn Heath Jr.
Eric Leiser's hackneyed documentary/stop-motion hybrid Glitch in the Grid presumes social importance by simply referencing the relationship between modern young artists and their inability to express themselves amid a failing U.S. economy.- Slant Magazine
- Posted Oct 18, 2011
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- Glenn Heath Jr.
Both as a character study and modern-day parable, Toll Booth sneaks up on you with its subtle use of repeating motifs and audible cues.- Slant Magazine
- Posted Jan 12, 2012
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- Glenn Heath Jr.
For a film that often veers into potentially absurd territory, You Hurt My Feelings shows a great deal of sensitivity toward its sad-sack characters.- Slant Magazine
- Posted May 1, 2012
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- Glenn Heath Jr.
While many will call małni an “experimental” documentary, that seems like a limiting description. This is a thriving non-fiction film that’s trying to reconnect with what it means to be present, to watch and listen, to step outside yourself and explore.- The Film Stage
- Posted Apr 2, 2021
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- Glenn Heath Jr.
The Works and Days is by no means an easy thing to endure, but doing so brings you closer to understanding what it might mean to finally be at peace.- The Film Stage
- Posted Jul 15, 2021
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- Glenn Heath Jr.
Traditions don’t disappear overnight. They slip away slowly over decades, as elders die off and younger generations experience shifts in priority, social norms, and cultural pride. Few films have been able to capture this kind of ebb and flow like Achal Mishra’s Gamak Ghar, a quietly beautiful drama primarily set in the rural compound where one Indian clan gathers for major life events.- The Film Stage
- Posted May 11, 2022
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- Glenn Heath Jr.
A true marvel of a movie, it’s equally enthralled by wind in the trees and a momentary pause in a conversation, patiently waiting for us to discover its calming power.- The Film Stage
- Posted Sep 11, 2025
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