Geoffrey Macnab

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For 37 reviews, this critic has graded:
  • 51% higher than the average critic
  • 0% same as the average critic
  • 49% lower than the average critic
On average, this critic grades 6.3 points higher than other critics. (0-100 point scale)

Geoffrey Macnab's Scores

  • Movies
  • TV
Average review score: 72
Highest review score: 100 Funny Face
Lowest review score: 40 Beetlejuice Beetlejuice
Score distribution:
  1. Positive: 21 out of 37
  2. Negative: 0 out of 37
37 movie reviews
    • 73 Metascore
    • 60 Geoffrey Macnab
    The filmmaker always shows the same painstaking attention to detail as his homicidal hero does to the logistics of murdering his adversaries. Fassbender is well cast and gives a typically committed performance – one leavened by moments of very deadpan humour. However. The Killer also often drifts into the realm of self-conscious pastiche.
    • 78 Metascore
    • 60 Geoffrey Macnab
    The Texan auteur’s new film – his 22nd, and the first of two due for release in this year alone – boasts a fine, quirky and courageous performance from Ethan Hawke, but it’s a stagey affair which at times becomes very stilted.
    • 76 Metascore
    • 60 Geoffrey Macnab
    Stewart’s febrile, sensitive performance and Larraín’s trademark lyricism give it an emotional kick that such predecessors lacked.
    • 65 Metascore
    • 60 Geoffrey Macnab
    It is hard not to wish Wright had made an entire film set in the Soho of the Sixties rather than one that pays tribute to it through the prism of the present day. It is a pity, too, that the magnificent Taylor-Joy’s role wasn’t further foregrounded.
    • 62 Metascore
    • 40 Geoffrey Macnab
    You could claw together some brilliant short films from the best sequences here, but this 36-years-in-the-making follow-up should make us all question Tim Burton’s modern storytelling sense.
    • 56 Metascore
    • 40 Geoffrey Macnab
    Alpha has some tremendous moments, but the movie is undermined by its own dense and impenetrable storytelling style. It would surely have worked far better as an immersive installation piece than as a two hour feature.
    • 46 Metascore
    • 40 Geoffrey Macnab
    This warped satire is ultimately neither as shocking nor as funny as you initially hope it’s going to be.

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