Gene Seymour

Rarely have a novelist and filmmaker been better matched.

A laid-back excursion through the "Star Trek" phenomenon that boldly goes where millions and millions of fans have gone--in and out of costume.

An undervalued 1978 thriller with an ingenious script by Curtis Hanson. [23 Feb 2001, p.18]

The Corruptor manages to make a meat-and-potatoes action flick into a cunning little meditation on personal loyalty and situational morality. [12 Mar 1999]

One of the least sensationalistic--and therefore, more unsettlingly plausible--visions of prison life ever transfigured into big-screen drama.

Control keeps you riveted in ways that "24 Hour Party People" doesn't, primarily because of the investment of craft and conviction by all concerned.

A spicy little pastry with just the right proportions of flakiness and gooeyness.

So why does Eight Legged Freaks make one laugh out loud even though there is nothing revolutionary about its approach to the giant bug genre? -- the movie is so unapologetic in its crassness that it disarms even the fussiest connoisseur of throwaway disaster flicks.

You might start to seriously wonder if there's a way to get this woman to run for office here in America.

As with any Ozon film, Time to Leave comes across with unexpected moments of illuminated stillness.

Script resounds throughout with astringent dialogue and stark authenticity.

Though Aliens of the Deep flirts with Zissou-Murray's divine madness, Cameron's vision seems somehow cozier. No wonder he's not yet ready for dry dock.

What you have here, essentially, is a classic "Honeymooners" episode juiced with tropes from the most recent "Rocky" movie.

Has the right mix of sugar and spice for a satisfying rush.

Good Burger, K&K's inevitable first movie, will satisfy their audience's appetite for basic, messy silliness while leaving many grown-ups mildly bemused by the fuzzy obviousness of its humor, the gawky pacing of its sight gags and the second-handedness of its slapstick--almost all of which is redeemed by the eager but never cloying charm of its two stars.

What emerges from Arlyck's musings is a penetrating cinematic essay on how generations in the last century struggled to take hold of history and reconfigure the shape of daily life.

Succeeds best when it intensifies its focus on the work and life of its main subject, seen in interviews, home movies and in a climactic performance with Bono and the Edge on "Tower of Song."

His constant chatter may grate, but Noya does the wide-eyed wonderment thing very well.

As a full-service holiday movie, The Santa Clause 3: The Escape Clause gets you into the mood to shop early and often by making the North Pole look like a shopping mall with a never-ending school pageant.

Hostel II is far too shrewd and savagely witty to be caught engaging in higher seriousness. Roth could probably go even further with this particular franchise if he wanted to. Yet somehow, I think he's meant for grander, subtler and more intricate distractions than this.

What Idle Hands lacks in originality, it makes up for in energy and insolence. It takes guts for a movie to indulge as much as this one does in proto-hippie humor and you find yourself tickled, in spite of yourself, by the movie's nerve, if not its jokes.

The movie falls short of the grandeur it's reaching for, but if you're looking for balm to soothe your frazzled nerves, you may be able to scrape some from the movie's rawer edges.

Mindless escape. [12 April 1999, Calendar, p.F-4]

It's nice, once in a while, to come upon a movie that knows it's nothing special, proves it and doesn't care so long as its target audience feels good enough to have a refreshing beverage or two afterward.

Driving Lessons follows the well-worn path laid down by other, better movies while making strained, ludicrous things happen toward the end.

Pettis is adorable, but she pushes the cuteness dial well past one's tolerance level. Still, if you've got small ones yourself, they'll probably enjoy the messes Joe and Peyton make together. They may also wonder why it takes so long for all the movie's messes to get cleaned up.

The movie's clatter and whiz-bang suggests more humor than there actually is.

There's something plodding and uncomfortably strident about Little Animals that keeps the audience from sharing, much less understanding, Bobby's enchantment.