Gary M. Kramer

Laurent’s film is gripping throughout. The filmmaker shrewdly frames each scene to convey the characters’ loneliness and isolation without being too obvious.

Under the Wirecements Colvin’s legacy as it illustrates the value of getting to the truth and making it public. In Martin’s hands, Conroy’s story is no less compelling.

A Private War certainly gets viewers to care about Colvin. The screenplay, by Arash Amel, drops Marie (and viewers) into several war zones where she reports about various horrors. Heineman wisely does not shy away from showing some of the blood and the carnage, lest anyone forget the very real human stories that Colvin reported.

while All About Nina does not add anything new to this genre, writer-director Eva Vives’ film does benefit from the female perspective. It also showcases a fearless performance from Winstead.

The biggest flaw in Mackenzie’s film is that it is so focused on plot and action, there is all too little emotion, save that surge of rage for (or in) battle.

The stories are all heartfelt. Epstein wants Weed the People to provide folks with hope. It may jerk tears when one subject encounters a setback, or another patient loses their battle with cancer, but there will also be tears of joy with the film’s multiple success stories.