Gary Goldstein
Select another critic »For 1,126 reviews, this critic has graded:
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53% higher than the average critic
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12% same as the average critic
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35% lower than the average critic
On average, this critic grades 5.9 points lower than other critics.
(0-100 point scale)
Gary Goldstein's Scores
- Movies
- TV
| Average review score: | 60 | |
|---|---|---|
| Highest review score: | Other People | |
| Lowest review score: | The Remake | |
Score distribution:
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Positive: 555 out of 1126
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Mixed: 408 out of 1126
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Negative: 163 out of 1126
1126
movie
reviews
- By Date
- By Critic Score
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- Gary Goldstein
It’s a profound, affecting and beautifully told chronicle of faith, family, obsession and the language of music.- Los Angeles Times
- Posted Dec 23, 2019
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- Gary Goldstein
Star and first-time director Ewan McGregor, working with screenwriter John Romano, has skillfully reshaped Roth’s tale for more urgent cinematic telling, covering a host of profound themes with disquieting power, reflection and grace.- Los Angeles Times
- Posted Oct 20, 2016
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- Gary Goldstein
If writer-director Sam Hoffman’s charming, well-performed tale feels at all familiar, it’s territory worth revisiting.- Los Angeles Times
- Posted Jan 18, 2018
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- Gary Goldstein
Coalesces into a thoughtful, pointed, at times deceptively profound look at how the rich get richer and, well, you know what happens to the poor.- Los Angeles Times
- Posted Feb 27, 2020
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- Gary Goldstein
It's the candid moments of joy and accomplishment -- Welcker finding out she's an Intel contest finalist, Khan learning he's been accepted to Yale, high school valedictorian Cisneros thanking her devoted parents in her graduation speech -- that really make this one soar.- Los Angeles Times
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- Los Angeles Times
- Posted Jul 4, 2013
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- Gary Goldstein
The lovely, heartbreaking Fly Away benefits from superb performances and a gripping story managed with simplicity and grace by writer-producer-director Janet Grillo.- Los Angeles Times
- Posted Apr 15, 2011
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- Gary Goldstein
It runs less than an hour, but the inspiring documentary Black Women in Medicine packs in enough smarts, context and emotional clarity for a far longer film.- Los Angeles Times
- Posted Sep 1, 2016
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- Gary Goldstein
A beautifully rendered, lovingly constructed action-comedy that's sure to please kids and adults alike.- Los Angeles Times
- Posted Jan 28, 2016
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- Gary Goldstein
Hepburn’s eye for detail and nuance is exceptional, especially as she evocatively captures the extremes of the film’s imposing landscapes. This is an austere, demanding, deliberately paced picture that will reward the patient.- Los Angeles Times
- Posted Jun 28, 2018
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- Gary Goldstein
The Afghanistan war documentary The Hornet's Nest is a kinetic, immersive experience, particularly in its deeply felt human moments.- Los Angeles Times
- Posted May 29, 2014
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- Gary Goldstein
The Adderall Diaries is a complex, absorbing, at times profound look at how we choose to remember our past. Wh- Los Angeles Times
- Posted Apr 14, 2016
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- Los Angeles Times
- Posted Jun 26, 2013
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- Gary Goldstein
Jalali peppers this darkly funny, often absurdist piece with enough socio-political messaging to add heft but not didacticism. It all makes for a singular, well-observed balancing act.- Los Angeles Times
- Posted Jun 8, 2017
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- Gary Goldstein
Although Gruber's personal life and latter accomplishments are mostly addressed via a few closing sentences, "Ahead" remains a fleet and fitting tribute.- Los Angeles Times
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- Gary Goldstein
Cox masterfully captures Churchill’s contradictory nature, obsessive dutifulness to queen and country, and a volatility born out of fear, desperation and impending loss.- Los Angeles Times
- Posted Jun 1, 2017
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- Los Angeles Times
- Posted May 16, 2019
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- Gary Goldstein
The Childhood of a Leader is a chilly — and chilling — political thriller by way of a provocative domestic chamber piece. Strikingly mounted, lighted, shot and scored, this tense, decidedly arty film marks a bravura feature directing debut for young American actor Brady Corbet.- Los Angeles Times
- Posted Jul 28, 2016
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- Los Angeles Times
- Posted May 9, 2019
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- Gary Goldstein
If “lovely” is not the first word you’d think would be used to describe a movie about attempted murder, then you haven’t seen Moving On, an amusing and bittersweet little tale of love, friendship and, yes, retribution.- Los Angeles Times
- Posted Mar 15, 2023
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- Los Angeles Times
- Posted Aug 18, 2016
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- Gary Goldstein
How the then-newbie performers’ jackpot roles in the heady, heartbreaking show informed their lives and careers forms much of the movie’s stirring narrative spine.- Los Angeles Times
- Posted Nov 25, 2016
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- Gary Goldstein
The film is an architecture lover's dream.- Los Angeles Times
- Posted Feb 16, 2012
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- Gary Goldstein
Jaffe deftly captures his subject's creative process, helpfully illuminating the method to Wilson's comic madness.- Los Angeles Times
- Posted Nov 25, 2013
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- Gary Goldstein
A stirring snapshot of America from 1963 to 1968 and the many rock 'n' roll thrills, cultural and political watersheds, and whirling emotions that erupted in between. It's also deviously smart and darkly funny.- Los Angeles Times
- Posted Dec 20, 2012
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- Gary Goldstein
The Wall is a remarkably involving film, especially given its brave, self-imposed limitations.- Los Angeles Times
- Posted Jun 12, 2013
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- Gary Goldstein
A memorable romantic comedy that stands to bring back the genre’s good name, “It Had to Be You” is as funny, endearing and enjoyably off-kilter as its adorable star, Cristin Milioti.- Los Angeles Times
- Posted Oct 20, 2016
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- Gary Goldstein
Whaley nicely calibrates this wistful dramedy's emotional quotient, never allowing sentiment to turn into sap.- Los Angeles Times
- Posted Mar 20, 2015
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- Gary Goldstein
Director Greg "Freddy" Camalier skillfully, unhurriedly unfurls a wealth of classic music-biz tales as told by a who's who of R&B, soul and rock 'n' roll royalty and various other players and purveyors.- Los Angeles Times
- Posted Oct 10, 2013
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- Gary Goldstein
There’s certainly enough potential mayhem, desperation and danger here (including the gangsters on Sang-hyeon’s tail) for “Broker” to have become a dark, propulsive action-drama, in another filmmaker’s hands. But Kore-eda focuses on — and mines — the grace notes, better angels and soulfulness of his characters in such lovely and relatable ways that we’re grateful for his humanistic, more empathetic priorities.- Los Angeles Times
- Posted Dec 28, 2022
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