Fletcher Peters

Love You Forever isn’t gripping or poignant enough to stick the landing. You can only watch a grotesque man commit atrocities for a short period of time before the shtick becomes too upsetting to continue.

The film’s dawn of the new millennium references—from AOL dial-up crackles to the “Macarena” dance—are absolutely riotous. But a lack of intriguing characters and failure to follow through on a great concept for a horror story leave Y2K with major software bugs.

The film works best when it’s a psychological drama or a deeper look at certain characters (particularly Rose, although Sammy gets his time, too) instead of a biting satire about the entertainment industry.

A scathing portrait of Jones and the vile misinformation he spread about the Sandy Hook tragedy.

On a comedic level, The Gutter is too quiet to be slapstick but too random to actually have an intelligent sense of humor.

Like many teen movies, I Wish You All the Best does become heavy-handed and cheesy at certain points, but that in no way diminishes the poignancy it offers.

Bob Trevino spins a fascinating story into a superb movie with stellar performances from its two leading stars.

On top of being a no-holds-barred action movie, The Fall Guy is also the best studio rom-com since Crazy Rich Asians. Gosling and Blunt make for an intoxicating duo, and Gosling really runs away with the rest of the movie, too.

Sitting in Bars with Cake is exactly what you think it is from the name alone: a happy-go-lucky coming-of-age movie about people who sit in bars with cake. It is sweet but, like a good cake, never too sugary and indigestible.

Choose Love wants to be an exciting Choose Your Own Adventure special; but really, the film is too lazy to actually come up with any fun, creative storylines.