Farran Smith Nehme

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New York Post
For 326 reviews, this critic has graded:
  • 39% higher than the average critic
  • 4% same as the average critic
  • 57% lower than the average critic
On average, this critic grades 1.9 points lower than other critics. (0-100 point scale)

Farran Smith Nehme's Scores

  • Movies
  • TV
Average review score: 64
Highest review score: 100 Love & Friendship
Lowest review score: 0 No One Lives
Score distribution:
  1. Positive: 215 out of 326
  2. Mixed: 62 out of 326
  3. Negative: 49 out of 326
326 movie reviews
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    • 51 Metascore
    • 63 Farran Smith Nehme
    Yves Saint Laurent
    Saint Laurent was known for an almost monk-like focus on his work. And so this film springs to life — the actors, the camera, the editing — when we see his creations the way they were meant to be seen: in motion, and worn by beautiful women.
    • 50 Metascore
    • 75 Farran Smith Nehme
    I Give It a Year
    As pure comedy, it’s a hoot.
    • 50 Metascore
    • 38 Farran Smith Nehme
    Afternoon Delight
    There are some bright one-liners in the beginning, but the comedy/drama mix is an uneasy one, especially considering the shabby way the film treats McKenna, as a tart who’s just there to improve some yuppie sex lives.
    • 50 Metascore
    • 50 Farran Smith Nehme
    Six Dance Lessons in Six Weeks
    Seeing this great actress, age 84, draw real feeling and laughs from such mediocre material is worth the watch.
    • 50 Metascore
    • 75 Farran Smith Nehme
    Breakup at a Wedding
    Breakup at a Wedding works, because Quinaz has come up with a concept that lets him skewer directorial pretension alongside wedding hysteria.
    • 50 Metascore
    • 50 Farran Smith Nehme
    Off-White Lies
    The performances are so uniformly good that it's a shame the characters are stuck with such a listless plot.
    • 49 Metascore
    • 88 Farran Smith Nehme
    A Man's Story
    Showing the personal toll that produces a star in any field could be a soggy, predictable drag, but the documentary A Man's Story never slides into easy sentiment or bromides.
    • 49 Metascore
    • 25 Farran Smith Nehme
    The Happy Sad
    A movie about bisexuals sounds fresh and fun on paper, but a sensitive acoustic song under the opening credits shows exactly where The Happy Sad is going. Deadly earnestness and sex don’t mix well at the movies.
    • 48 Metascore
    • 63 Farran Smith Nehme
    Kiss of the Damned
    The sex is the main thing that makes Kiss of the Damned worthwhile.
    • 48 Metascore
    • 25 Farran Smith Nehme
    First Comes Love
    First Comes Love seems punishingly long. It’s no more visually arresting than anybody else’s home movies, and the film’s creator fails to connect her subset of Manhattan privilege to anyone or anything other than herself.
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