Ethan Anderton

An endlessly charming, funny, and delightfully lo-fi British comedy.

"The Secrets of Dumbledore" has the most competent story yet, even if it's missing some crucial details to properly flesh out new elements of the wizarding world.

As unnecessarily intricate and eyebrow-raising as the story might be, "Spin Me Round" at least feels original — it's never boring, and what unfolds is admirably entertaining enough that it's hard to downright dislike. But not unlike the Italian "cuisine" of Tuscan Grove, it still leaves something to be desired.  Read More: https://www.slashfilm.com/796873/spin-me-round-review-alison-brie-gets-embroiled-in-a-meandering-but-entertaining-comedic-thriller-sxsw/?utm_campaign=clip

Gillian Jacobs doesn't necessarily break new ground with More Than Robots, but the film is still a lovely look at some promising kids from all walks of life getting the chance to spread their wings and find a community of like-minded peers who make them feel a sense of belonging and purpose.

This is the definitive chronicle of Tony Hawk's incredible rise to become the face of modern skateboarding. ... Though the documentary could have been tightened up a little bit, "Tony Hawk: Until the Wheels Fall Off" is still a thoroughly captivating film about one of the most famous figures in sports.

"To Leslie" doesn't reinvent the wheel when it comes to alcoholic drama, but director Michael Morris ... knows how to dig into these characters without relying on overt sentimentality. Alongside the performances, this is largely what makes "To Leslie" work so well in the face of being conventional.

Linoleum is much more than meets the eye, and as the film wades into its final 15 minutes or so, you'll find yourself overwhelmed by an emotional revelation that not only clears up any lingering fog from the story's puzzling evolution but really pulls at the heartstrings with a wonderfully woven tapestry of life and love. 

There's a big beating heart at the center of the movie that keeps you close to the ground and makes it an absolute triumph of twisted humor and love.

It gets lost while trying to offend, and then comes to an abrupt end when it seems like the Guit brothers ran out of ideas. But maybe that's for the best.

Amy Poehler relies heavily on this intimate collection of media, provided with the full support of both the Arnaz and Luckinbell families, and honestly, it's the most fascinating way to tell their story. It adds the kind of intimacy and personal touch that fans hope to see from a documentary like this.

While the story at the center of 892 is undeniably compelling, the film has trouble keeping the engine running beyond the natural tension that comes from holding up a bank. If it wasn't for Boyega and Beharie's performances, this probably would have been a letdown. But thankfully, the movie still packs a powerful punch.

Nighy brings a dignity to the proceedings that you can't help but admire, especially when it comes to Williams' sudden self-awareness in his final days, and that helps keep your attention.

The result is a chaotic, surprisingly funny, and intense night gone wrong that masterfully balances comedy, drama, and suspense. 

Nostalgia is fine in limited doses, but the sequel ends up feeling like J.J. Abrams directed "Now That's What I Call Ghostbusters," undoing any of the goodwill established by the film's first two acts. The movie is trapped in the past so much that it might taint any potential future there might be to keep the franchise alive with these new characters.

It follows in the footsteps of the Mr. Rogers documentary Won’t You Be My Neighbor? by shining a light on the making of the iconic series, revealing things you may not have known about its creators, and bringing some good old fashioned nostalgia to your heart.