Ernest Hardy

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Film.com, L.A. Weekly, Village Voice
For 601 reviews, this critic has graded:
  • 49% higher than the average critic
  • 4% same as the average critic
  • 47% lower than the average critic
On average, this critic grades 7.7 points lower than other critics. (0-100 point scale)

Ernest Hardy's Scores

  • Movies
  • TV
Average review score: 58
Highest review score: 100 Vanishing Pearls: The Oystermen of Pointe a la Hache
Lowest review score: 0 3000 Miles to Graceland
Score distribution:
  1. Positive: 287 out of 601
  2. Mixed: 199 out of 601
  3. Negative: 115 out of 601
601 movie reviews
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    • 65 Metascore
    • 70 Ernest Hardy
    Favela Rising
    Elevated by fantastic performance footage of Sa and his young protégés singing, dancing and rhythmically banging on cans, plastic bottles or anything else that can be fashioned into a drum -- and a cultural revolution.
    • 35 Metascore
    • 70 Ernest Hardy
    Rape Me
    A small revolution tucked inside clichés and willful artistic ineptitude.
    • 62 Metascore
    • 70 Ernest Hardy
    Happy, Texas
    A very cynical exploitation of the current Hollywood vogue for things queer. Still, the film is a must-see.
    • 52 Metascore
    • 70 Ernest Hardy
    Brotherhood
    Characters make choices that are incredibly stupid, even wildly offensive, but also recognizably human, and as the night spirals out of control Cannon demonstrates a strong hand in controlling the mayhem. He also sets himself up as a filmmaker to watch.
    • 70 Metascore
    • 70 Ernest Hardy
    Queen to Play
    The supporting cast is uniformly fine, but the film rests on the delicate shoulders of Bonnaire, who carries it with a soulful, magnetic presence.
    • 65 Metascore
    • 70 Ernest Hardy
    Gay Sex in the 70s
    It's fair to assume that most viewers likely to see the film, whose title is the very definition of truth in advertising, already own the knowledge being sold.
    • 46 Metascore
    • 70 Ernest Hardy
    Ravenous
    Although the hinges connecting the film's elements -- slapstick, political satire, thriller, gross-out shots -- sometimes squeak loudly, they hold the movie together nicely.
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