Eric Campos

24 Hours on Craigslist is the ultimate people zoo.

Antibodie does fasten a tight squeeze on its audience, right from the get go, and even despite the long run time, just over two hours, it's a consistently tense ride.

Very unusual that a film focusing on characters this miserable can be so uplifting, but here it is, and it's damn fine.

A complete bloodbath.

The one thing that keeps this movie from being an instant classic is its tendency towards childishly goofy humor. I guess it all depends on how you like your funny.

It's a touching story of father and son type male bonding -- male bonding with Nick Nolte no less -- that's bound to find some audience members blubbering by film's end.

It's clear right away that The Roost is no hack job. It's made by people who have a major love for the genre and generally anything that goes bump in the night.

This interesting and humorous ride brings a wild variety of Grace Lees, to Grace’s delight and our amusement, providing an informative and heartfelt look, more personal than academic, of a culture and the single bond they all share.

Isn’t just a "gay movie." There are just gay people in it. Anyone can get into this lovable film.

Judge and Hertzfeldt take us on an international trip through the world of animation. From the silly, to the beautiful, to the terminally lame and pretentious, there’s a little something for every taste here…yeah, even for those who love farts.

This film includes not one single word of dialogue.

You want uncomfortable tales of love and woe, then Race You to the Bottom has what you're looking for. And if you believe love is a disease that is meant to send people to screaming, burning hell, then you'll have a laugh riot, a real knee slapper, like 1,000 fart jokes heard all at once.

This film is designed to turn your stomach and make you feel ashamed of your fellow man.

The backdrop of this seedy motel is just the perfect place to illustrate the awkward times of early teen life.

The performances from the film's three stars are all top-notch.

A well-done, oft-times entertaining documentary as it presents this unique brand of matchmaking that may or may not be the ideal situation for both parties.

Basically, what you have in Ju-On is a collection of effectively scary sights and sounds - sound effects play a huge part in rolling that chill down your spine – and that's about it.

The first half of the film is engaging enough to overshadow the missteps of the final act. It's a down and dirty look at the world of the ko gals, but it has class.

The story's no great shakes here. However, the power of this film lies in the sexual tension boiling between the characters and that makes for a great date movie.

This is a truly strange love story that definitely grew on me as it ran its course, or perhaps it was just that infectious song sinking its hooks into me.

Takashi knows how to make a great, sleazy Yakuza film, but what I’m missing here is that sense of something brand new.

This Brazilian thriller blows a heck of a lot of hot air, but really doesn’t deliver on the ass-kickings it so threatens.

Wordplay is...well...just about as exciting as a feature length movie about people solving crossword puzzles can be. Not very.

Winds up being enjoyable, even though the only character I really liked was the main one, played by David Paymer. Everyone else I wanted to whack in the ass with a tire iron.

Moves at a smooth and steady pace, so much so that it’s hypnotic. The characters and performances in this film are also very calm, providing a soothing experience.

The 3D visuals are an enormous part of MVA's experience and they also help to cover up the lackluster “comedy.”

Imagine a blend of "The Wizard of Oz," "Beetlejuice" and "Roadside Prophets" and you'll know exactly what Wristcutters is like.

Unfortunately, the outcome here is so over-the-top that it’s going to wind up alienating most everyone that sees it.