Eric Campos

Authentic and hilarious. This film sparks with a natural comic rhythm.

An uber-modern romance story that's powered with raw honesty and coated with wild imagination.

See the true story of Sister Helen and her band of weary men now.

Unfortunately, the outcome here is so over-the-top that it’s going to wind up alienating most everyone that sees it.

Chalk is loaded with life, energy, truth and respect. It may just make you yearn for your high schooling days. Okay, maybe not, but Chalk will have you laughing long after the movie has ended. How's that for homework?

Full force Will Ferrell at his best. And as an added bonus, we all get one of the funniest movies of the year...that is if you don't mind your humor on the rude and crude side.

In the end, Who Needs Sleep is a great sleeping aid, but a horribly dull and uninspiring documentary.

At last, the hopeless romantics and the gorehounds can feast at the same table.

24 Hours on Craigslist is the ultimate people zoo.

Bukowski is one of my all time favorite writers and now I have an all new respect for the man thanks to John Dullaghan’s phenomenal film. I’ll be breaking out “Post Office,” “Ham On Rye,” and “Notes of a Dirty Old Man” again very soon.

It's vital that everyone who cares about film see this documentary.

As much fun as I had with this film, and many others will have with it for years to come, Citizen Toxie is definitely an acquired taste.

The camera lingers on the characters' minimal, but expressive actions, allowing the viewer to soak in their emotions rather than having them related to us through dialogue. In doing so, In Between Days is more of an experience than your average movie.

An entertaining experience as the filmmakers focus on a few select boys who provide a wealth of charm as they struggle with their new surroundings.

A well-done, oft-times entertaining documentary as it presents this unique brand of matchmaking that may or may not be the ideal situation for both parties.

So well is this film made, written and acted that you’d have to be a pretty big hard ass not to get pulled into the hilarious and even touching exploits of Alan and Tommy as their lives take the most unpredictable of turns. Try it, you’ll like it!

A very important film that is as sad as it is uplifting. After viewing it you may just have a whole new appreciation for life.

You really have to be in the right mood to sit through Tony Takitani. You have to be ready to take in a thoroughly depressing story that moves...very...slowly.

A little boring and extremely long for what it is, all that Azumi really has going for it are several eye-popping battle sequences, including the climax which is a totally delicious celebration of graphic violence, and some nice camera work.

Playing like a video coffee table book displaying some of the man’s most notorious work.

Thoroughly entertaining and will possibly get you thinking about certain choices you've made in your life.

The cast is top-notch and I predict there will be plenty of female audience members drooling over Michael Idemoto as Michael.

Exciting, but not completely original.

From the film's opening moments you won't be able to guess where the whole thing ultimately ends up and that's one of the many endearing qualities of Revanche.

It's a love story without all the verbal hooey and it hits harder than most.

Rude, crude, gaudy and often hilarious.

Basically, what you have in Ju-On is a collection of effectively scary sights and sounds - sound effects play a huge part in rolling that chill down your spine – and that's about it.

This well-crafted documentary shows us that getting old isn't all that terrible.

It's difficult at first to tell whether this is a documentary or a fictional work and this makes Assisted Living all the more involving.

Antibodie does fasten a tight squeeze on its audience, right from the get go, and even despite the long run time, just over two hours, it's a consistently tense ride.

Takes a look at the man’s entire life and grants us an eye-opening look inside his brain. And now that the supposed be-all-end-all documentary has been made, let’s let the guy get some f----- rest, okay?

It's pretty basic here. You have a Bill Plympton movie. You know what to expect – complete rampant insanity from the mind of a mad genius.

This tired old pile of garbage will hopefully be chased out of town soon.

These actors and many more make What We Do Is Secret an absolute blast to watch and they do an undeniably perfect job of recreating this notorious scene.

Unfortunately, despite a couple of creepy scenes here and there, director John Hancock doesn't inspire enough interest for us to want to follow Tom on his near two-hour Hardy Boys mystery. More groans than gasps for this one.

Very unusual that a film focusing on characters this miserable can be so uplifting, but here it is, and it's damn fine.

With Tokyo Sonata, Kurosawa shows that he has quite the flair for dry humor and peppers this film with just the perfect amount.

A great effort from first time feature filmmaker Jason Matzer.

Bukowski had a bunch of none too kind things to say about “Barfly" upon its release in the 80s, but, with Factotum, he'd do plenty of bitching and moaning as well, but deep down, Hank would approve.

This is a great little thriller with some genuinely creepy moments.

A complete bloodbath.

This isn’t exploitation; this is a look at how things may have been with Harris and Klebold, and how something like this could easily happen again.

With “Chamber of Secrets,” all we get is a f____ "Scooby Doo" episode. Boo on everyone involved...BOOOOOOOO!

With this marvelous cast of characters and the comic brilliance of writer/director Greg Pritikin, nary a minute goes by that you're not slapping your knee with laughter.

Beautifully shot and filled with lovable characters you could watch for hours, Americano is an amazing journey that makes one yearn for travel.

If you like your boys pretty and your stories incredible, this movie is for you.

This is a really small film, shot in 19 days, and it's a little rough around the edges, but it's got a huge comic heart that's undeniable.

Thrilling stunt footage aside, this is a film that celebrates the strength of women in the entertainment industry and these two separate stories are tied together perfectly by filmmaker Amanda Micheli.

The one thing that keeps this movie from being an instant classic is its tendency towards childishly goofy humor. I guess it all depends on how you like your funny.

This is a weird little movie, and it's an interesting trip accompanying Dick Ritchie on his transformation.

Excellent acting, great music, amazing artwork and gorgeous Christopher Doyle type cinematography make this film an absolute treat to sit through. It's like a big piece of candy.

Loaded with tons of personal stories told by both Johns (the two main members of They Might Be Giants) as well as people within the music industry.

The kind of film that you just don't want to end.

The first half of the film is engaging enough to overshadow the missteps of the final act. It's a down and dirty look at the world of the ko gals, but it has class.

The story's no great shakes here. However, the power of this film lies in the sexual tension boiling between the characters and that makes for a great date movie.

The romance here is rich and the laughs plentiful.

This is what "Nightmare" fans have been waiting fifteen years for.

You love Solondz's films, you'll love Palindromes. That same twisted sense of humor is there and certain scenes go on for an uncomfortably long time, but you wind up savoring the discomfort.

This is a truly strange love story that definitely grew on me as it ran its course, or perhaps it was just that infectious song sinking its hooks into me.

Takashi knows how to make a great, sleazy Yakuza film, but what I’m missing here is that sense of something brand new.

Fortunately, the filmmakers have quite a few clever tricks up their sleeves, bringing us a smart, refreshing an affectionate skewering of a celebrated genre.

So here it is, an arena rock type film event for lovers of Asian cinema. Good news is that you won’t have that annoying ringing in your ears the day after. Better news is that you’ll have food for thought way after witnessing these spectacles.

It's a touching story of father and son type male bonding -- male bonding with Nick Nolte no less -- that's bound to find some audience members blubbering by film's end.

It's clear right away that The Roost is no hack job. It's made by people who have a major love for the genre and generally anything that goes bump in the night.

This interesting and humorous ride brings a wild variety of Grace Lees, to Grace’s delight and our amusement, providing an informative and heartfelt look, more personal than academic, of a culture and the single bond they all share.

This Brazilian thriller blows a heck of a lot of hot air, but really doesn’t deliver on the ass-kickings it so threatens.

The film also doesn't try to wrap things up nice and neat. That's not how life is and that's not how this film goes. But for those who can handle the truth, they should be prepared for a very moving experience. And Freddy Krueger references.

Isn’t just a "gay movie." There are just gay people in it. Anyone can get into this lovable film.

Geared to please audiences of all tastes.

Wordplay is...well...just about as exciting as a feature length movie about people solving crossword puzzles can be. Not very.

Judge and Hertzfeldt take us on an international trip through the world of animation. From the silly, to the beautiful, to the terminally lame and pretentious, there’s a little something for every taste here…yeah, even for those who love farts.

This film includes not one single word of dialogue.

A wicked good time.

Winds up being enjoyable, even though the only character I really liked was the main one, played by David Paymer. Everyone else I wanted to whack in the ass with a tire iron.

Plagues & Pleasures is kinda like one of those travel videos, except it's offering you a vacation like you've never had before and it's not loaded with bulls---.

You want uncomfortable tales of love and woe, then Race You to the Bottom has what you're looking for. And if you believe love is a disease that is meant to send people to screaming, burning hell, then you'll have a laugh riot, a real knee slapper, like 1,000 fart jokes heard all at once.

In a perfect world, movies this clever would open in theaters every weekend. Maybe some day.

Good news is that most of the marvelous English dialogue cast from the Cowboy Bebop series has returned for the film. The bad news is that the heart and soul of the series hasn’t.

We still love you, Terry. Happens to the best of us. But, man, what a stinky load. Someone get the hose.

Thought provoking and brimming with charm, match that with an infectious sense of humor and outstanding performances.

This film is designed to turn your stomach and make you feel ashamed of your fellow man.

The backdrop of this seedy motel is just the perfect place to illustrate the awkward times of early teen life.

Incredible because for a 100 minute movie, Alexandra's Project passes like 30. Incredible also that most of those 100 minutes take place in a single living room. It's the tension and performances that pull you through, never letting your attention stray from what's going down on-screen.

This thoroughly engaging, if tragic, love story unfolds like a psychological striptease. The biggest challenge here is not to blush.

Moves at a smooth and steady pace, so much so that it’s hypnotic. The characters and performances in this film are also very calm, providing a soothing experience.

Bottom line, what I took away from this movie was – that drunk guy sure was funny.

Congratulations to Robb Moss for making such a crowd-pleaser. But more importantly, congratulations to Moss for having such interesting friends.

This could've easily been a giant mess, but aiding filmmaker Scott Storm in keeping his ship together is a talented ensemble cast who compliment the sharp, witty script by writer Paul Osborne. You're never too lost in trying to figure out why this poor guy is doomed and you're always entertained. Talent coming in from all sides makes Ten ‘til Noon great movie watching.

The cast playing these eccentric characters is magnificent...This is definitely one of the most unique comedies you’ll see all year.

You'll either walk away with a headache,or praising filmmaker John Maybury for his unique narrative...and it is unique, but in my eyes, it's also a big giant mess.

A tough sit, but it attracts more than repels you. It commands your attention. Once it lands its hooks in you, there's no tearing away.

I love a nice, quiet film. It’s so relaxing and such a nice break from the flashy multiplex fare. I love watching films that you can let just wash over you. The Hungarian film Hukkle provides that comfort, while at the same time coming up with an inventive way to tell a story.

Gory, scary, smart and funny, this is definitely one of the best horror films I’ve seen in years.

The 3D visuals are an enormous part of MVA's experience and they also help to cover up the lackluster “comedy.”

Inspires plenty of head scratching and maybe a little irritation.

So just do yourself a favor, get out there and see Ong Bak. You’ll leave the theater bruised and battered, but you'll be happy about it.

Imagine a blend of "The Wizard of Oz," "Beetlejuice" and "Roadside Prophets" and you'll know exactly what Wristcutters is like.

So now that I’ve seen one of “the master’s” films, I still can’t tell you what the appeal is. Pistol Opera is unique for sure, it just never made me want to follow it down its strange path.