Emma Stefansky

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For 17 reviews, this critic has graded:
  • 70% higher than the average critic
  • 0% same as the average critic
  • 30% lower than the average critic
On average, this critic grades 4.9 points higher than other critics. (0-100 point scale)

Emma Stefansky's Scores

  • Movies
  • TV
Average review score: 71
Highest review score: 100 Puss in Boots: The Last Wish
Lowest review score: 50 Strange World
Score distribution:
  1. Positive: 10 out of 17
  2. Negative: 0 out of 17
17 movie reviews
    • 58 Metascore
    • 60 Emma Stefansky
    Wicked: For Good brings Jon M. Chu’s movie-musical duology to a climactic conclusion that’s dark in every sense of the word. With harrowing action scenes, heart-wrenching musical numbers, and excessively dimly-lit scenery, this sequel compounds all of the problems of the first movie while introducing some wholly new ones of its own. Dual leads Cynthia Erivo and Ariana Grande are as luminous as ever, electric whenever they’re sharing the screen together, but there’s a lot of movie to slog through to get there.
    • 42 Metascore
    • 60 Emma Stefansky
    There’s a fun slasher buried beneath the too-faithful reboot plot of the new I Know What You Did Last Summer. Unfortunately, it’s overshadowed by too many callbacks to the first movie in the series and too little originality. The mix of new stars and returning favorites provides some urgency, but does little to give it an identity all its own.
    • 54 Metascore
    • 60 Emma Stefansky
    The Lord of the Rings: The War of the Rohirrim is a fascinating idea with a lackluster execution, more interesting as a concept than an actual retelling of one of Middle-earth’s famous legends.
    • 61 Metascore
    • 58 Emma Stefansky
    It’s a little bit of a slog even if you’re already a fan.
    • 53 Metascore
    • 60 Emma Stefansky
    A semi-confusing script and heavy-handed direction from David Ayer muddle the proceedings, but enough inspired pizazz and Statham’s earnest delivery of lines like “I protect the hive” just barely bring it all home.
    • 80 Metascore
    • 60 Emma Stefansky
    While Bertrand Bonnello’s film is a timely, somewhat satirical send-up of dystopian futures and past traumas, The Beast doesn’t quite measure up to its heavy portents of doom.
    • 65 Metascore
    • 50 Emma Stefansky
    It’s tough to watch a movie whose rootbound nostalgia keeps it from making good on the promise those stories made to show us something we’ve never seen before.

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